Beauty and the Feed

6 Aug 2026 · 53 min · 16 chapters

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In short

A BBC “Wake Up To Money” episode covering (1) FIFA’s response to criticism of Gianni Infantino’s plans to sell stakes in competitions, (2) Disney’s deal with TikTok to let approved creators use Disney clips, (3) UK food-price shocks hitting hospitality, (4) AI “rogue” hacking concerns, and (5) paddle’s rapid UK growth and affordability.

Guests and backgrounds

Peter Moore (former Liverpool CEO; sports marketing executive at Reebok). Alan Thomas (CEO of RIPE, specialist insurance provider). Judith McKenzie (partner and head of Downing Fund Managers). Kevin Meyer (former TikTok boss; nearly 15 years senior Disney executive). Stosi Maddy (co-founder/owner of Parker’s Arms Gastropub, Lancashire). Michael Graydon (CEO of Game for Paddle, 27 venues).

Key claims

FIFA backed Infantino despite backlash; governance/accountability are central. Disney must use short-form where audiences are, but needs “guardrails” for IP. Higher fresh-produce prices will hit hospitality first. AI-driven cyber risks are rising and insurance costs increase. Paddle is growing fast; pricing concerns may be perception vs reality.

Notable examples

Whole Foods bans 300 ingredients (no hydrogenated fats, no high-fructose corn syrup, no synthetic nitrates/nitrites). Hospitality produce price jumps: baking potatoes +50%, iceberg lettuce £5 to £10 (+100%), broccoli £5 to £17 (+3x). TikTok/Disney: Disney Plus app hosting for selected creators’ clips. Paddle: UK courts from 69 (2020) to 1,800+; court hire typically £30–£50/hour.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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FIFA and Gianni Infantino's Backing

1:05 to 2:19

Discussion on the backing of FIFA President Gianni Infantino despite criticism.

“And the FIFA Executive Board have backed President Gianni Infantino despite the huge criticism over his proposals to sell stakes in FIFA's World Tournament.”

Disney's TikTok Deal Explained

2:19 to 3:42

Exploring Disney's new deal with TikTok allowing content creators to use Disney clips.

“We've got lots to get through and I want your thoughts on all of it, please.”

Critique on Football's Commercialization

3:42 to 9:28

Peter Moore discusses the over-commercialization of football and its impact on fans.

“Let us crack on with reaction to this news we're waking up to this morning, that FIFA's president Gianni Infantino has now apologised for what he called errors made in his plans.”

Implications of FIFA's Governance

9:28 to 12:42

Discussion on the governance challenges within FIFA and the future of Gianni Infantino.

“So just finally, Peter, I'll just had a look.”

Kevin Meyer on Disney's Strategy

12:42 to 14:01

Kevin Meyer shares insights on Disney's strategy for engaging younger audiences through TikTok.

“There's plenty more reaction to be given.”

Disney's Shift to Creator-Led Storytelling

14:01 to 16:43

Explore how Disney is adapting to the changing landscape of storytelling.

“He started by giving me his reaction to the deal.”

The Importance of Engagement for Disney Plus

16:44 to 20:05

Learn about the strategies Disney Plus is adopting to engage its users.

“and have the dynamic sort of creative output that TikTok is so famous for and people love it for?”

Adapting to Consumer Behavior Changes

20:06 to 22:31

Understand how shifts in media consumption are impacting Disney's strategies.

“So traditional media companies, Disney being foremost among them, since they're the preeminent company in the legacy frame, must make this change.”

Future-Proofing Disney's Brand

22:32 to 24:49

Discover how Disney plans to maintain its relevance amid changing media landscapes.

“So we'll never know if that would have worked or not just because it never launched.”

Challenges of IP in the Creator Economy

24:50 to 28:01

Examine the risks and opportunities of IP management in the creator economy.

“Judith McKenzie with us this morning from Downing Fund Manager's Partner and Head there.”
Show all 16 chapters

Risks in the Creator Economy

28:01 to 31:24

Explore the evolving insurance needs in the creator economy and the challenges of copyright.

“It has to be, of course, not a deliberate act, but essentially misusing someone else's IP.”

Impact of Rising Food Prices

32:16 to 36:40

Discussion on the consequences of rising food prices on the hospitality sector.

“It's Thursday morning, the 6th of August.”

Adapting Menus to Costs

36:41 to 42:03

Learn how restaurants adapt menus and pricing strategies in response to food cost increases.

“The last six months have shown us how people are tightening their belts even more.”

AI Risks and Cybersecurity

42:03 to 44:23

Discussion on AI's unintended consequences and the rising costs of cybersecurity insurance.

“the next time you make a purchase, if you're noticing price pressures or changes in how it's provided.”

Paddle Sports: Growth and Costs

44:23 to 46:22

Exploration of the rising popularity of paddle sports in the UK and the associated costs.

“Richard in Colchester has been in touch, replying to Dave's suggestion that prices go up, people won't buy.”

Insights from Game for Paddle

46:22 to 53:26

Interview with Michael Graydon on the paddle industry's growth, pricing, and sustainability.

“Yeah, I've looked at the price of the courts and I just don't want to pay for it.”
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Transcript

Automatic transcript. May contain errors.

0:00This BBC podcast is supported by ads outside the UK. Pop quiz. What's in your kids' lunchbox? At Whole Foods Market, they've already done the studying. Over 300 food ingredients are banned from their shelves. No hydronated fats in the peanut butter and no high fructose corn syrup in the cookies. And for sandwiches, there are no synthetic nitrates or nitrites in any of their deli meat. So you can pack lunchboxes with peace of mind. Get back to school ready at Whole Foods Market. We face the greatest challenges of our time. Challenges that test our limits. There is a place where we can find answers.

0:43Where journeys break new ground and connections unlock opportunities. Where innovation can spark real change and our actions can push our world forward. Singapore, where business events can create lasting impact.

