In short
Kristen McMenamy discusses fashion choices and style, her 90s supermodel rise, and how insecurity shaped her work. She also reflects on childhood poverty, bullying, not being told she was beautiful, and later finding confidence through photography and creativity during lockdown. She compares 90s modeling culture (less phone distraction, more engagement) with today’s industry pressures, and talks about key collaborators and projects.
Guest background
Kristen McMenamy is a famous 90s supermodel, known for Vogue covers and iconic campaigns. She cites Janice Dickinson as a childhood pin-up and credits photographers like Steven Meisel with shaping her “dark supermodel” image. She has also judged RuPaul’s Drag Race multiple times and appeared in Karl Lagerfeld’s 2011 film Tale of a Fairy.
Key claims
Beauty didn’t feel real to her without makeup/lighting; she felt “awkward” off-camera. Modeling success required “losing inhibitions” in photos. She wanted to stop waiting for approval and create her own image through lockdown photo setups.
Notable examples
Her Italian Vogue cover shoot with Meisel (Versace; shaved/dyed hair; plucked eyebrows). Her lockdown Instagram “museum” home shoots inspired by art-filled interiors. Her RuPaul’s Drag Race judging style (making “silly comments”).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VODressing Choices and Fashion Reflections
0:45 to 1:48
Kristen discusses her outfit choice and its significance.
“I must say I was slightly worrying about what to wear myself, knowing you'd appear in something major.”
The Legacy of 90s Supermodels
2:54 to 6:20
Kristen shares her experiences and thoughts on being a 90s supermodel.
“I never thought of myself as beautiful at all, but I knew with makeup and lighting and hair, I could look beautiful on a photograph.”
Beauty, Insecurity, and Identity
6:20 to 8:01
A discussion about the insecurities that come with beauty and modeling.
“and I was back to being this awkward, ugly thing.”
Comparisons and Pressure in Modeling
8:01 to 10:00
Kristen reflects on the pressures of competition and maintaining beauty standards.
“other words i'm like no no no i haven't um yeah so i compare myself to that they actually weren't working at all, which is like mind-blowing for me because it's like, how can these beautiful girls?”
Changes in the Modeling Industry
10:00 to 12:22
Insights into how the modeling industry has evolved since the 90s.
“That's just increasing with every passing year.”
Reflections on a Modeling Career
12:22 to 14:04
Kristen discusses her journey in modeling and the unique experiences of her era.
“So, yeah, I mean, we were, but we didn't have distractions, no mobile phones, because everybody now, the models you walk into like backstage, they're always looking on their phones and they're not engaging.”
Celebrating Unconventional Beauty
14:04 to 15:00
Kristen discusses the evolution of beauty standards in fashion.
The Impact of Iconic Collaborations
15:01 to 17:40
Kristen shares her experiences working with notable photographers and hairstylists.
“garen oh he was incredible the hairdresser most incredible hairdresser and if you want a haircut But Garen is like the best.”
From Freak to Supermodel
17:41 to 18:43
Kristen reflects on her rise in the fashion industry and her acceptance of being different.
“Because at that time, it's all in the context of the time, the history, you know, the pointed history.”
Memorable Encounters in Paris
18:44 to 21:22
Recalling the first meeting with Sandra Bernhard and the dynamics of fashion parties.
“Because she seemed like she was probably quite good at bossing people around anyway.”
Show all 27 chapters
Childhood Fashion Aspirations
22:43 to 26:48
Kristen recalls her early obsession with clothing and the struggles of growing up in a large family.
“Running a business is hard enough, so why make it harder with a dozen different apps that don't talk to each other?”
Navigating Gender Identity
26:49 to 28:07
Discussing the complexities of transitioning from girlhood to womanhood.
“Was that something you tried to control?”
Exploring Self-Perception and Beauty
28:07 to 30:44
Kristen discusses her childhood insecurities and perceptions of beauty.
“did your mother acknowledge you or say you look pretty or no you didn't yeah never never And when I said I want to be a model, she said, oh, Chrissy, there's so many more beautiful girls out there.”
The Impact of Parental Validation
30:44 to 33:15
The conversation highlights how lack of parental affirmation shaped Kristen’s self-worth.
“Because, I mean, you know, I've looked at all your photographs going back, and you were so pretty, and you still are.”
Struggles with Communication
33:15 to 36:08
Kristen reflects on her difficulty in communicating with her parents about her struggles.
“It's hard to believe it's not true, isn't it?”
Loss and Reflection
36:08 to 38:39
Kristen shares her feelings of loss and reflection after the passing of her parents.
“To be in a car with my father, you know, driving, it was just...”
