Fashion Neurosis with Haim

18 Jun 2025 · 1 h 1 min

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In short

Podcast Notes: Fashion Neurosis with Haim

Episode Overview In this episode of Fashion Neurosis, Bella Freud hosts the American rock band Haim, composed of sisters Este, Danielle, and Alana Haim. The conversation delves into their personal styles, influences, and experiences growing up in a musical family, alongside discussions about their new album, interactions with notable figures in fashion and music, and the dynamics of sisterhood.

Key Themes and Discussions

Introduction to Haim

  • Background: Haim is a rock band formed in 2007, consisting of three sisters: Este, Danielle, and Alana.
  • Musical Style: Their sound blends classic rock, R&B, folk, and '90s pop, earning them critical acclaim.
  • Notable Works: Their debut album, *Days Are Gone* (2013), and *Women in Music Pt. III* (2020) received significant recognition, including a Grammy nomination.

Fashion and Personal Style

  • Fashion Influences:
  • Este describes her outfit choice, highlighting a dress by Uchila Safdie and emphasizing a "flirty" style.
  • Danielle discusses her unique printed skirt by Jenny Fax and a leather jacket from Louis Vuitton.
  • Alana showcases a vintage dress and a designer jacket from Callaghan, emphasizing the significance of their fashion choices.
  • Fashion as Expression:
  • The sisters reflect on how their clothing choices convey aspects of their personalities and emotions.
  • Bella probes into how their aesthetics have evolved over time.

Sisterhood and Dynamic Relationships

  • Roles within the Band:
  • Este positions herself as the “tastemaker” in music, while Alana and Danielle often follow her lead.
  • They recount childhood experiences of sharing clothes and how they navigated personal styles amidst sibling rivalry.
  • Navigating Emotions:
  • Discussions on how each sister copes with insecurities and the pressures of growing up in the public eye.
  • They express concern about not wanting to burden each other with their individual struggles.

Creative Process and Inspirations

  • Influences and Collaborations:
  • The sisters discuss their admiration for Phoebe Philo, citing her impact on their fashion sensibilities.
  • They highlight collaborations with filmmaker Paul Thomas Anderson, mentioning how his vision aligns with their artistic identity.
  • New Album Insights:
  • Their upcoming album, *I Quit*, is set to launch on June 20, 2025, and is characterized by themes of introspection and healing.
  • They reflect on the importance of exploring past experiences and emotions through their music.

Personal Anecdotes and Reflections

  • Childhood Experiences:
  • The sisters share humorous and poignant memories from their upbringing, including thrift shopping adventures.
  • They recount the awkwardness of adolescence, including insecurities about their appearance and societal pressures.
  • Coping Mechanisms:
  • They discuss how fashion plays a role in emotional regulation—how wearing certain outfits can influence their moods.

Conclusion

  • Final Thoughts:
  • The episode wraps up with a light-hearted and reflective tone, emphasizing the bond between the sisters and the role of fashion and music in their lives.
  • Bella expresses gratitude for having Haim on her podcast, celebrating the intimate and relatable nature of their conversation.

Key Takeaways

  • Fashion and Identity: Clothing is a powerful tool for self-expression and personal storytelling.
  • Sisterhood: The dynamics of sibling relationships can be complex yet supportive, especially in creative fields.
  • Emotional Expression: Navigating personal struggles and identities is a shared experience that can be expressed through art and fashion.
  • Influences and Inspirations: Collaboration with influential figures, such as designers and filmmakers, shapes the artistic vision of musicians.

Links

  • [Fashion Neurosis Website](https://www.fashionneurosis.com)
  • [Fashion Neurosis on Substack](https://www.fashionneurosis.substack.com)
  • [Instagram: @fashioneurosis_bellafreud](https://www.instagram.com/fashioneurosis_bellafreud)

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Transcript

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1:10Hi, come in.

1:17Welcome to Fashion Neurosis Haim. Hi. This is the first time I've had more than one guest and I bought extra pillows especially for you. Can I start with you, Este, because you're the eldest and I'm the eldest too in my family and I wanted to afford you your rank. Can you tell me what you're wearing today and why you chose these particular clothes? I'm wearing Uchila Safdie. I love the fabric of this dress. I love the cut and I love the ruffles. I tend to be more, I think I'm the flirtiest dresser in the family, but I don't think I'm the flirtiest person. I think that's Alana. I think Alana's the biggest flirt in the family.

2:10But I think I tend to dress the flirtiest. You think that's fair? I would agree. um and yeah i don't know i just wanted to i wanted to dress up for you bella thank you so much means a lot danielle how about you i am wearing a jenny fax skirt with a fun little black underwear detail it's actually printed on the skirt i just thought it would be funny um to i usually don't wear skirts i'm more of a you know pants or tailored kind of girl but i'm wearing this jenny fact skirt today and then this jacket is um a louis vuitton leather jacket it's one of my favorites and it's by nicola casquille who i am a very very very very huge fan of.

3:08Alana, your turn. I'm wearing a vintage helmet laying dress and a Callaghan jacket that was designed by Nicola Goskier. I think this is from the year 2000. And I scoured the internet because he only did three seasons at Callaghan. So I scoured the internet for a piece and I wore it because they were the two pieces in my suitcase that I really wanted to wear and I feel like they needed a time out. I'd forgotten he did Callaghan. Yeah, it's really nice, I must say. I love his previous work as well. I love what he did for Balenciaga. A huge fan. A bad suit fan, a big Nicola fan. You are Haim, a girl band of three sisters, one of the most popular rock groups out there right now.