1:04Wake Up To Money from BBC5 Live. Hello, welcome. It is Wake Up To Money. And the FIFA Executive Board have backed President Gianni Infantino despite the huge criticism over his proposals to sell stakes in FIFA's World Tournament. He's apologised for his errors. We'll get a bit more reaction from the world of football, from the world of business about that. content creators now will be able to use Disney content in their TikToks officially. We've got a boss of TikTok, former boss of TikTok, who was an executive at Disney as well, who tells me why the entertainment giant is dipping into short form video.

1:45Elsewhere, those higher fresh produce prices will hit hospitality hardest and earliest. That was what one of the biggest wholesalers in the UK told us yesterday. We're going to hear from a on the show today about how they are bearing the brunt. And have you been following this? Game, set and match. Yes, it's the first time an elite global paddle tour has taken place in the UK. It can sound like a gold rush for paddle at times, can't it? So how does the sport continue to grow here and do so more affordably? Wake Up To Money with Sean Farrington. Good morning to you. Wake Up To Money on BBC Five Live.

2:25It is a busy one on the show today. We've got lots to get through and I want your thoughts on all of it, please. Whether it is Gianni Infantino seemingly staying on at FIFA, receiving the backing of others at FIFA after these latest moves, which we'll get into in a moment. And we're going to be talking much more about paddle, about food prices, about AI hacking as well. We've seen more of these models from the world's biggest tech companies going a little bit rogue, hacking other businesses and other organisations without specifically being told to. I wonder what you think about how that is going and the world of short-form videos.

3:05Is that what you find yourself looking at increasingly now? We know we're going to hear more about how younger generations are very much consuming everything in that way, one way or another. but it's going to become even more mainstream on some of the biggest streaming apps we've got. And the fact that Disney have done this deal with TikTok to say, OK, we need to have an official tie up with a load of content creators so that we can control a little bit how people are using our characters from Marvel and Moana and everything in between, and at the same time try and capitalise on that a little bit more.

3:42So 85058, join in the chat. Let us crack on with reaction to this news we're waking up to this morning, that FIFA's president Gianni Infantino has now apologised for what he called errors made in his plans. Remember that FIFA forward enterprise to sell off stakes in competitions to private investors to create that set up. The World Football Governing Body released a statement reaffirming its senior executives' full support for Mr Infantino after he summoned members of the management board to FIFA's Africa office in Rabat yesterday in Morocco. So there's been a lot of criticism of the now cancelled proposals, of course, in the last few days.

4:23It dominated the conversation in the world of football, hasn't it? UEFA at the weekend said it's lost confidence in Infantino, calling the move a shabby backroom opaque deal. But here we are. Seems he's staying on for now. Got Peter Moore with us, former chief executive of Liverpool, Head of Sports Marketing at Reebok as well, and many other things besides. Peter, very good morning to you. Thanks for joining us. Hey, Sean. Good morning. How are you doing? Yeah, I'm okay. I have to admit, I was a little surprised. You know, the alarm goes off in the morning when you get up early for Wake Up To Money, and you check the news, you never quite know what's coming your way.

4:56And to see that Gianni Infantino has been backed by other executives. What's your reaction? Well, it's still nighttime here in California, so I've been reading about it for the last few hours. But I'm a little surprised given, to your point, all of the statements coming out from the federations that were just bluntly eviscerating him. He's got an election in the future, we'll see. I was not surprised that he was able, and I'll quote myself, strong-arm his executive team into giving him a vote of confidence today. But, you know, it's football. You know when the manager gets the vote of confidence from the board, do you know what typically happens in the future so um you know it's going to be more about what happens to this proposal uh how they change governance and accountability there at fifa i think it's been shambolic and it comes off the back of the most over commercialized world cup here in the u.s canada and mexico and and i was very disappointed to see how things turned out here football was great but the commercialization was quite frankly abhorrent over commercialization Peter I wasn't sort of expecting to hear that phrase you know you've been boss of one of the biggest football clubs in the world you've been head of sports marketing how how can something be over commercialized if it is you know if it's making a profit and people think the actual end product is good what what does that mean to you to me I mean it's football right the people's game is the beautiful game is the world game and so the affordability of the average fan to be able to go to one of the 104 games was astronomic.

6:39And you add in all of the travel costs and the internal costs of restaurants and taxis here, it's been absolutely incredible to see people talking about, it cost me$5 ,000,$6 ,000,$7 ,000 to go to a game. And just for somebody working class lad from Liverpool here that remembers those times when you push 10 shillings through the turnstile and you get in there, It feels like we, the average fan, are losing our grip on where our game is going. And so that's what I mean by over-commercialization. There's billions of dollars to be had. I do not in any way. I've managed multi-billion dollar corporations in my career.

7:18I'm not against the commercialization of the game. It requires funding. In particular, you've got 211 federations and leagues and countries that rely on money for FIFA to grow their game. But when is enough enough, I guess, is the question. When you see this backing of the senior executives for Gianni Infantino after the conversation, and it's just interesting to see alongside it, Martin Ziegler in the Times' back page, headlines in the Times, he had the story yesterday evening that Infantino made a 2030 offer to Morocco that it will host the 2030 World Cup final. So it's one of the co-hosts for the tournament.

8:00It seems in the statements that we're reading this morning that that's been refuted, been denied by FIFA, that that has necessarily been the case. I just wonder what you think now FIFA might try to do if executives are backing Infantino. Could they be returning to some sort of plan to further commercialise the World Cup? Well, I think that the challenge here is, and you talk about Martin Ziegler, you recall he broke the story. If Martin hadn't, through his great journalism, broken the story, we still maybe wouldn't have known about it now. So I think it's as much about governance and accountability and transparency as it is about finance.

8:42And with every major decision, and I've been in boardrooms throughout my career where huge billion-dollar decisions are made, you consult with the stakeholders, you get feedback, you try to understand whether this is a good idea for the customer. And I'll say the customer here is the fan. You don't drop this as they do on, you know, you're coming out of a very entertaining World Cup, putting the financial side upside. And then this thing, only because of Martin's great journalism and investigated chops, comes out of nowhere. And even Infantino's own people, they had no idea, absolutely no idea that this was being developed.

