In short
Wartime propaganda on social media, focusing on “meme warfare” around the U.S.-Iran conflict—especially the Trump White House’s use of video-game/movie clips and Iran-linked pro-regime accounts using AI/deepfakes.
Guests/backgrounds
Nick Cull, history of propaganda specialist at USC Annenberg; Will Remus, technology journalist at The Washington Post.
Key claims
Propaganda has three wartime goals: rally your side, persuade allies, demoralize the enemy. Trump’s meme-style messaging is “memification/gamification” of war, divisive and aimed at supporters rather than the broader public. Iran-linked networks exploit existing U.S. mistrust (e.g., skepticism that the war is meant to distract from the Epstein files). Deepfake content can spread because it “confirms” what audiences already suspect.
Notable examples
White House tweets comparing Iran war footage to Nintendo/Braveheart; Iranian memes using Lego Trump/BB and Lego Strait of Hormuz; “Bomb Iran” music resurfaced. X accounts (e.g., HDX News/GPX Press) allegedly pushing an AI deepfake of Trump with blindfolded prepubescent girls (Epstein-related), plus unverified claims like capturing a B-2 bomber and striking Tel Aviv.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOIntroduction to Propaganda
0:45 to 1:00
Exploring the role of propaganda in historical contexts of warfare.
“Support for the program today comes from Atio, the A-I-C-R-M for modern teams.”
Objectives of Wartime Propaganda
2:56 to 6:01
Nick discusses the three main objectives of propaganda in wartime.
“Nick, in a time of war, what's the objective of propaganda?”
Historical Context and American Propaganda
6:01 to 8:00
Examining American propaganda messages through history and their impact.
“and sometimes this occurs in popular culture.”
Modern Propaganda Tactics
8:00 to 12:12
Discussion on the unique and divisive nature of contemporary propaganda under Trump.
“And all of this plays into an idea that war can be communicated through memes, clips from games.”
Global Implications of US Propaganda
12:12 to 13:08
Analyzing the potential implications of US propaganda on international relations.
“So this is evidence that we don't matter, because if we did matter, we'd get different messages.”
The Emergence of AI Propaganda
17:22 to 21:40
Understand how AI-generated content is being used in propaganda campaigns.
“On the social network X, there is a group of accounts that look like sort of generic news aggregation accounts.”
The Role of Misinformation in Public Opinion
21:41 to 28:00
Learn about how misinformation influences public perception regarding conflicts.
“So in addition to posting the Epstein content, which has gotten a lot of traffic, and also posting the sort of more run-of-the-mill pro-Iran propaganda that says Iran's doing great and the U.S.”
Understanding Resonance in Messaging
28:00 to 28:30
Explore how messages resonate with audiences and their impact.
“You know, that makes that message all the more likely to resonate.”
Transcript
Automatic transcript. May contain errors.0:02Noel King:The White House is tweeting videos of the Iran War as a Nintendo game. As a scene from Braveheart. The Iranians are tweeting videos of the American and Israeli war featuring Lego Trump and Lego BB, Lego Strait of Hormuz. Propaganda is a part of every war. It has not always been this dumb, but there are other differences this time around that might matter more. Quite often, the moral aspects of war are laid out before the American public, before any American shooting has begun. That was the case for World War I, World War II. You know, the case was being made around Vietnam before anything happened.
0:44Noel King:That's coming up on Today Explained.
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2:47You're listening to Today Explained.
2:50Noel King:I'm Noelle King with Nick Cull. He specializes in the history of propaganda at USC Annenberg. Nick, in a time of war, what's the objective of propaganda? Well, propaganda has three objectives in wartime. The first is to rally your own population. The second is to persuade allies that you're doing the right thing, So maybe they might actually support you. So to make friends friendlier, to make allies more supportive and maybe even create a few new allies. And the third is to demoralize your enemy. So some people would call that psychological warfare, to break your enemy's will to resist, to protect images of your strength that are so overwhelming that the enemy hastens to surrender or to compromise.
3:48And that's also a very old element in communication in wartime. In the past, this is what propaganda looks like when the U.S. is coming into a war, that you have this explanation of what the war is going to be about, something that appeals to the American public while also maybe even inspiring international audiences. So President Wilson in the First World War, or on the eve of the First World War from the American point of view, spoke about a war to end all wars, a war to make the world safe for democracy. The world must be made safe for democracy. Its peace must be planted upon the tested foundations of political liberty.