4:05Who's the tastemaker and how obedient are the other two of you at following orders or how does it work between you? I'm a follower. I've been a follower. I'm the youngest. I've been a follower my whole life. I think we each have different, you know, maybe, if you would call it like a tastemaker-y situation. I think Esty's always been the tastemaker when it comes to finding and discovering music. And I think Alana and I have always just followed Esty's amazing music taste. I thought I steered you in the right direction, not the wrong direction. You always did. You always have. You still do. Esty's always discovering the best music.

4:52And in terms of clothes, because my sister told me recently that when we were kids, she would look at what I was wearing always and then sometimes think, hmm, maybe I won't do that. I was like slightly shocked because as the eldest, you have this imperious feeling of like certainty when it comes, well, I did anyway, yet a huge dependency. And I wondered how you figured out your aesthetic identities. oh wow i bella i feel you on a very deep level as the eldest because i didn't have anyone to look up to other than like all i really had was just i looked at my my girlfriends for i guess for fashion advice and then also just magazines and but there were some disasters i really there were some bad fashion choices I think growing up and I wouldn't be surprised if Danielle and Alana looked at me sometimes and were like no no I just I spent my whole childhood stealing what was in your guys's closets that was my I was a borrower no you got all the hand-me-downs I got all the hand-me-downs but I'd also just you guys would notoriously get new things and I would just steal then because you seem kind of quite harmonious in like how you you dress it seems to have a link to it whereas me and my sister for some reason sometimes people think we're each other but we are so different in our aesthetics I'm more of a kind of child soldier and she's more of a little princess.

6:39That was our demeanors. And so we rarely kind of swap clothes, but I expected a certain allegiance, even if it wasn't like replicated in what she wore. I just think Danielle, I think, I looked up to both of my siblings, but I think Danielle, I think we can all agree that Danielle had the best closet. Well, Esty and I would drive around L.A. When Esty got her license when she was 16 and a half, it kind of opened up Los Angeles to us because, you know, our parents, we just kind of stayed in our neighborhood mostly. They didn't really like driving us to different parts of L.A. They just wanted us to kind of just like hang in the backyard and kind of be in our neighborhood.

7:27But once Esty got her license, the whole city kind of opened up to us and we would kind of run around to different thrift shops. The dollar sale was a big one. The dollar sale. We just would go shopping and try to scrounge around and find things that we thought, you know, a lot of vintage shopping. We're really lucky in L.A. we get really good vintage. Especially back then. Before people knew what they had. Yeah. Yeah, we used to have jumble sales before vintage was a bad sale. That's what the dollar sale is. Yeah, a dollar sale was in a parking lot on La Brea in Hollywood. And they would literally take out bundles of clothing, and every piece was a dollar.

8:14Wow. And so our mom would give us each$10. So then we got, by the end of it, we'd have 30 pieces of clothing, and then we would just go home and hack away at cut it up. Try to make it look like what we saw in Vogue. There were some really bad concoctions we made. It's important to do those bad things on the journey to finding what's your look. I think they really form you. And there's a lot said about the middle child having a harder time in the family. And yet you, Danielle, you're, I believe, the main writer of songs. No, we all write, but I do take a production rule. Right. Yeah, we all write our songs, but I take a bit of the production rule.

9:15You take a lot of the production rule. She's being modest. Because you seem quite shy as well. And I wondered if you used your outfits to signal the kind of nuance of your personality that you hold, maybe hold back slightly. That's just. No, I've always just had an affinity for fashion. And since I can remember, I think when we got our first desktop computer and Internet connection, I think I was, you know, maybe 13 or 14. And I started, I figured out what, you know, Vogue.com was. I think at the time I was a big, you know, nylon magazine fan. And I was just searching for, you know, different things on the Internet, different, you know, trying to find cool inspiration for, you know, clothing and how to express myself with clothing.

10:07I think it's always just been very, like, important to me. And I think also fashion music to me, they kind of go hand in hand. and I think a lot of our favourite bands growing up, we also took such style cues from. Was there anyone in particular? Well, there was a moment, I think, you know, well, we were huge kind of MTV fans when we were, you know, in our, you know, I think, Lani, you must have been like eight. I was baby. Like seven or eight and I was ten. Nesty was like 13 and it was right around the time that Britney Spears and NSYNC and Backstreet Boys, all of these amazing pop bands were coming out.

10:57And we loved all of the kind of uniform with the boy bands. And the Spice Girls for us, even though we were in the States, were huge. And their self-expression with their clothing, I think, was always so inspiring to us. But it was really amazing to see these groups kind of express themselves with fashion and we were obsessed with them and then also with like destiny's child i feel like i always loved how they would always dress similarly but they all had their own take on it yeah and then there was so that was kind of in our early early teens and then there was a moment i think around 2001 where we saw the strokes on on mtv and we were like who are they why what are these cool jackets and these cool tight jeans.

11:45And I think, you know, that kind of changed our life. But yeah, and I think from then on, we kind of started digging through the internet for music inspiration and maybe more of, you know. I remember when you taught me to hand sew straight leg jeans into skinny jeans. There was a moment when we would see, I think it was in 2001 or 2002 where we discovered paparazzi photos of Kate Moss. And we were just, we just thought she was the coolest looking girl. And we saw her wear, I think they were sass and bide maybe, skinny jeans for the first time. Like this low rise, gray skinny jeans and she wore them with ballet flats.