9:22And you add a little bit of the politics that are going on here with the people involved. and it just has a very, very poor taste in people's mouths. So just finally, Peter, I'll just had a look. It looks like it's next March, the next FIFA presidential election, and it takes place, the next FIFA Congress, which is in Morocco, where that meeting was yesterday. What do you think will happen there? I think there's going to be a lot of lobbying going on. It reminds me of the midterms we've got coming up here in the United States in November. It's going to be critical, and you're going to see Infantino do a ton of his usual private jetting around the world to try to lobby support from the federations.

10:00I think the statements being made, in particular from UEFA, are damning. And also, I'd be very interested to see where Alex Sheffrin, the president of UEFA, falls on this. Peter, thank you so much for your time this morning. Peter Moore, former chief executive of Liverpool and head of sports marketing at Reebok, there on that. We've got Alan Thomas with us this morning for the whole of the show. Chief Executive of RIPE, which is one of the country's largest providers of specialist insurance. Alan, good morning to you. Good morning, Sean. We like to throw plenty of stories at you guys when you join us for the show.

10:36Who knows what might be coming up? When you hear what is going on there at the top of football, that concept of over-commercialisation, and yet here we are, new presidents being backed. What needs to happen next? Yeah, it is really interesting. And even hearing the likes of Peter saying it's been over-commercialized was very interesting in its own right. I mean, I think having watched most of it, a hell of a lot of it myself, I definitely agree. I think the other interesting point that he made, which is quite difficult from the outside to really understand, is the lack of governance that must exist in that organization.

11:14For such a huge, huge organization with multi-billion pound and dollar budgets, How can you sell something through like that without having to square it off with all of the stakeholders, as Peter said? So quite surprising, really. I've got Judith McKenzie here with us as well, partner and head of Downing Fund Managers. Judith, very good morning. Good morning. How are you? I am OK. Thank you, Judith. That concept of governance, you know, when you're looking to invest in businesses around the country, around the world, You know, how the governance is set up of these companies, you know, the accountability, the culture within it.

11:52I mean, how do you go about sorting something like this at a place like FIFA? Because that question of governance has come up for decades and the spotlight clearly right on it again now. Yeah, you know, it's coming of age, isn't it, here? Because the board are not reading the room. Look at the outcry that there's been over the last few weeks on this. So it just points to a very weak board, poor governance, as you see. And actually, I think ultimately he's going to be toast. It's not going to take long. We were talking about it this morning. So, yeah, I think he's going to have quite a bit of pressure on him.

12:26Right. Judith's calling it there. March the 18th, 2027. He's got the lobbying to do before then to see if Gianni Infantino still is FIFA president come the end of that. And who knows what might happen between now and then as well. There's plenty more reaction to be given. We've had politicians reacting, other federations around the world reacting in recent days to those proposals. So what will they make of what's come out of this meeting of FIFA executives where senior executives there have backed him? Right, let's take a bit of time now to listen to a former chief executive of TikTok who spent nearly 15 years as a senior Disney executive as well.

13:06This is Kevin Meyer, who I was speaking to, because Disney, I mean, perfect person to speak to about this. Kudos to the Wake Up To Money team who always pull these people out of the bag. Disney has agreed a deal with TikTok to allow some creators to use clips from Disney films in their videos without fear of copyright infringement. So the two companies will select Disney-centric content to host on TikTok and it'll be in the Disney Plus app as well. You may well be used to seeing short form videos that people have made, perhaps not getting approval from Disney for their characters, but pops up in your reels and your TikTok feed as you go.

13:48But now Disney are really formalizing this and having it in their app as well. Disney said the move reflects how fans are engaging with its stories in the entirely new way. So this is what I spoke to Kevin Meyer about, former Disney exec, former boss of TikTok. He started by giving me his reaction to the deal. I was thrilled, frankly. I think that tying together traditional storytelling in the way that Hollywood has been doing this for 100 years with the new paradigm of creator-led influencer to audience type of dynamics is crucial because that's where the culture is heading and frankly already has headed.

14:22You see the traditional Hollywood movie stars and filmed entertainment and TV shows losing a bit of ground to social media storytelling, TikTok, YouTube, shorter form programming. And I think that younger audiences especially have been habituated to that and tying those together and making sure that Disney is moving in the direction where audiences, audience flow is and where audiences want to be. Crucial. And I couldn't be more thrilled having been executives of both of those companies. I'm really happy about it. Is there something about it where Disney should just let the creators of the world do what they're doing?

14:55They're using this stuff anyway. This stuff goes viral. The characters will be talked about. The classic scenes will be used. Just let that breathe. Why do they need to be so close to it? You can imagine some pretty problematic uses of Disney IP. Remember, Disney IP is precious. The IP itself, the franchises that they engender, and above that, the brands, the core brands, all derived from a very carefully curated presentation of these characters to consumers. And again, this is even more important for Disney than it would be for a Paramount or a Sony Pictures or another studio or Warner Brothers because of the family nature of what Disney does.

15:31And so you can't break that trusted bond between parents and their children and the Walt Disney Company. It's super crucial. There are some brands within Disney that don't share those attributes. FX is included in this deal and is more adult oriented. And I would imagine that the reins will be looser for that type of product than they would for the core Disney IP, which is so crucial to maintain its branded relevance. Creators, by and large, some of them will make great product that is right down the middle and supports the brand and supports the family mission that these brands have. And some might not.

16:01So you do have to put guardrails against it if you're Disney. Would you expect then with this that TikTok will be super on top of any non-regulated use of these characters? Because it's a pretty free world. You run the business there. Isn't part of the essence of it to not be massively censoring what people are making? In a word, yes. That's going to be the interesting dance that's going to play out here. Disney can't, I don't think, reasonably allow, and from a fiduciary perspective, allow unfettered use of its IP by whatever creator wants to use it because of the obvious problems I could engender.