4:41We have no selfish ends to serve. We desire no conquest, no dominion. He had his 14 points for how the diplomatic scene was going to be reformed. On the eve of World War II, President Roosevelt spoke about the four freedoms and set out a whole vision for a new international order. Freedom means the supremacy of human rights everywhere. Our support goes to those who struggle to gain those rights and keep them. Think about President Bush talking about a war to protect a new order, the first President Bush, on the eve of the war with Iraq, the first Iraq war. Iraq will eventually comply with all relevant United Nations resolutions.
5:38And then, when peace is restored, it is our hope that Iraq will live as a peaceful and cooperative member of the family of nations. So these are the sorts of messaging that we are used to. Of course, there's always been a chaotic, a violent kind of message around American war, and sometimes this occurs in popular culture. One example would be the song made famous by the Beach Boys, Barbara Ann, which was recorded in a parody version by a group called Vince Vance and the Valiants in 1980. And they did a version, Bomb Iran.
6:38It had lines in it like, we're going to a mosque, we're going to throw some rocks, we're going to put the Ayatollah in a box.
6:51It was really bloodthirsty stuff. Got a lot of airplay on radios and then was brought back last year by President Trump. He used it as the soundtrack in a White House video celebrating the bombing of the Iranian nuclear sites. This user says, oh my God, Trump has posted bomb Iran music video. The video shows clips of B2 stealth fighter jets, the same used in the strike on Iran's nuclear facilities.
7:24OK,
7:27Noel King:so during wartime, governments always do propaganda. That's nothing new. Let's talk about the Trump administration and the war in Iran. Is the propaganda different this time? This time around, what we're seeing from the Trump White House are videos that integrate footage from video games. Ah, shit. Here we go again.
7:57With clips from Hollywood movies. Wake up, Daddy-some. Welcome home, sir. Strength and honor. Strength and honor. What will you do without freedom? Mavericks in balance. And with great declarations of Kaboom.
8:14There's even one with SpongeBob. You want to see me do it again? And all of this plays into an idea that war can be communicated through memes, clips from games. So I think it's a memification of war, a gamification of war, an appeal to warlike images that are bizarrely taken out of context. Here it comes.
8:49Flawless victory.
8:55If you've got clips from Gladiator, clips from Braveheart, you know, those films are about opposition to totalitarians, about people who fight against evil emperors and evil kings. to see them edited to pump up people who are endorsing a authoritarian approach to foreign policy rather than a voice of the more vulnerable is bizarre. And I suppose shows how we are beyond irony.
9:30Noel King:Okay, so then the question is, if a government normally aims propaganda at the broadest section of society to bring it along and to get it to support the war. What Trump is doing, these memes have proven to be very divisive. They are not convincing anyone who wasn't already in support of this war, right? So who are they for? And why would the White House not aim at the broadest part of the population? One of the common misunderstandings of propaganda is that people imagine it as being a process where an evil leader thinks up bad ideas and transmits them into the head of an innocent population.
10:13And what I see as a historian is that very often the most effective propaganda is not about a leader inventing and transmitting material. Rather, it's about a leader recognizing things that are already in a population's mind. I mean, the obvious example is that Adolf Hitler did not invent anti-Semitism. Rather, he harnessed anti-Semitism in the mind of the population of Germany and linked it into his political career and the success of his party. Similarly, he didn't invent a narrative of German victimhood. He exploited existing ideas in people's minds about German victimhood. What I see going on now is that all kinds of ideas about American strengths, about the great release that comes from successfully destroying the enemy, the kind of energy that's released by a football coach in the heat of a big match, this stuff is already in the minds of the audience or a certain audience and is being appealed to.
11:28Well, I see these videos as having been created by young men for young men. They're full of references to the culture of young men, including game culture, including war-oriented video games, and references that other people just wouldn't get. So it's like they're articulating a visual and a cultural language specific to a generation. So it has a propaganda purpose, but it's not a purpose that is focused on a wider section of the American public. And I think that the president has no interest in people who weren't planning to vote for him, to be honest. So this is evidence that we don't matter, because if we did matter, we'd get different messages.
12:23If you ask me who benefits most from this tone in US propaganda, my feeling is that it benefits China because it makes the Chinese look like the adults in the diplomatic room. And that will have tremendous appeal just by doing nothing. China will have tremendous appeal to the countries of the global south, even to former partners of the United States in Europe who are appalled by this kind of unpredictable messaging and unpredictable behavior that goes along with it.