12:40and I'm being like, how do I find that? All my jeans were, all of our jeans were like flared or boot cut. So we took a needle and thread, we turned the jeans inside out and just from the knee down, hemmed them to make them skinny. It never really worked. It never really worked and they were really hard to get on. But yeah, we kind of were making our own skinny jeans. yeah she was so good at skin she's so good at a new outfit like just you know obviously being a londoner too and she would show up somewhere and you think how did she how did she figure out a white pair of white trousers and a red shirt would be the coolest thing you've ever seen in your life and she just looked like she'd been dropped you know dropped from outer space just dazzling.

13:37She just always does it. The coolest, I mean, I think for a long time my kind of uniform was like skinny jeans that we sewed and then ballet flats and then I think you guys call it a vest. Yeah, you loved a vest. Well, I loved it, a button-up vest but then under would be like also like a tank top and then a button like from a three-piece suit we thrifted like a little vest with buttons and that was like we had so many vests we had so many yeah god from the dollar sale from the dollar they're the best ones because the new one is always like doesn't fit no no you need it tailored already worn down and not know where it's come from somehow and it just kind of makes makes you makes your body and it you talked about at school I mean, at school, the currency is clothes, but then there's also snacks.

14:36And you said you didn't have good snacks. We did not have good snacks. I was so interested because I was so embarrassed about my lunch. I used to go under the table and eat it really quickly and pop back up and then sponge off everybody else and look at them like a hungry dog until I got there kind of stuff. And what were your snacks then? Our snacks? We didn't really have snacks. Veggies. Veggies are like an apple. An apple, which is very sensible, honestly. My mom would, she would make us every day a sandwich. A sandwich. So it was mostly a turkey sandwich with mayonnaise and mustard. Amazing.

15:16Nothing else. But was it like huge hunks of brown bread or nice soft white bread? It was just like whatever was at the supermarket, like the sandwich bread. But I think what growing up, like when you went to a friend's house and they had like a snack drawer or a snack closet, it felt like a movie. Yeah. Like you have just dunkaroos. Yeah, gushers. And gushers. Fruit by the foot. Yeah, just readily available. We stayed friends with those friends. Yeah. Those were good friends. When kids had like M &Ms. Like who were those? Candy. Or like the friends that had parents that would bring our friends fast food.

16:02Oh, yeah. For lunch. For lunch. Like that was jealousy. Also Lunchables. We never had Lunchables. Do you guys have Lunchables? Yeah, I've heard. I've seen them in the supermarket. You were cool. You had the pizza Lunchables. Yeah. I still do that when I go to someone's house. I open their cupboards and I just stand there and look and see what they've got what are the choices they I never have anything until my son comes home and I rush to the supermarket but I have a very bad fridge it's got like some mayonnaise and that's it we can relate we were like a an ingredient family I don't know if you've seen yeah online where it's more of like, there's like a lot of food in the fridge but you have to make the meal.

16:56It's not just like a grab cell. Yeah, so my mom loved going food shopping. We always had food but it was always like you had to actually cut up the vegetables. Yeah, you had to prepare it. Well, I'm just a terrible cook so it was, I'm a true baby of the family. I just sat and waited till somebody helped. But yeah, our fridge was, we were never, that's why no one ever wanted playdates. Yeah. No, it really directs your friendships at a certain age, doesn't it? Thinking about what you can indulge in at that age. Oh, yes. And Stevie Nicks is quoted as being a fan of yours, too. And are you planning something together?

17:39Maybe. I don't know, Bella. Maybe. We don't know yet. Even you saying that out loud is like, it's like crazy. thing to hear. She's always been such a huge inspiration to us. She's a big inspiration to young artists. There are so many people who cite her and her music and her look and fashion wise she's a big influence and she just never stops and it's great that she's kind of found this kind of connection with you all and has such lovely things to say about how you work as a band and how you complement each other, what the things I read that she'd said. But I know you clearly can't say anything about it, but anyway, it's something to be excited about going forward.

18:35Yeah, we absolutely love her so much and have always been. Just in awe of her. We've seen her so many times in concert, and every time I'm in awe. It's just incredible. And I'm always interested in the transition from girlhood to womanhood and it's also a time of sort of inexplicable secretiveness within family relationships and I wondered who was the worst in this area. Of going from girlhood to womanhood? Yeah, and also, you know the sort of sudden withdrawal from what people expect from you where you just think, I'm not telling you anything. What would you think? I would say, Essie, you were the oldest.

19:25You had no one to guide you through. I think I'm still figuring it out. I'm being honest. Yes, I totally relate. Yeah, I think, well, I think my teens were pretty tough. And then college was also pretty tough. and then getting out of college was also pretty tough. What kind of pressure did you feel? What were you stepping back from? I didn't really have a lot of confidence as a kid, even though I loved performing, but I think when I was offstage, all three of us, we grew up doing shows for our parents in our living room, and like with the kids in our neighborhood we would put on shows god then I think once I got off stage I think I really have a lot of confidence in myself I never really felt you know I don't know good about myself I had really really like like there were really nice kids that went to my school and I had friends but like I never really felt like I fit in and I think that kind of continued from like elementary school and middle school into high school and I think the when I really found my stride I think I was well into my 20s and I think I'm maybe just sort of hitting my stride now yeah honestly I I think I yeah I I think, you know, gaining confidence is kind of, you have to work at it every day, I think.