Analyzing Karl Lagerfeld's Film
38:39 to 41:22
The hosts discuss the themes and eccentricities of Karl Lagerfeld's film featuring Kristen.
“You know, it's like those are my moments where I feel the best.”
Existential Themes in Fashion
41:22 to 42:00
The conversation touches on existential themes and critiques within the fashion industry.
“Well, I believe we shot at Coco Chirrell's original house in South France.”
Love and Competition at the Party
42:00 to 43:18
Learn about the complex emotions and dynamics of love and attention at social gatherings.
“In fact, the boy that I was in love with, I shouldn't say this, but Carl was also in love with.”
Behind the Scenes of RuPaul's Drag Race
43:18 to 45:08
Discover Kristen's experiences and insights while judging on RuPaul's Drag Race.
“I had a laugh on that show that one of those laughs that make you feel so great, you wanted to keep going and going, and you just lose control, and you're, like, crying.”
Admiration for RuPaul
45:08 to 46:38
Kristen shares her admiration for RuPaul's wit, wisdom, and influence on others.
“And he's so, he does it with humor, but he does it like, listen, I've been there.”
The Impact of Stephen Meisel
46:38 to 48:55
Explore Kristen's deep respect and emotional connection with photographer Stephen Meisel.
“that's a big test um yeah i love him because did you have that with steven misel too because I read somewhere that you'd said I'd marry him if he wasn't gay.”
Reinventing Herself During Lockdown
48:55 to 51:34
Learn how Kristen used lockdown to explore her creativity through photography.
“He makes you feel, like I said, at ease because you feel beautiful.”
Transition from Model to Creator
51:34 to 54:11
Kristen discusses her transition from traditional modeling to embracing her own creativity.
“But it's, it came from the lockdown because Ivor and I went to a lot of events.”
Influence of Documentaries and Wellness Trends
56:01 to 56:37
Discusses the impact of documentaries on society and the wellness industry's misinformation.
“I interviewed documentarian Louis Theroux.”
Personal Reflections on Relationships and Identity
56:37 to 59:15
Kristen shares her experiences with relationships and her journey of self-discovery.
“and do you go loud or quiet when someone's overly focused on you?”
The Process of Writing and Literary Inspirations
59:15 to 1:04:44
Explores Kristen's writing process and the books that inspire her.
“I think I know myself or know my worth, I guess.”
Transcript
Automatic transcript. May contain errors.0:15Welcome to Fashion Neurosis, Kristen McMenamy. Thank you. Nice to be here. Can you tell me what clothes you're wearing today and why you chose them? Well, today I have a Comme de Garçon dress on. I don't know why I chose it. I had about seven other outfits I could have chosen all lined up. And I just, I don't know. This one came in the mail yesterday. I bought it secondhand. I put it on. I loved it. And then I thought, oh, it's too black. But I had a lot of colors. But I just, I don't know. I loved it. So that's pretty much it. And what about the shoes? The shoes of Miu Miu. They used to make the best shoes.
1:10They used to. They don't anymore. Well, the dress is exquisite. I must say I was slightly worrying about what to wear myself, knowing you'd appear in something major. No, no, no, no. I could have gone. I had something that was very major in glam. I decided on being sober. Right. And very just plain. Well, we're matching in black satin, even though it's kind of different garments. Yes, we are. Same fabrics. This message comes from Betterment. Betterment's Dan Egan talks about tax loss harvesting. Tax-loss harvesting is a tax management strategy. When you have a position that's gone down over time, we intentionally sell out of it to realize a loss, which we then say to the IRS, hey, we lost money.
2:06You get to use that to offset your ordinary income every year, decreasing your tax burden. Investing involves risk. Performance not guaranteed. Betterment does not offer tax advice. TLH may not be suitable for all customers. Learn more at betterment.com slash TLH dash terms. Support for this show comes from Odoo. Running a business is hard enough, so why make it harder with a dozen different apps that don't talk to each other? Introducing Odoo. It's the only business software you'll ever need. It's an all-in-one, fully integrated platform that makes your work easier. CRM, accounting, inventory, e-commerce, and more.