16:39On the other hand, TikTok likes the freewheeling creativity that you just described, for sure. So how that comes together, will there be an opportunity to both have the guardrails in place and have the dynamic sort of creative output that TikTok is so famous for and people love it for? That's going to be the trick. And I'm not sure how that will evolve and what that will look like. But yes, TikTok, I believe, will have to be very careful about what's on their platform as part of this arrangement. So that is one angle of the arrangement, isn't it? The other one is Disney Plus wanting to embrace this kind of stuff a little bit more.

17:14Now, a lot of sites, apps have started to do their own short form video. That's not a brand new thing. But can you see Disney Plus becoming more of a smartphone-based app for people? Is that what Disney are thinking they're losing out on here? I think that Disney has seen the light. I know they have, actually, about the permanence and the importance of this cradle-led economy and the vertical video that comes from that. So they have to find a way to combine these experiences. And look, Disney Plus is the way to do it. I think Josh DiMauro, the new Disney CEO, who I admire enormously, has the right strategy in making everything one Disney and making Disney Plus the digital whole program around which all Disney experiences will ultimately flow.

17:57So this is an important component of that. And if you just think about the health of a streaming service as well, it depends on how engaged your consumers are. So the more times a Disney Plus subscriber opens an app, the longer the session is on each of those times they open an app, the more healthy the subscriber base, the lower the turn rates and the better the economics, frankly. So there's some very tactical and practical parts of this deal where they just want more usage of the app that will accrue to lower churn rate. Lower churn is the most important lever you can pull to improve the economic viability of a streaming service.

18:29So there's that just practical component to it. And I don't think Disney Plus ends up being a social media storytelling operation. It's still going to be based on and focused on the storytelling that they've been doing for decades. But this new component will open up a different avenue for a different use case, different consumers coming in with interest, and hopefully both acquire more subscribers, but more importantly, reduce the churn of those subscribers that they do have. And do you think, is there a bit of a tell in some of this about how big a risk the damage to the reputation of Disney and the use of their content was becoming by allowing this stuff to be effectively freely used as it has been?

19:11and trying to make some attempts. And we'll see how successful that is to try and limit that. Is it starting to get to quite a critical point for these production studios and those that own the IP? It certainly is. The change in consumer behavior is impossible to overstate. For users that are 13 and younger, 75 % of their usage of media, their time spent with media is on social media platforms, YouTube and TikTok especially. That's where 70, and video games, I should throw that in there too. Only 25 % of those young person's time is spent with TV shows that are either streamed or on a TV channel, more and more streaming, obviously, and movies, including theatrical releases.

19:47So there's been a dramatic shift in where their audience wants to be and where their audience wants to interact with not only Disney programming, but all programming. And as you know, it reverses as you get older. People in my age group, you know, sort of 75 % of time is spent with traditional media and only 25 % with social media and games. But that relationship is going to perpetuate. So traditional media companies, Disney being foremost among them, since they're the preeminent company in the legacy frame, must make this change. It is an absolute imperative. They have to be where the audience is.

20:20They have to tell stories in a way that this new audience likes those stories being told. And this extends to sports and ESPN as well. Short form storytelling is the coin of the realm for younger audiences and those same audiences as they become older. That math has already shown that audiences hang on to this usage paradigm as they get older. So Disney has to do it. There's no question about it. This is an imperative. And I'm glad they have done it. This is a big deal. And it should go both ways. You know, they should allow more high quality video to be created with their IP on these social media platforms and take the best of that and put it on Disney Plus.

20:53Things they can really be proud of. So that's a very solid strategy. Is there a risk that the content can fall flat on Disney Plus? Because it doesn't quite have that complete creative freedom it would have had before. Sean, that's a great, great point. I would posit to you that the bigger risk is not trying this. The bigger risk is trying to rely on an old method of storytelling that is already falling flat to some degree with audiences that are crucial to Disney and all the other media companies. So they have to try it. And could it fall flat? Certainly possible. Could they iterate a bunch of times and see what works and what doesn't and ultimately come up with a product that doesn't fall flat, that takes advantage of this interaction with their creators in a very robust and fan-friendly way?

21:34Likely. I think Disney and other companies, but Disney specifically is really good about this. They'll experiment. They'll try it. And they'll find something that works. I am positive of it. And again, I just want to reiterate, the biggest risk there is is not doing this. That's where you know you're going to fail. Would you have said something similar about the tie-up that Disney had with OpenAI? You know, when it had the deal to actually enable people to use the characters through filters and settings and various ways of using image creation, Sora, I think it was, that didn't work. Was that a similar aim, a fear that they were losing control?

22:12You know, there's fear based and there's, you know, there's a more positive motivation you can have, too. I think Disney's not operating out of fear as much as they're operating out of opportunity. And they're trying to find ways to harness new technologies and new consumer behavior to their benefit. And that's why I love this strategy so much. And I applaud it. And I applaud the boldness of it. But it's absolutely required. The Sora thing didn't work out because, frankly, OpenAI shut down Sora. So we'll never know if that would have worked or not just because it never launched. And that, again, wasn't Disney's side.

22:41That was the OpenAI side that decided Sora wasn't something they wanted to continue to pursue. But I think we'll see in this work with TikTok. I suspect it's going to be a huge success. Yeah, might it stumble a little bit? Might there be some learnings to be had and some fast iterations? Yes. But fast iteration and fast failure and fast fixing, that's part of the whole dynamic creativity that we see in the world today. So that's something that Disney is going to have to get comfortable with. And I think they will. I think Josh and the other executive, Asad Ayaz, who runs the chief marketing officer and chief brand officer, they know what they're doing.

23:13They're going to make it work. Just finally, where does this all end? In the last few weeks, spoken to Netflix executives about gaming on the platform and 40 minute video games where you're using your smartphone as a controller. Now it is Disney having tie ups with TikTok for short form on their platform. You're saying you need to be where the audience are. They want to keep the eyeballs on their apps. So can they all do all of the stuff? You know, another great question. I don't know where it all ends. It's very hard to predict. It's hard to understand how device behavior and consumer behavior and affinities are going to evolve as technology continues to provide users with more authority, both on how to receive and obtain content, but also to help create it.