21:05Yeah. And I think I'm just sort of starting to really feel like myself or like my truest self now, I think. I suppose maybe it's a bit of a myth feeling confident when you're young and, I mean, you are, you've done so much, all of you, but it's, It's a mysterious thing, but what's great is feeling that that's coming when it's been such a kind of tenuous thing. I mean, obviously, looking at you all, you just seem so shining. Thank you. You know, you give so much to your music, and people feel so good listening to your music, and the thoughtfulness of your lyrics and the kind of mood in your music.

21:58And I just wanted attention from boys. And I didn't get any. Didn't we all? I think that also. It was inconceivable. That was tough for me. You could, like, drive a truck through my two front teeth. I mean, now I look back on it and I think it was, like, chic and, like, cute. But at the time, it did not feel that way. Now I kind of miss it. I have my gap still. Yeah, Alana still has her gap. We all had a gap between our teeth growing up. That's the coolest thing. I mean, people practically make those gaps. I know. And I read that you're all obsessed with Phoebe Philo. Yes. Oh, my goodness. We're all obsessed with Phoebe Philo.

22:40What is it about her that you're captivated by? It all started when I saw a picture of MIA wearing the banana print, a banana print dress. And I just, I was obsessed with that pattern. And I remember, again, I was still understanding the internet, because I think this was like in 2003. And I think I somehow stumbled upon, oh, this is Chloe, the brand Chloe or something. And from then on, like every couple months, I would remember to check the internet for, I didn't even know what like a fashion week was, but I just kind of understood, oh, there's like some sort of show where there's like really cool clothes coming down to this sort of runway.

23:25and I started really trying to understand what the fashion world was. And I think, yeah, it was Chloe, like 2003, 2004, that I really started loving. And now I've gone a little bit back and I love the Stella and Phoebe collab and earlier Chloe and then, you know, Phoebe, Chloe, and then also have to shout out again, Nicola. Nicola's Balenciaga was huge. huge huge huge for us but of course it was just you know it's not like we could ever even dream of owning anything from these brands but we would just go on the internet and just look at these beautiful clothes and I'm just a huge fan of Phoebe and then later on when she did Celine it was like mind blowing and now her own brand is beautiful so yeah we're just huge fans I love what there's so much seriousness and then there's so much these fantastic jokes and the glamour, the way she just brings in a colour and it seems like she's invented this colour.

24:38Totally. She just brings this kind of swagger and this charm to dressing, but super chic. But you could be, you know, on the street or going to some fancy event. And it seems like the quality in her personality that comes through in her work, which I really love. Yeah, we're huge fans. I think it was, yeah, especially around the 2005 era. I will never forget. My first ever, ever, ever big purchase, there was a sale at this place called Fred Siegel. I think I was 18. And we heard that on the last day they do 95 % off. Bottom of the barrel. So we woke up early. We figured out somehow when it was the 95 % off day and I got all my money from my birthday and I found a Chloe top.

25:43You both did? We both each got one. They were 95 % off, so they were$50 each. Yeah, so yours was the green one with the black buttons. And I had a pink one with buttons, like a ruffled tank top. But they were each$50. And for us at the time, I can't believe we're spending this much money on a top. But, you know, it felt like a piece of history. and honestly, it was. It was one of her last collections. Mom found it. Yeah, my mom just was cleaning out the house. She just found it. But that was such a big deal for us to own. You never wore it. You actually, like... No, I wouldn't because I just didn't want to get it dirty.

26:22No, but it was like a museum piece. Yeah. Like, you knew that it was art. Yeah, but also R.I.P. Fred Siegel. Yeah. It was such an amazing story. Great story. We only went for the sales. We only went for the sales. But they were really amazing. 95 % off is insane. It's good to buy things that you never wear, though. I know it sounds a bit like elitist, but I have got things that I never wear, but I don't regret. Not many, but they're so beautiful. And I think maybe one day, or, you know, I look in the cupboard and think, oh, I love that thing. And sort of waiting, you know, I don't know when. I think Danielle's going to frame the Chloe top.

27:06She's going to frame her frame and put it on her wall. Do you all have different attachment styles? I think, Alana, you said being a little sister, you feel like your job is to be the wrangler of the family. And I wonder, what's your main wrangle? I think I have always grown up just being happy to be here. Oh, that's so nice. I just always, my siblings were so extremely powerful growing up. And then I came along and I just wanted to fit in. And I think for me and my siblings, I think when I turned 16 was when I turned from annoying little sister to friend. And once I kind of bridged that gap of being annoying to friend, I just was so afraid I was going to lose it.

28:05So I was just always was so incredibly excited to be involved, like that my sisters would go to a party and they'd be, they'd say, you want to come? And I couldn't believe it. So I always knew I was like, I got it. I got to play it cool. I just got to fit in. I had braces. I knew I was always the youngest person at the party. So even that was cool. and I was just happy to be there. So I think now growing up, again, I'm just grateful you guys accepted me.