13:08Noel King:Nick Cole, USC Annenberg propaganda. Coming up, the meme war.
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17:21My name's Will Remus, and I write about technology at The Washington Post. On the social network X, there is a group of accounts that look like sort of generic news aggregation accounts. They have names like HDX News and GPX Press. These accounts have been cranking out what looks like mostly pretty run-of-the-mill pro-Iran propaganda. But amid that generic propaganda is something a little different. Stuff about Jeffrey Epstein. These accounts found a huge amount of viral traction by posting an AI deepfake video.
18:10The video is this grainy footage, and it cuts between a number of scenes, but the most prominent one has a line of young girls, like quite young, probably prepubescent girls. And it has Donald Trump in boxers and an undershirt. And they're all lined up and the girls are blindfolded. And Trump is leaning in and leering at them, leering at their bodies. And in the background is this girl's voice shrieking in German. And it's extremely creepy and it's harrowing. and it's also completely fake.
18:59Noel King:Okay, so explain how we understand it to be Iranian propaganda. Donald Trump in a video in a compromising position with young girls, Epstein related, I get it, but how does that tie to Iran? Yeah, so that's what's unusual about this and it's part of what made me interested in writing about it. A lot of the posts that are coming from these accounts are pretty typical pro-Iranian regime propaganda. Stuff about how the United States and Israel are evil and corrupt and how the military operation there is illegitimate. There's a meme of a lion with an Iranian flag on it chasing these two scurvy dogs with Israeli and American flags on them.
19:44There are lots of posts that are purporting to show big Iranian successes in the conflict, purporting to show that they've struck a key building in Tel Aviv.
19:57Noel King:Tel Aviv, I can't believe this. Or purporting to show that U.S. forces are on the run or that they've captured a B-2 stealth bomber and captured its American crew. Most of this stuff is unverified and probably untrue, but that's pretty typical propaganda. The Epstein stuff isn't obviously pro-Iran propaganda, and that is the stuff that's actually resonating. Two different accounts, at least two of the accounts in this network, posted that video and got more than 4 million views on each post. One of them got nearly 7 million views on its post. This is an inordinate amount of traffic for pro-Iran propaganda.
20:44And it's probably because it doesn't look like pro-Iran propaganda. The people who are seeing it in their feed and resharing it and liking it probably, in most cases, have no idea that this is pro-Iran propaganda because this isn't just an Iranian talking point, right? This is something that people in the United States believe, that critics of the Trump administration have also argued that the war or the military operation in Iran is really meant to distract from the Epstein files. And that's why we're involved in this military conflict there.
21:18Noel King:I mean, I'm a journalist and I have rhetorically questioned whether the war in Iran is a distraction from the Epstein files. So, yes, I mean, what you're saying is true. It's not—you don't have to be a conspiracy theorist to look for reasons why the United States is in Iran in the first place and to look at what was going on immediately before the war in Iran started. So what else are these accounts posting about? So in addition to posting the Epstein content, which has gotten a lot of traffic, and also posting the sort of more run-of-the-mill pro-Iran propaganda that says Iran's doing great and the U.S.
21:55and Israel are on their heels and on the run, They have also posted some really blatantly anti-Semitic content. There was one that said, Now we know why Hitler wanted to kill all the Jews. There is another one that said, you know, that compared the U.S. and Israeli leaders unfavorably to Hitler and said, At least Hitler was kind to children.
22:20Noel King:Wow. Okay, so who's behind the accounts that are tweeting and sharing these videos? Do we know? What's interesting about this is that we don't actually know for sure who's behind these accounts. This network was brought to my attention by researchers at a nonprofit called the Institute for Strategic Dialogue. And they were the ones who first noticed that these fake Epstein Trump videos seem to be coming from a network of X accounts that were interconnected. many of them also have the blue checkmark next to their account name, which is supposed to indicate that they are authentic and have been verified.
22:55But these days, a blue check on X mostly just means that they're paying X for a premium subscription, and that blue checkmark comes as a perk of that subscription. Presumably, X has some information on them, but if it does, it's not sharing. What we know is that the content that they're putting out is absolutely aligned with Iranian state propaganda. It's using talking points from Iranian state media. But who is actually behind it, we just can't say for sure.