23:58So there's these huge sea changes happening. Don't know how it's going to play out exactly. But the nice thing about Disney, among all the other competitors, is that they're future-proofed in a way that other competitors aren't. They have the big brands that really matter in entertainment. Disney, Pixar, Marvel, Star Wars. Those are brands that are very, very meaningful. They have deep, visceral resonance with their audiences in a way that no one else can replicate. If you have that, you can work your way through any turbulence that comes your way. Business model shifts, usage and device differences, putting short form video on Disney Plus as an experiment.

24:32All these things may or may not work. There might be different trials you have to go through, and there probably will be. But having those brands, that consumer pull, that consumer emotional sort of connection, that's what pulls Disney through in a way that others just don't have. Kevin Meyer there, former chief executive of TikTok, senior executive, previously at Walt Disney as well. Judith McKenzie with us this morning from Downing Fund Manager's Partner and Head there. Judith, these streaming platforms, they're really trying to keep our eyeballs just with them, aren't they? Yeah, they are. And I think I quite applaud this, actually, because Disney are moving into this century, whereas before they were just trying to wait for people to come to them.

25:17This whole IP and creator economy is likely to be over 250 billion globally, and that's just this year. So they need to be in the room with this. and I think actually liberating some of their IP and their characters and allowing them to go on to TikTok is a sensible thing to do. I do think that policing it is going to be a slightly different matter. So who knows what we're going to see Darth Vader doing over the coming weeks, but it's certainly going to open people's eyes, that's for sure. Well, yeah, I'm quite intrigued by how this plays out and Kevin there was giving the sense that they almost take their time a little bit with this to get it right.

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25:55But it could go a few ways, couldn't it? Because there'll still be plenty of people around the world making their short form videos without the approval of Disney. And if that stuff goes a bit more viral than the stuff Disney's creating, they could have a little bit of a problem, could they? Oh, yes, I can see lawyers all over this, I expect, at some point. But I mean, I think what we have seen is that creativity with the brand, with the IP does drive better content. So how you police it, I think that is the biggest thing. I just don't know how to answer that one. Alan, when it comes to Alan Thomas here, the chief executive of Ripe, so one of the country's largest providers of specialist insurance, comes to businesses looking after their own IP, the stuff that they have come up with and they've created.

26:49In the world of everything being shared that we're in these days, is that a bigger risk for a lot of businesses now, that you lose the value in something that you've come up with? Yeah, I think it definitely is. And it's been quite a hot topic, actually, within the exciting world of the insurance market and how you can insure some of these risks, actually. So historically, a lot of the big brand content creations were businesses, and very happy to ensure and very aggressively protect their IP. It's interesting now to see content creators who are often either very young or certainly not businesses in their own right, picking up content, playing around with it, and fundamentally breaching some of the tenants of IP law.

27:35So I do think it's a very smart move, actually, by Disney to think that's happening. It's pretty uncontrollable. So how do we get hold of it somehow and try and monetize it? I think this is a really smart move. So is this people taking out or businesses taking out insurance to cover the legal costs of trying to clamp down on others using their content? Yeah, well, essentially you could, especially in media businesses, you can protect against the risk. It has to be, of course, not a deliberate act, but essentially misusing someone else's IP. And then, yeah, the legal cost attaches. I think you're alluding to, Judith was alluding to earlier, can be extremely expensive.

28:14So that's what they insure against. Right. And I guess as we talk about the growth of the creator economy now, you know, it gets higher up and gets onto some of those official lists of fastest growing sectors that we have that the government will be looking at. We speak to many a person who have built careers and businesses through that realm. That must be just something that clearly didn't exist 10 years ago for the insurance industry. And you have many of these entrepreneurs needing something different from the likes of yourself. Yeah, exactly right. And I think then it's about how can you create product that does what it's intended to, but at an affordable level for the consumers.

28:55It's a bit different if you're trying to sell a product to News International as to a sort of 21-year-old influencer who's trying to just create new stuff out of content. But there's definitely ways to make those sort of things happen. And I think as those risks emerge and as the landscape develops, it's just staying close to what people are actually doing. And I think that was the point being made actually by Kevin on how Disney have been pretty smart here. Change happens and you can either sit and think that's not acceptable and we don't like it, or you can just get in and try and find a way to solve for it.

29:27Judith, it's a bit strange though, when we talk about some of the world's biggest companies, and there may be people running companies around the UK or people working in businesses that are creating this content and making this stuff, they think, well, hang on, it seems the most successful businesses out there, the biggest ones, are the ones that are just allowing everybody to use this content very, very freely. These questions over copyright, whether it is the big tech platforms, people scrolling through their Facebook and Instagram, social media feeds to the AI companies where people are just asking questions and getting answers back, creating images that are very similar to ones that a lot of hard work has gone into to create the concept of that in the first place.

30:13And you can just do it within seconds on one of these platforms. It doesn't seem like those creating the content are actually the ones most benefiting from it. The economics tend to lie with the number of eyeballs that view things, don't they? And that that isn't necessarily that content creator. And that can be the 21-year-old or it can be a corporate. So the lie of the land is really quite difficult at the moment as to how you manage to monetize that. I talked there about the size of that overall global market, but who actually ends up getting the cash when you get that content creation happening is a bit of a game at the moment.

30:50So, yeah, it's a race. It is a race. But what we can see is that it's all about authenticity in the end And I think we all get a little bit frustrated with AI and kind of fictional characters that get pushed out by AI. But we quite like what we have when we know it's a character that is actually it looks and feels real. I'd be really interested to know people's thoughts on that. 8.5.0.5.8, whether you found yourself watching more short form video as it becomes ever more established on the platforms that wouldn't ordinarily have had it in the past. of course you know it may be that you're just viewing through youtube as massively rocketed in recent years because so many have been going that way and we know as i said earlier that younger generations are absolutely starting off on that route and not particularly leaving that route as well let me know your thoughts we've had a few messages coming through on all of this we are discussing so we'll go through a few of those pop quiz what's in your kids lunchbox at whole foods Market, they've already done the studying.