28:39I'm still scared they're going to be like, you can't come, and I'm in my 30s. Was that anxiously attached or fearful? I definitely have an anxious attachment style, for sure. I don't know what the anxious avoidant and anxious... what's the other one yeah anxious avoidant and anxious i think insecure attached yeah so i have an in i have an insecure attachment style i'm but i'm working on it i think i like avoiding every so you're anxious avoid i think i'm avoidant i like to run through life just hoping that everything's gonna be okay i worry about the problems later i think things change change with different people you can be different things in different relationships because I kind of find it quite fascinating when I discovered the whole thing now attachment theory is such a kind of interesting part of understanding inexplicable kind of behaviors within oneself and I've like you yesterday I've always been quite anxiously attached but now I'm morphing into more anxious avoidant, which I much prefer.

30:00Yeah. What's the secret, Bella? What's the secret? What is the plan? I think I agree with you. I think that it's something you kind of have to work at. I'm currently working through it. Having somehow the courage to go against the anxiety, which is so terrifying. And then it depends on the person that is most sort of affecting in that. Yes. There's someone in particular and either kind of face them out or dump them. Yeah. Well, the dream is to just find someone with a secure attachment style and to be around people that are secure and then hopefully become one of those people as well, which again, currently working.

30:51But I was reading this, I don't know if you've ever followed Esther Perel. Esther Perel? Yeah. Oh, yeah. And I read her book, Mating in Captivity. Oh, yeah, I read it. And she talked about the kind of myth of security and how somehow searching for security was almost... The death of a relationship? Well, that too, but also kind of insecure making because there's this security, but then there's this other stuff that is missing, which is the kind of charge of insecurity. So how the hell do you reconcile that? Maybe I'm chasing after some fantasy after, you know, watching my parents' weird relationship.

31:34I loved that. I mean, I loved that book, but it was also the catalyst for one of my breakups. Right. We read it together and I think we were both like, oh, okay, I think this is done. God, that's fascinating. This episode is brought to you by MUBI, a curated streaming service dedicated to elevating great cinema from around the globe. From iconic directors to emerging auteurs, every film on MUBI is hand-selected, so you can discover incredible movies and series, streaming anytime, anywhere. Now streaming on MUBI is Twin Peaks. The cult TV masterpiece is now on MUBI in celebration of its 35th anniversary.

32:20I've been re-watching the series and it's as mesmerising and adrenaline-inducing as ever. the beauty of the filming the David Lynch lighting so moody and evocative the music by Angelo Badalamenti is haunting and then there's the cherry pie the whole thing is a feast you can watch for yourself try MUBI free for 30 days at MUBI.com slash fashion neurosis that's MUBI.com slash fashion neurosis for a whole month of great cinema and TV, totally free. And Este, as the eldest, like me, you had some time without sisters. Yes. Do you always feel the most powerful just out of habit? Or is there one of you that you kind of, there's a consensus, who is the leader?

33:19No, I think that all three of us kind of take the lead depending on the situation. And I think that's why this works. I think that we've figured out our footing and we know, you know, when we see one sister struggling, we know that, you know, one or both of us have to kind of step in and help. I don't know. I think that, you know, we've spent our entire lives together. I know that there were three years when I didn't have siblings. I don't really remember. I mean, it must have been fun. I know. I mean, I see pictures of just me with mom and dad, and I'm like, what an amazing trio. I wasn't that bad.

34:05I cut off all of Danielle's hair when she was like three or four. I woke up in the middle of the night, and with safety scissors, just cut off all her hair. There's a lot of photos of Danielle with like crooked bangs. And my mom tried to fix it as much as she possibly could, but she didn't do the best job. but I mean, that was when we were like young, young, young kids, but you know, I can't even imagine what happened when I came along. You guys both had to deal. We liked the pet. I think so. I don't know. I don't really remember. No, I don't really remember that either, but I think that we've, I think we've just, you know, we've grown up together.

Read the full transcript

34:46We had parents who were just like, go in the backyard, play with your siblings. So, you know, go kick the ball, go kick the ball. And then Essie would say, let's do a dance. Let's do a dance. Essie was an incredible choreographer. And me and Danielle were extremely obedient. We would just do everything that she said. And Essie always had a vision. Always had a vision. And then making the costumes. Costume changes. There were costume changes. Costumes. Music changes. We're never bored. Yeah. You know? And did you have like a name when you were really tiny? because I know as a family you performed together.

35:28What was it? Rock and Hull? Rock and Hull, yeah. With my mom and dad. Yeah. Yeah, I mean, we basically just played, like, for charity and street fairs. And I'm a type 1 diabetic. We did some stuff for that. It was our weird family activity. Yeah, there was definitely a point where I thought everyone had a family band. And then when I found out that wasn't true, I was really upset. And was there a moment where you decided we're going to be a band or were you just born a band almost? No, I think it was, you know, when we played with our parents, we only played covers. They were not songwriters. They just loved playing music.

36:13My mom's a guitar player and her dad's a drummer. And I think we just loved, they just loved the act of playing songs that they loved. And it wasn't until we were kind of like, well, what about songwriting, which was probably when we were in our teens. So I probably started writing songs around the time I was, what, 15? Maybe even younger. Maybe younger. That we would just kind of go into our bedroom and start writing little songs, and our parents had no idea what we were doing. Yeah, they were like, cute guys. Yeah, cute. Cute. But it wasn't until then that we were like, well, maybe we should try and play these songs live in front of people that we decided, okay, well, maybe let's try it.