23:28Noel King:So the White House, we know, is very online, more online than any other White House in the history of the universe, in the history of America, certainly. What is the White House saying? They must recognize this as a problem. Yeah, well, the White House, it was interesting. When I reached out to them for comment on my story, they said, yeah, there's a lot of, you know, fake stuff going around, a lot of pro-Iran propaganda. And that's why we warn you folks in the fake news media not to fall for it and amplify it. I mean, I think the Trump administration is actually interested in this idea that a lot of these criticisms are stemming from Iranian propaganda.
Read the full transcript
24:09Terrible situation. That's a terrible situation. They showed all sorts of things happening in the last two weeks that never happened. But of course we know that the Trump administration and President Trump himself on his Truth Social account have on many occasions done something pretty similar, which is to put out fake AI videos of people that he disagrees with or wants to criticize.
24:33Noel King:Donald Trump has posted a fake video to his Truth Social media platform showing former US President Barack Obama being arrested. Trump posted an AI video depicting himself and Russell Vogt as the Grim Reaper going after Democrats. Sharing a video on Truth Social that depicted the Obamas as apes. Some might question what ground the president is standing on when he criticizes Iran for using AI to spread disinformation.
24:59Noel King:You know, well, I'm going to admit that I've always been a bit of a skeptic about whether disinformation really changes people's opinions. I'm inclined to think you, American individual, you know whether you think the war in Iran is legit or not. And regardless of what you come across on Twitter, you have, you're going to hold the same opinion. But I could be wrong. What do we know about whether these memes and videos are swaying public opinion on the legitimacy of the war in Iran? That's a great question. I'm glad you asked it because I do think, having covered misinformation and its impacts for a decade.
25:33I do think it's nuanced. I think it's easy to fall into the trap of believing that just because there's false information on social media and people are sharing it, that that means that people are being duped or falling for it or completely changing their minds about something based on false information. What we know in general is that much more often, these are people who are already inclined to agree with a certain point of view, right? So these are people who already think that Trump is using the Iran war to distract from the Epstein files. And they see this fake video and they're like, ah, here it is.
26:07Here's the proof. Are they being deceived? Do they really think it's true? In some cases, probably yes. In other cases, they may not care. It's more like sharing a political cartoon or a meme. It makes your point for you in a vivid way. But it was something that you already believed. I think the success of the Epstein content in particular from these pro-Iran accounts underscores a lesson that we've seen several times over the years when it comes to propaganda, misinformation, conspiracy theories. the stuff that resonates the most is not something that just sort of comes out of the blue. It's usually something that's picking up on an existing rift in the culture or in our politics.
26:57They're taking something that is already dividing Americans, which is the mistrust around the Epstein files, mistrust around the Trump administration's motivations for military conflict in the Middle East, it's taking that and it's blowing it up. It's playing on it. It's exploiting that. And I think that that is a sort of a more subtle and effective way for a lot of these propaganda campaigns to have an impact, is to just try to drive that wedge in a little further around a military operation like this. Because the Trump administration has failed to convince a large swath of the American public as to its motivations for the military operation in Iran, people are already inclined to be skeptical of why we're going to war there.
27:49And so that makes the Iranian message that this is an illegitimate war by this corrupt Epstein regime. They've even picked up on calling it Operation Epstein Fury instead of Operation Epic Fury. You know, that makes that message all the more likely to resonate.
28:31Noel King:Miranda Kennedy and Sean Ramos from. I'm Noelle King. Today Explained is distributed by WNYC. It's part of the Vox Media Podcast Network. For more award-winning, excellent podcasts, check out podcast.voxmedia.com. You can listen ad-free by signing up at vox.com slash members. It's Today Explained.
29:05Thank you.
From the publisher
Have you seen the video of the US military bombing Iran spliced with clips of SpongeBob Squarepants? It’s an official video released by the US government and represents a new kind of wartime propaganda.
This episode was produced by Dustin DeSoto and Peter Balonon-Rosen, edited by Amina Al-Sadi, fact-checked by Andrea Lopez-Cruzado, engineered by Patrick Boyd and David Tatasciore, and hosted by Noel King.
A screenshot from a White House X post about the Iran war titled "Operation Epic Fury."
Listen to Today, Explained ad-free by becoming a Vox Member: vox.com/members. New Vox members get $20 off their membership right now. Transcript at vox.com/today-explained-podcast.
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