2:41And the best part? Odoo replaces multiple expensive platforms for a fraction of the cost. That's why over thousands of businesses have made the switch. So why not you? Try Odoo for free at Odoo.com. That's O-D-O-O dot com. And you're one of the famous 90s supermodels who you've appeared on the covers of Vogue and been photographed by the most famous photographers in the world and appeared in legendary campaigns alongside Cindy and Christy, Kate and Naomi. me and you're more in demand than ever and who was your pin-up when you were a girl oh um it was janice dickinson oh wow yeah believe it or not she was phenomenal and uh a lot of the girls the models of that that era Janice's era were blonde like blonde big boobs just you know and she was the first one I saw that was like different like she looked different and she had dark hair and you know big lips and she was just like wild and she was my she was my pinup for sure and did you see her where did you see her for the first time in in uh vogue folks you know whatever yeah i guess more vogue because i lived for vogue and was vogue in your in your home or did you gun i look at it in a shop i looked at the shop yeah i looked at a shop but i did have some of her pictures at home and I just stared at them and I stared at them and I thought she must be the happiest girl in the world to be doing this job looking like that mmm a perfect life a perfect that's what I want that's what I want yeah everyone loves you you're being admired by everybody who reads this magazine uh yeah she she i wanted what she had yeah it's odd isn't it because i've found that the more beautiful a woman is the more insecure she tends to be about her beauty and uh some of I've always liked to be friends with the prettiest girl in the class so I I was I always had that kind of I was always sort of struck by that thing that you described that she must be so happy and and finding how what a double-edged sword it was to be that beautiful that it seemed to be something that it didn't bring the security that I expected that it should bring.
5:56Well, that's what I've discovered. I never thought of myself as beautiful at all, but I knew with makeup and lighting and hair, I could look beautiful on a photograph. I took off the makeup, took off whatever, the dress, and I was back to being this awkward, ugly thing. And I carry that to this day. I still feel like little Chrissy in Pennsylvania. I do. So the insecurity. Plus, as a model, you become more and more insecure. You are surrounded by the most beautiful girls in the world. I mean, that is your competitor kind of thing. Not really, but you know. And you just, you have to stop yourself from comparing yourself to them.
7:09And plus you have then, you know, when you become successful, you know, you see them before. you're you've like before I ever worked I lived with a house full of the most I mean I walked in and I thought my god these women are Amazonian beauties you know they're just they must be the biggest models and I just felt so small and so so uh what's the word in in in in in that you don't inadequate or inadequate or yeah something like that one of the in words yeah what do you know i have a word i always have a word at the tip of my tongue and i can't get it out and people suggest other words i'm like no no no i haven't um yeah so i compare myself to that they actually weren't working at all, which is like mind-blowing for me because it's like, how can these beautiful girls?
8:20And now that I'm successful, it's keeping it up, keeping it up. You know, people have this idea of you and then you have to, you can't present yourself, well, I can't because of my insecurity. I can't present myself at a job and, you know, weigh 50 more pounds and have cut my hair and, you know, and, and, and aging is a big thing because each time, you know, you're getting older, you're getting older and I am working a lot. So, um, not money jobs, but I'm working a lot with good people and it's it's a constant pressure to to keep it up you know just to keep it up I mean I was thinking yesterday I'm I'm in this like hamster wheel and I can't stop I can't get off it you know I just want to run away to a forest in norwegia norwegia sounds good is that Is that a country?
9:35Norway. Norway. I like the sound of Norwegian. A Norwegian forest in Norway. Yeah, or somewhere that I just, there's no presenting yourself to anyone. There's no mirrors. there's no this whole idea of of being considered a beautiful woman has so many balls and chains attached to it um so yeah i mean i love my job i love it but I I'm still amazed I'm here but do I do I want to stay here I guess yes I guess I do so there seems to be something about the group of you models from who were so successful in the 90s that that just hasn't changed that the well certainly from the your audience is still fascinating and there's all these new young people who are completely intrigued and obsessed with this group of you incredibly gifted and talented models who have such everyone is so interesting and it's your personality that also is part of your look.
11:12So that's not going anywhere. That's just increasing with every passing year. And it's so... That's true. And I mean, what I learned is early on is personality is, is for me it was my thing that I thought if I made people feel better if I made people laugh they wouldn't look so much at me the details of anything you know so um that yeah that's kind of my my smoke screen or whatever you call it but uh all the girls of that time, the super bottles, were, I don't know what it was, but we all had something. Yeah, you're right. And it was just amazing timing, amazing timing. I mean, the fact that I was working in the 90s, and I'm here, laying on this couch, talking about it and still working is phenomenal.