37:01I was actually, I was graduating from high school and decided I didn't really want to go to college. I wanted to try and perform these songs with my sisters. And that's when we really started to take it seriously and tried to book gigs in L.A. anywhere we could play. Emphasis on tried. Tried. many times failed. Many times. But yeah, we played just in LA to like two or three people. So many shows like for five, six years until we ended up getting signed. But yeah. It was a great time. So wonderful. It's so lovely to know kind of what you're doing when you're that young because it seems, I mean, some...

37:43What's what we wanted to do? I look back now and I'm like, I don't know what we were thinking. We had blind faith. They were so... Like, it was very much blind faith. Yeah. I suppose part of being a family, too, is that you're not going to suddenly quit, or maybe less likely, and that one can encourage the... You know, you can keep the morale strong by, you know, just... I mean, the people become successful because of perseverance as well. Agreed. I think a lot of people get discouraged and then they just stop. But I think we were just having so much fun. It was the best time. It was so fun. And it felt, I mean, every show, even if there was three people there, we were just grateful for the three people.

38:31Most times it was like a boyfriend that one of us had and like our parents. But even that, it was just the honor of getting to play on a stage was more than enough for us. And I think if, like, any little, like, incremental thing that happened felt like the biggest win and the biggest victory, like, you know, I think. Still does. It still does. But I think especially then, it was like, anything, it was like, you guys, we're going to play the Troubadour. It was huge. Huge. Huge. Like, this really iconic venue in L.A. And it wasn't easy to get a gig there. No. And you, like, knew the band that was headlining.

39:12Yeah. Can we please play first of four? Can we open at like 6 p.m. at Doors? Because that's a legend. I mean, I was reading about that in Eve Babbitt's and the Didion Babbitt's book, and there's a lot of talk about the troubadour scene. And is that still a thing? I mean, I think so. It's still a venue. I love that venue. Out of every venue that I've ever played in L.A., I think the Tribuador is still my favorite. Because it's so legendary. It does hold so much. When you walk in, you really feel the history of that venue. And a question for all of you. If you're feeling down, do you wear more or less clothing?

39:58Probably more. Yeah, more. For me, it's more. I love wearing. I just want to be cozy. Yeah, because I have a friend who wears next to nothing when she's down, and I'm kind of astonished, but it's some way of regulating her emotional kind of thing. Maybe we should try that. Yeah. Try that next time. I wear a comforter. I literally wear a duvet when I'm feeling down. Yeah. Like, I don't know, try to cover myself in as much soft material as I possibly can. But that's actually a really interesting way of approaching it. I mean, right now, I'm kind of doing that. I'm the least covered of all of us.

40:48Well, that's a good sign. Yeah. I know. It's so odd when people do things that you can't. They're like the antithesis of what you think is the solution. And then you think, oh, maybe I should try something to jog myself, you know, something to do with what I wear. I mean, I always think it's the great thing about good clothes so that they can be your kind of ally when you're going through something. And if you have a good outfit, you can be less distracted by your kind of inner turbulence. when we were on tour last time and we had these custom Louis Vuitton outfits we called it our armor yeah I know it's a sort of heart protector isn't it and if you fancy someone and don't like something they're wearing does it kill your attraction?

41:48it's tough clothes can always be changed that's the good news What's that? Clothes can always be changed. Yeah. But it is, I feel like you can tell a lot about somebody by what they wear on a first date. Yeah. I think you can kind of tell what the future holds for you. But yeah, no, it could, I mean, yes. Honestly, actually, something that is so terrible is when you fall in love with somebody and they cut their hair. It's something different. and you have to fall in love with this new person. You're speaking from experience a lot. Speaking from experience. You know, it's hard. What kind of, can you describe what happened?

42:37I was dating a guy and he had the most gorgeous hair and then he cut it all off and it felt like I was dating a stranger and not in a good way. Also his attitude changed too. Oh, well that's the real problem. Didn't like it. I always tend to go for guys with no hair falling out. So I love whatever they've got. Love that. How about you, Danielle? Have you got like an allergy to anything? Have you been horrified by anything in particular? And what have you done about it? There was... Oh, God. I don't know. There's always something. You don't need a name name. No, I know. I went on a date with a guy that had like a pre-distressed like motorcycle jacket.

43:29Yeah. But it was brand new. Yeah. Do you know what I mean? I know exactly what you mean. When it's just like get an old one, maybe. But if you want it to be a distressed, I don't know. Maybe that's really, that's just a recent. Top of mind. Top of mind. Top of mind. Este. Oh, me? I guess my ick is someone who dresses like too seriously. Does that make sense? Like, I like, I mean, I tend to gravitate towards people that have a bit of a sense of humor with everything. And if you're dressing too, and by serious, I don't know, I guess like too buttoned up or something, you know, or like uptight. yeah or like preppy yeah or something like and i like you know i like you know men that dress a little casual but that know how to dress up and dress well when they need to be buttoned up i guess i don't know my fiance is a great dresser there have been some blunders but i've called him on them no he he's got great taste he's got great taste i'm really lucky i'm very lucky he's very lucky.

44:42Yes. He's very lucky. But I'm lucky too. I find it interesting when someone, I like, wear something appalling and what do I like going, getting over it, thinking, yeah, this is really, I'm really struggling here and I quite like this person, so where do I place this kind of aversion, this thing that is literally pushing me to the other side of the earth? Right. Well, how bad are we talking? I know. What was he? My worst was this guy and this, anyway, he wasn't the guy for me and he isn't my guy. I opened the door and he was wearing a straw boater on the back of his head and coral colored jeans rolled up halfway up the thigh, the calf with, with espadrilles and a dry PT shirt.