31:53Over 300 food ingredients are banned from their shelves. No hydronated fats in the peanut butter and no high fructose corn syrup in the cookies. And for sandwiches, there are no synthetic nitrates or nitrites in any of their deli meat. So you can pack lunch boxes with peace of mind. Get back to school ready at Whole Foods Market. Wake up to money with Sean Farrington. Good morning. Wake up to money on BBC Five Live. It's Thursday morning, the 6th of August. Going to talk now about the consequences of those higher food prices. We heard pretty explicitly yesterday, didn't we, from Tim O'Malley, who's the chairman of Nationwide, which is one of the biggest fresh produce companies in the UK.

32:40He told us that higher prices for fresh produce would hit hospitality hardest and would hit them earliest as well. We were hearing how shrinkflation might be seen on our supermarket shelves where there are going to be fewer veg in a pack. There might be smaller veg sold for the same price as it was before because of the tough conditions that crops have been through this year. After that analysis from the Energy and Climate Intelligence Unit that warned this year's harvest could be the worst on record due to the repeated heat waves. Here's a little bit more of what Tim had to say. The sector that's going to be hit most, sadly, is the sector that's suffering most.

33:19And it's the sector that we supply heavily, hospitality. So the hospitality sector, your restaurants and your hotels, they tend to buy on spot open market price. And if I take a few examples, baking potatoes have gone up 50 % in the last six weeks. Iceberg lettuce, normally this time of year, is£5 a box. It's£10 a box. It's up 100%. Broccoli was£17 a box last week. Normally this time of year, about£5 a box. So that's up threefold. So the hospitality sector, sadly, which tends to buy on a spot open market price, maybe a monthly price, but certainly not a yearly price like the retailers, that's going to start suffering, or that is suffering immediately.

33:59The retailers are going to start tweaking the specs, but eventually the prices will go up on the shelves. Well, let's speak to somebody who runs and founded a gastropub. Stosi Maddy runs the Parker's Arms Gastropub in the Ribble Valley in Lancashire. Stosi, good morning. Good morning, Sean. Does some of that ring true? All of it rings true. All of it. Yes, I mean, we buy on a daily basis sometimes because especially now when it's the summer season and it's towards the tail end, which is harvest time, so we try to celebrate whatever is locally grown at this time of year. and those prices that he was quoting are pretty much spot on what I'm getting from my suppliers.

34:51In fact, this very morning because Thursday morning is one of the days we get our supplies in. And yes, baking potatoes, my goodness. Tell us a bit more. Terrible price. Well, I mean, it's exactly as he said. I mean, one of the reasons that they're saying these prices are like this is obviously because of the bad weather and the drought, because the potatoes have not been able to grow to maximum size. And so you're paying, you know, 50 % more for 50 % less product. But in general, you know, this is just another sort of slap in the face for hospitality because we are facing possibly the worst time I can remember.

35:33I've been doing this for 35 years and we've been at the Pakistan for almost 20 years. And I don't remember anything like this, not even the financial crash brought so much adversity to our sector. We just bashed left, right and centre with rising costs, you know, from all sides. I mean, with us as a rural pub, it's very difficult for people to get to us anyway. So you have even things like fuel costs that stop people from driving over to come to a destination pub. And now this, we've had to deal with rising costs, rising prices all the time. And of course, we can't pass that on to the consumer because there's only so much they can afford.

36:18Well, Dave's been in touch. Just literally just sent the message in as you say that. He says, prices up, people won't buy. Exactly. I mean, exactly. That's the first thing. I mean, going out is a luxury anyway when you look at it. I mean, it's only, you know, something that people do as a treat. You buckle up your belt, you buy what you can at the markets or supermarkets, you cook at home, you stay at home. We found this is happening already. This has been terrible. The last six months have shown us how people are tightening their belts even more. When they come out, they'll not have that extra starter.

36:56They'll not have that bottle of wine. They look at, they watch what they spend. And then we are making absolutely hardly zero profit on things because everything costs so much and we can't pass it on. What can you do when you if we talk about this specific issue of the food prices, just out of interest, what is that change in price you've seen on you and a baked potato? How much does that cost you differently? Well, I mean, it doesn't affect me instantly directly because we don't put baked potato on the menu. But what it does affect is general prices of potatoes for us. So, I mean, you know, bags of potatoes, sacks of potatoes have moved on from£7 to£15 a bag for 25 kilos.

37:41In what period of time is that? That has been literally in the last two years. So that's not as sudden. But the baking potato has been instantaneous. And I know from colleagues, they find it difficult. So, I mean, if they had a baked potato on the menu, I mean, I have no idea what they would sell baked potatoes for today with a topping. So I wouldn't know. But I know that that would mean that they would not be able to afford to have baked potato on the menu. If that was their primary business, it would probably be thinking really, you know, fast what to do. Which is not an uncommon sight, is it?

38:19Around the high streets of the UK, the baked spud is a key sort of feature. It's a big thing, yeah. Yeah, I mean, there might be people listening who work for one of those businesses that focuses on that, do get in touch, 85058. What can you change, Stosi, if you are running a business and if there's a specific issue like food prices and you're hearing that from your suppliers, do you start to think of menu changes if this kind of pressure is coming? Well, of course. I mean, this is the only way we've been able to survive so far because we change our menus daily, regularly, to try and suit what we can find on the market at a price that we can pass on to our customers.

39:01And it's becoming a bit of a Houdini trick. I mean, it is rare now that you will go into a pub or restaurant and find premium cuts of meat that, you know, that are just not featured as a special. You know, it's very difficult. You have to make sure you buy what is the cheapest on the market at best quality. and quality, that's another huge part because my green grocers this morning tells me, don't bother with the collies, don't bother with the broccoli, because not only are they more expensive, the quality is atrocious. And well, broccoli is a staple on greens as a side for most people that cook fresh food in pubs and restaurants.