12:23I mean, phenomenal. So, yeah, I mean, we were, but we didn't have distractions, no mobile phones, because everybody now, the models you walk into like backstage, they're always looking on their phones and they're not engaging. Like we had to engage. Yeah. And we had to work. You know, we had to work. There was, there were no, like, there were less restrictions, less rules that they have. Now it's kind of like, do your job, look pretty, leave. You know, and the little girls don't have a chance to develop because they're taken so quickly and put on this this stage this golden stage of like being the the girl of the moment for the whole fashion industry you know and it's like wait a minute so they I don't know I don't know what how what effect it has on them but for me it has had a horrible effect it's like it's modeling hard work well I never thought of it as hard work I look back and think that wouldn't have been allowed now you know like working all through through the night we were all like you know walking around naked and so it's just like you know a photographer would say oh you look so sexy and it it would be like a compliment and you know it's like make love to the camera I don't know but it definitely we had we had a good moment to we had I I fell in on a good moment because I wasn't one of the original supermodels I kind of came in there got in there as like the dark supermodel you know the the weird looking one and and Stephen Mizell I mean a few photographers yeah i can name but steve mysell really created that image yeah of me um cut it together recreated it did you do a shoot with him and did you work with his team like gap was it garen garen garen garen oh he was incredible the hairdresser most incredible hairdresser and if you want a haircut But Garen is like the best.
15:19Yeah, I had a haircut from Garen. But yeah, so Garen, when I first, I think I just had come back from having a baby. And I, yeah, I won't go into that. But I just came back. And I didn't know if I was going to work again. You know, it's like, okay, is this it? I don't know. I didn't really care at that time. But Stephen, I worked with Stephen. And, you know, the 90s, I have, like, so little recollection. I was so drunk all the time. But I'll try.
16:05So, yeah, I shaved the back of my head the night before. You did. I did, and I dyed my hair black with some pharmacy stuff, and I cut it really short, and I walked into the studio, and I had plucked some of my eyebrows out. I don't know why I did that before a job, but I did. I did. so I got it and Garen said what have you done to yourself I'm like fuck what have I done to myself I fucked my career but he took his scissors and made it look like that you know like a bowl haircut it was so genius and Francois plucked out all the rest of my eyebrows and uh Francois Nars yeah Francois Nars. And then Stephen took my picture.
17:13It was an Italian Vogue. I'm on the cover. And I'm wearing Versace. Wow. And that cover is like, you know, it's just one of those covers that I'm so proud of. Because it's proud of, yeah, I'm proud of it. You know, I love it. And I think even if it was a different girl, I would love it. Because at that time, it's all in the context of the time, the history, you know, the pointed history. But before that, it wasn't, we created this kind of freak. I mean, I looked like a freak, which is amazing. I love that. I love the fact that I could look like a freak and still be celebrated. And that was new to the fashion industry because it was like, whoa.
18:20And then, you know, I get all this bad press and good press, but mostly good. Yeah. Yeah. So and that launched my career even more. I was working a lot before, but even that launched it into the supermodel status. because I remember meeting you for the first time I think it was 1992 at Sao Schlumberger's house in Paris and you were hanging out with Sandra Bernhard and you looked a bit like her pretty younger sister and she was sort of bossing you around I don't I just remember her noticing noticing you and her yeah and i wondered did that happen a lot that people impose their ideas of how they want you to be or how they want you to act well
19:23i don't remember that who whose house do you remember she was um a brazilian uh heiress i think she was quite old and her house had been done up and it looked like it had been interior designed by salvador dali and um it was one of those fashion parties gatherings and andre leon tally was there and it was the most incredible night and I hardly ever went to anything like that so I remember the detail I remember what I was wearing because I just started you were you were sober right yeah I can't I find I'm amazed by by the fact that you went through the whole 90s like that sober I was I was I tend if I had the chance I was drunk you know if I had the chance um and there's a lot of fuzzy things I don't remember that specific night because it all runs into another party into another house into another yeah yeah you know so Sandra Bernhard yeah we we hung around for a while and I don't know what happened but like many people they're in my life for a while then they go you know it's just the nature of the game I guess but um yeah yeah I get really close to people I was close to her and if she was bossing me around I was probably being bad.
21:12I don't know. I was probably being naughty. Because she seemed like she was probably quite good at bossing people around anyway. Yeah, I guess. Yeah. Support for this show comes from Odoo. Running a business is hard enough. So why make it harder with a dozen different apps that don't talk to each other? Introducing Odoo. It's the only business software you'll ever need. It's an all-in-one, fully integrated platform that makes your work easier. CRM, accounting, inventory, e-commerce, and more. And the best part? Odoo replaces multiple expensive platforms for a fraction of the cost. That's why over thousands of businesses have made the switch.
21:56So why not you? Try Odoo for free at odoo.com. That's O-D-O-O dot com.