45:34but like he was in the chorus of a pantomime. And it was a real shocker. It was so bad. I'll show you a photo of my ex when we're done with this, and I can relate. We have so much in common. Oh, God. Yeah. But I knew it was a sign, and I just thought, you know what? I'm going to ignore it. It's so bad, I'm just going to pretend it's not happening. And anyway, it took its natural time. Yeah. We all have to go through it. Yeah. And you've worked with the film director, Paul Thomas Anderson. He's done 10 of your music videos. And I wondered, like, how does he capture how you want to project yourselves and why do you trust his vision?

46:25Well, it's honestly unexplainable. I don't know how he does it, but I feel like... He's also one of the greatest living directors of all time. The greatest director of all time. But I'll never forget our first project we ever did was this short film that we made called Valentine. And before we worked with him, we would always do music videos, and I would look and it just never felt like me. I would always look at it and go, I mean, this is fine, but it feels like I'm watching a different person. And when we did Valentine together, I'll never forget, we were watching all the takes. And it was like this eureka moment where I was watching the film.

47:11And it was the first time I ever said, like, that's me. He captured the essence of all of us so effortlessly. And it makes me emotional because I love Paul. I think he's taught us so much. He's just not only the most incredible director, but also one of the most amazing friends. And I had never met somebody ever that I admired so much from afar. And then when we met, we had so much in common and we loved the same things and had the same references. I mean, he has many, way better references than we do. But we're both from the Valley. And we both had a very deep love for our hometown. And he's just been the most, I mean, even saying that he's done 10 music videos is insane.

48:13Thank you, Paul. Thank you, Paul. because you are he was also making incredible movies in between doing our funny music videos that we did together where we we would call him basically the day before and he like the best sport ever would help us out um but no he's incredible and he got to shoot the cover of our album which was it's insane he's shot two of them now crazy so great it looks brilliant and And how did you, because you were also in his film Licorice Pizza, which I just loved. I saw it, I think it was still lockdown, and it was just such joy. It was so funny and anarchic and uplifting.

48:58And how did you meet? It's a very long story. Well, first of all, Esty got me the Boogie Nights soundtrack for my 16th birthday from a used record store. and we were obsessed with it. So we were really big fans of his. We actually listened to the soundtrack before we saw the movie. It was rated R, so we weren't allowed to watch the movie, but the soundtrack was incredible. All songs from the 70s and the 80s. So we'd been a fan of his for a really long time. And then, I mean, do you guys want to take it? We can do the abridged version. Well, we can fast, I mean, we've always been fans of his, but he, my first job, because Esty got me the job, was I used to sing, well, me and Esty, all three of us actually, used to sing jingles for the radio.

49:51Oh, God. So we did, there was this company that, you know, needed girl singers to sing jingles for other companies. And they gave us, I was in high school and they gave us$50 a session, which to me was a million dollars. It still is a million dollars. but$50 for a 16 year old that was insane and the guy that gave us the job was this guy named Asa and on our first album because we loved him so much and he basically fueled me being able to buy weed on the weekend we thanked him on the album because we were just so grateful that he gave us a job so charming, that's so sweet And Paul knew Asa's brother named Yorma, and he had heard our song on the radio.

50:44And he bought our album, looked at the liner notes, saw that we thanked Asa, called his brother Yorma, and was like, your brother knows this band of girls that are from the valley, and they love the valley so much. Give them my email. Give them my email. Yeah. So then we get a text from Asa. And he's like, hey, Paul Thomas Anderson wants me to give you guys his email. And we thought it was a joke. Yeah, we thought it was a joke. Could not believe it. And we emailed Paul, and he invited us to have dinner with his family, with Maya Rudolph, who were also giant fans. So insanely. We grew up watching Maya on SNL every weekend.

51:30And we were so nervous. She's so good. And we met both of them, and it was basically love at first sight. And we basically morphed families. And it took us a while because we were right at the very end of our first album, Days Are Gone, like the touring schedule. So we couldn't work with him, so we just became really close friends. and then on our second album, we had, he basically saw us play live and was like, why don't you have a live video? You guys should play live and I'll film it. We were like, what? And that's where Valentine. And that was the first thing we did with him was a live video.

52:13First thing we did was Valentine. It was, it's an honor. It's also, I think, my favorite thing that we've ever done. We've done so many, But I think the first one was just, I learned so much that day. I wish I could paint because I have such a vivid memory of that day. I could paint it if I could. That's such a good idea. Talent. Well, you should do it anyway. God, it's such a great story. It's lovely to have someone who is such a big deal, I would imagine, doing those videos where you want people to recognize you and just get it in one second. and I mean who's the master of that is you know he just he's such a genius and he's so ingenious as well and Danielle you talked about when you feel low you you worry about dragging your sisters down and if you show your sadness and I I wondered how how you take care of each other in your siblinghood without rescuing each other I do think we rescue each other.