39:44So if we drop that, we're just going to be left with things that are available at the moment. What happens later on in the year when this price starts going up even more? Because there will be no green beans, there will be no lettuces, there will be none of the pod vegetables. You rely on just the cabbages and your broccolis. I mean, and goodness me, that's going to be quite a trick to try and get that price working. Just to wrap up, Stosi, and to maybe end on a slightly more positive note, what is the Houdini trick that you've got lined up for the next few days? What's going to be the new thing on your menu that will catch people's eye that you're cooking up in your mind at the moment?

40:27Well, the flat beans, they're the cheapest thing on the market at the moment. We're going to have to find some wonderful way to dress them up and to make them look very, very tasty, you know, be very tasty because we can afford to give more of those than we could possibly of putting broccoli on the menu. It's just a matter of just looking at what's out there and working out all the recipes and using what's readily available and what your green grocer tells you. Put it on the menu. That's your best bet. Stosi, good luck with that latest delivery and good luck in the months to come. Thank you. Tell the government to cut VAT for hospitality, please.

41:06There's the shout-out at the end. Stosi, thank you. There's a budget on the way now. We've got the date, so we can start making those requests, whether they'll be listened to or not. We will see Stosi Maddy there, co-founder and owner of the Parker's Arms Gastropub in the Ribble Valley, Lancashire. Alan, how much do you have running your insurance business conversations with hospitality businesses at these times, these tough times? Yeah, we do. We look across all of the small businesses in the UK, actually, and take how they're reacting to the cost of insurance. There's a bit of a bellwether based on how they're feeling generally.

41:41and I do think the hospitality sector in particular over the last two years, I mean, it's been extremely volatile since COVID anyway, but have definitely been shouting and I mean, we just heard it there, really looking for some more support to help them through what have been some very difficult times. And as a lover of jacket potatoes, I found that particularly shocking, the last comments there. Do let us know, Alan, the next time you make a purchase, if you're noticing price pressures or changes in how it's provided. Changing tack a bit, Judith McKenzie is with us, partner and head of Dowling Fund Managers.

42:14Judith, got another story we're waking up to this morning about AI, artificial intelligence models from one of the world's biggest tech companies hacking into other companies without a specific request for them to do that, going rogue, effectively. Meta, the latest, to say that their artificial intelligence models have been heading in directions that they didn't intend them to. Getting whole, accessing the internet and hacking another firm. At what point are we going to start thinking this is a serious risk to our day-to-day business running, organisation running? I think we're thinking it now.

42:52I was going to ask Alan actually what the price is at the moment for cyber security insurance because certainly in some of the businesses that we're investing in, we're seeing that cost. It's a question we ask all the time actually, what the cost is of cyber insurance and protection. And I think, you know, as businesses are racing to deploy AI faster and faster, we're actually also trying to figure out how to govern it. All I can see is that there's probably going to be more regulation. There's going to be more compliance. And we're probably going to have compliance departments looking after AI, making sure that the right guardrails are in place.

43:27We need to have human oversight. And although there's great enthusiasm for deploying AI, I think this is a bit of a wake up call to say just be careful. but watch where AI is being deployed in your company and put some oversight on top of it. Alan, do you want to answer Judith's question? Well, I think it's fair, actually. The costs of insuring against the risk of cyber attacks have gone up as the risk has really escalated. I think this news and seeing another example, actually with a really sophisticated firm having been targeted, speaks to the fact that it's not necessarily a new risk, but the acceleration that we're seeing with AI getting involved and what it will mean for the criminal networks that actually benefit from some of these hacks in due course.

44:10As soon as they can get their hands on some of this, it's extremely scary just how much quicker and easier it will be for them to target companies. So I'm afraid there's not an easy answer. The risk is going up and has gone up significantly, and that does cost to ensure. 8505058, join in the chat with us. Richard in Colchester has been in touch, replying to Dave's suggestion that prices go up, people won't buy. Richard says, wrong. If it's explained clearly, then people will still buy. As long as they're told prices will come down again next year, if things improve. Will things improve next year, though?

44:45You've summed it all up in a sentence there, Richard. I guess we will see. Alan, can I play you a little bit of this? See if it sounds familiar to you. Game, set and match. Gala Jensen, two sets to love. 6-2, 6-4. That's not tennis. That's paddle. Is it one of your games, Alan? It is. Do you know what? Yeah, we do play at work on a Tuesday after work, actually. We've been doing that for the last 18 months or so. And it's a great sport. But I think your point coming is that it's an expensive one to play as well. How much are you guys shelling out for your Tuesday evening games? Do you know what?

45:27It can get over£100. For a court? Well, for two courts if you have them for 90 minutes. enough that I thought I'm just going to cover the cost of that for the club that's formed internally because for some of our team it was a bit of an eyebrow razor just how much it costs. Yeah, well, this is... Anyway, the reason we played that little bit of audio there is because we're nearly midway through the London Premier Paddle P1 tournament this week. So it's the first time that a global paddle tour has taken place in the UK. So a pretty decent milestone in the growth of paddle, of British paddle anyway, that we've been talking about for a fair bit on this programme now.

46:05In 2020, there were just 69 paddle courts in the UK. Now there are over 1 ,800 across more than 500 venues. And hiring a court, as Alan's given us a sense of there, usually costs between£30 and£50 an hour. Our business reporter, Daniel Thomas, has been asking players whether they think the sport is too expensive. Yeah, I've looked at the price of the courts and I just don't want to pay for it. In London, definitely, it's very expensive. You just see everyone talking about it and playing now. There's an element of pride and bragging that you can afford paddle. Yeah, finance bros. I'd love to be able to come play it two, three times a week, but then suddenly I could easily be spending a few hundred quid a month.

46:40Do you think paddle is too expensive? Probably right now, yes. I think all these clubs, they've spent a lot of money to build such good facilities and they have to get their money back somehow. I think the prices will drop. Yeah, it's very interesting that some customers see that there's investment going into it and maybe, as Richard's been in touch, you explain the price and people understand a little bit more. So that was our business reporter, Daniel Thomas, speaking with Paddle Players in London. You can read a lot more about why Paddle is exploding across the UK on the BBC websites. Have a search for his piece there.