53:25But yeah, I think sometimes, I think we didn't know we were doing it, but I would recognize it afterwards where we, I would kind of, you know, be anxious about something and I felt like, okay, well, I have to share it with my, I have to tell someone, you know, and looking back, I probably maybe at the time should have told my friends. I'm nervous about this thing but you know I think we're just so close that I would be like I gotta tell my sisters that I'm so nervous about this thing that we're doing tomorrow and what could go wrong and I think you know I would do that and then I would find myself trying to convince them how bad it was and be like it's gonna be fine no it's gonna be really bad if this happens and then if this happens then I think you know I could kind of convince my sisters that the law was ending and then we'd be in a collective spiral.

54:21And I think I've now realized that's not healthy. Therapy. Therapy. Kind of like this. And so I think now I've found other ways to express my anxiety. In private. In private. It's difficult, isn't it? because you want someone to understand you and yet sometimes the habit I found in my family, I would try to get some sort of emotional support by saying everything terrible that I thought about myself and then I didn't really feel satisfied by the response which was sometimes indifference or panic and then I think why am I doing this and blame them even though I knew it was my habit that I was imposing and it's taken a long time to to kind of break out of it and not not go to a kind of half glass full a sort of melancholy place which is where I always feel cozy but actually it's kind of depleting.

55:38So it seems like you have this amazing opportunity through your music to just cheer each other up because music is such an uplifting thing. It's such a massive antidepressant. I think we needed, especially I think on this album, I think we found it healthiest because we were all single making this album. Danielle moved in with me. And I think Danielle had basically, since she was at a very... I'm speaking for you now. Okay. Go on. Since Danielle was like 19, she was always in a relationship. Which I did not see my... After high school, all I wanted was a boyfriend. I never got one. You left. All you had to do is leave.

56:28When I turned 19, I kind of turned into a serial monogamist. Yeah. And I have never been a serial monogamist. I've always been a wild stallion. I feel like that's a very, like, baby of the family trait, is being, like, a lone ranger.

56:47But Danielle moved in with me, and we were both single. Esty was single, too, but Esty, I think three heims in one house would have been too many heims. But we would all hang out every day, and we would go out with each other like it was us in high school again, and driving around. Esty would drive us around again. We'd try to find a party, try to find a bar. And I think when it came to stripping back all the drama that comes with being in a relationship and just being a sister group, I think we weirdly grew up quicker than we did when we were all in relationships. It was a very freeing experience to me.

57:30And I think making this album, when we really needed to heal ourselves and heal our past selves, I think. I think on other albums, we were healing things that were happening recently. And I think we kind of dove deep into our emotions and went back to high school and healed that inner teenager. But it was really lovely to see all of us back together and experiencing life where we are now, but still feel so young. Yeah, you are. Your song Relationships, and you said lyrically it's a mirror to our soul, which I thought was really lovely. And a line I read, crushing my heart to fit into your soul, was that right?

58:21Which was really, really good. I think anyone could resonate with that at some point, you know, this kind of shape-shifting of, you know, where do you accommodate something and where do you break out? and listening to your album, which I've had the privilege of hearing a few days before it comes out, I've found so many that, you know, so much introspection, but this rhythm of, like, optimism and dance and fun with this thoughtfulness underneath it and you just all seem to embody that in such a beautiful way and it's wonderful to witness. Thank you. Thank you. No, I think you can get lost very easily.

59:15I feel like it's kind of maybe growing up in different relationships. You find yourself changing your clothes and changing how you speak. You start morphing into the other person. And then I feel like it takes going through different relationships. I think when it's over, you're like, what was I thinking? Why was I wearing flannels all the time? What was going on? And I think now it's really nice to be able to be okay on your own and hoping to find somebody that fits you perfectly in the sense that they let you run free. Yeah. That's what we all three needed. Well, that's great. and thank you so much for being on Fashion Neurotis.

1:00:11Oh, my God. So nice. For having us here on this special bed. On the special bed that I wanted to have. It's so comfortable. It's so comfortable. We're honored to be your first group. I know, first group. Group therapy. It's an honor. Well, it's my honor too. Thank you so much. Thank you.

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1:01:28Try Nature Sunshine New Marine Glow now at naturesunshine.com. I'm really pleased that the Jane Goodall collection with brilliant earth connects to my vision of how we can live in harmony with nature. Every choice we make ripples outward and you can choose what sort of impact you make. I know that the things I've worked for all my life will carry on. Discover the Jane Goodall Collection, exclusively at Brilliant Earth.

From the publisher

Haim is an American rock band made up of three sisters: Este, Danielle, and Alana Haim. Hailing from Los Angeles, the siblings grew up in a musical household, playing in a family band before forming HAIM in 2007. Their unique sound blends elements of classic rock, R&B, folk, and '90s pop, creating a genre-defying style that feels exciting, nostalgic and modern.

The band gained major attention with their 2013 debut album Days Are Gone, and their album ‘Women in Music Pt. III’ (2020) was nominated for Album of the Year Grammy and compounded their status as one of the most innovative acts in contemporary music. 

Known for their dynamic live performances and sibling chemistry, Haim has become a powerful presence in both indie and mainstream music scenes. They’ve collaborated with artists Taylor Swift, Kid Cudi, and Charli XCX. They have collaborated on 10 of their music videos with the legendary film director Paul Thomas Anderson; Alana Haim has also performed leading roles in two of his films. Their new album ‘I Quit’ launches on June 20th 2025.

In this episode, Bella Freud and Haim discuss being obsessed with Phoebe Philo, the roles of sisterhood, and making music videos with Paul Thomas Anderson.

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