47:11I've got Michael Graydon with us, who is chief executive at Game for Paddle, which is the largest paddle operator in the UK with 27 venues. And I think you get a sense of the size of the sport and how it's grown because Michael was also former director of Wimbledon and the former executive director at P &O. And Michael, here you are now at the top of the paddle industry. Did you ever see this decades ago? No, to be honest. I've loved the game for about 26 years, fell in love with it in Spain. But it is amazing how it's taken off in the UK. Now over 1 million players. And according to LTA research, 10.3 million people in this country want to play the game.

47:49So how much of an issue is it that price is one of the first things that does come to people's mind, particularly if they've tried it and they've experienced it. Alan, our boss on the show today, has sort of given that impression that his staff had that. It was notable when we were chatting about Paddle earlier this week on Five Live Breakfast that three of us had played but only once. And are there some issues there that people are so aware of the expense? I think it's slightly more perception than reality. Certainly at our venues, we are very much focused on being a low-cost operator charging some of the lowest prices in the country.

48:28We obviously charge a bit more in London because our costs are much higher in London, but our average across the UK is about£8 per player per hour, and that I think compares very well with many other activities or a drink in the pub. So I think it's good value because it's always four players. The cost is actually not, as it were, per court, it's per player. And is that cost, even when it's totted up to being nearer£30 an hour total, cost for the court. How much of that actually, once it's fully established up and running, are you actually making a decent return on that? Or is it still, as the final talker that we heard from the players there, still the case that is the price that high to make up for investments that have gone in?

49:14It is fair to say that the courts are very expensive. One outdoor court is £80 ,000 without VAT. You put a canopy over it,£160 ,000 per court. So it's right that operators do need to recover that. And obviously, it's a competitive market as well. So I think overall, probably prices will come down rather than go up. But there will be regional variations because, of course, rent and other costs differ where you are in the country. In your mind, for this, you've described how many people around the country want to play this and and have a go do you have a sort of price point per person that is needed to be able to see you know complete takeoff of the of the sport and that it's not just available to those that firstly can earn enough to pay for it but also you live in areas where these paddle courts have been developed yeah i mean i think to be honest the proof is in the pudding we have over 110 000 and players across our clubs in the UK, which are somewhat over 10 % of all UK players at the moment.

50:20And our venues are running at Game for Paddle at 50 % to 100 % occupancy of all available hours. And that proves to me that it is an inclusive, attractive sport for everyone. And how does it compare? When you say all available hours, are people almost playing around the clock? Is it once you've built some of these courts that they can actually be used at all times? and have you found them a good investment? I mean, it's notable Andy Murray invested in your company early on. The investment part of this is something people are a little bit interested in as well. Yes, at Game for Paddle we've very much focused, as I said, on being a low-cost operator, which means generally smaller outdoor venues maybe have a canopy on them, but we're generally not.

51:09At Game for Paddle we're building big warehouse clubs with high fixed costs And that enables us to charge low costs to customers. And it also enables us to make an attractive return for our investors. So what kind of locations are most ripe, do you think, for being either converted into a paddle court or just having something started from scratch there? There are significant barriers to entry into the market. Sweden had a sort of boom and bust, partly because it was all focused on commercial warehouses. and there are some commercial warehouse operators in the UK, but they have very high fixed costs in terms of rent and business rates.

51:49So we're looking for smaller sites, ideally at sports clubs, leisure centres, where we can get through the planning process, which is not easy, to be honest, and build attractive clubs where people want to play. You've described it in the past, investing in Paddle, as a bit of a gold rush. Can that be a danger for a sport as well or for any investment and sector that people are going into? Does it need to become more sustainable around the country? I don't know whether you see sort of rivals falling by the wayside a bit. Not yet. And to be honest, at the moment, I would say in most areas, there's insufficient, of course, for the astonishing growth in the demand.

52:32But absolutely, I think there will be peaks and troughs in the supply-demand balance. And again, Game for Paddle is very focused on being low risk in terms of the rents that we pay. So we generally don't pay a fixed rent. We share the profits with the landowner, whether it's the sports club or council leisure centre or commercial space. So we're very aware of the risks. And yes, there are a lot of people jumping on the bandwagon who think it's easy to find sites, easy to make them successful. We put in a huge amount of effort to grow programs, attract women into the game, attract juniors into the game.

53:07We run socials, mix-ins, tournaments, events, have a huge coaching program. Game Paddle alone has trained over 300 coaches because coaches are a crucial part of making the sport sustainable and attractive. So, yeah, there's a lot to do. And yes, I think the reality is there will be consolidation in the industry over the coming years. Michael Graydon thank you for your time this morning Chief Executive at Game for Paddle formerly Director of Wimbledon former Exec at P &O Judith Allen thank you for your time this morning Allen hope you enjoy your next game of Paddle next Tuesday evening Judith sport for you I've tried but I've not been selected for the Downing team yet competitive at Downing fund managers sounds like it's a bit of a workplace event as well thank you for all your messages this morning too that is it from Wake Wake Up To Money.

53:55Wake Up To Money from BBC Five Live. That's it from Wake Up To Money. You can download the podcast every Monday to Friday, so please make sure you subscribe. We'd also love it if you left us a review when you do. Get in touch. Keep the conversation going any time as well on social media. Use the hashtag Wake Up To Money. Five Live Sports. So here's the first ball of this series. All the cricket you love. Check Robbie W. Ouch. Lives on BBC Sounds. Smash straight back down the ground, this girl. Hear ball-by-ball coverage of the biggest competitions on the domestic and international circuits. It's a ball cricket and it's the huge one.

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From the publisher

TikTok creators will be able to use Disney content in a new deal between the two media giants. A former executive tells us why Disney is moving into short form.

Rising fresh produce prices will hit hospitality hardest and first, according to one of Britain's biggest wholesalers. We hear from a gastropub bearing the brunt.

And it's the the first time an elite global padel tour has taken place in the UK - but what's behind the rapid growth of the sport?

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