22:07Recommendations can be amazing. I mean, maybe someone recommended that TV show you've been obsessed with lately. But when it comes to home projects, it's different. If you don't like a show, you might lose a few minutes. If you hire a friend of a friend of a friend to fix a leaky ceiling, you could end up with a flooded kitchen. Maybe I know a guy just isn't enough for your home. That's why Thumbtack works so well. They'll match you with a top-rated local pro, and you can see photos of past work, credentials, and reviews all right in the app. For your next home project, try Thumbtack. Hire the right pro today.
22:46Support for this show comes from Odoo. Running a business is hard enough, so why make it harder with a dozen different apps that don't talk to each other? Introducing Odoo. It's the only business software you'll ever need. It's an all-in-one, fully integrated platform that makes your work easier. CRM, accounting, inventory, e-commerce, and more. And the best part? Odoo replaces multiple expensive platforms for a fraction of the cost. That's why over thousands of businesses have made the switch. So why not you? Try Odoo for free at odoo.com. That's O-D-O-O dot com. and do you remember what the first piece of clothing you became obsessed with as a child oh oh yes well i come from a family of seven kids roman catholic with not a lot of money and i got the hand-me-downs but when i started to get obsessed with clothes, it was up to me to make the money to buy the clothes.
24:02And I just didn't have enough. You know, no matter what job I had, and I had a lot of jobs. Like I was, I worked at Rory Rogers and I had to say, howdy partner, what can I get you today? And they smile. And then, and then when they get their food, I would get it. And then come again, Can you hear? It was like all that. I wore a cowboy hat. And like this faux kind of like cowgirl dress and made of plastic, you know. And I worked at Food Lane, taking inventory of men's trousers. Food Lane. That's like they sold clothes. I would make the announcements. Hello, shoppers. Today we have a sale on men's relaxed jeans.
25:03And then I first started out as a paper girl. The morning call. The morning call. I was up every morning at 5 in the morning. Or earlier because I had to do it before school. And it was dark. I just remember being scared about the whole. I was going to say scared my whole life, but I was kind of scared my whole life. But okay, I'm going around the circle. So I didn't have money to buy the clothes. I would window shop, but not just window shop. I would go into these places in the mall, because that's where you hung out, in the mall. and I would go through all the clothes like like a hundred times and just look and fantasize about having them because I wanted I wanted these clothes like these clothes would make me a good person like a better you know a better person I don't know I just wanted them so badly and the one thing I really wanted was parachute pants but they were like kind of tight kind of like rock and roll parachute pants and they had that slippery surface and I just thought they were the coolest thing in the world.
26:36I never got them. But now, now I'm making up for it. My childhood neglect. Yeah. And how did you manage the transition from girl to woman? Was that something you tried to control?
26:58well I never got to sex talk you know so I had to find out no but I did get the guilt about sex so that was quickly instilled in me I never felt like a girl I never felt like a woman I never felt like I don't know why that is. Because it's not like I want to be a man, but I just didn't feel good enough, I suppose. So the whole transition happened without me even kind of acknowledging it. I don't know. I don't know when I got my period. I forget. I didn't want to look too sexy. you know because I thought I'm not right for that I just felt a bit was a bit of an outcast but I just I don't know I never gave it that much thought but I never felt feminine you know did your mother acknowledge you or say you look pretty or no you didn't yeah never never And when I said I want to be a model, she said, oh, Chrissy, there's so many more beautiful girls out there.
28:25You know, just get a good job. Go to university, get a good job. Forget about that. That's what I got. And I never, I never was told I was beautiful or pretty or anything, you know. by anyone in your family no but I don't think I really was I don't I was gangly and insecure and I stooped and my hair was always in my face and yeah I didn't yeah I don't think I really was that that pretty and to this day I don't feel pretty I don't feel pretty I never felt pretty the whole time of the 90s what since I started modeling it never but behind the camera I feel beautiful I feel powerful I feel like maybe Maybe because I don't feel it's me behind the camera.
29:35It's I'm like, I'm not a character, but I'm like me, but superhero me. And I just love the whole feeling of creating a picture and trying to make it an amazing picture. Like a masterpiece. I want everyone to be a masterpiece. So me on the street is not me in front of a camera. Yeah.
30:12It's really weird that I ended up in a job. Or I even wanted to be. You know, I was obsessed with being this model. Yeah. Like Janice Dickinson. I was obsessed. but I wasn't pretty. I didn't think I was pretty. I wasn't told I was pretty. It was just this fantasy in my head. And, yeah, then, you know, but behind the camera, I knew. I knew I had something. Because, I mean, you know, I've looked at all your photographs going back, and you were so pretty, and you still are. And, but there's something in not being told it by, by someone, well, especially not being told it by your mother that makes it seem like it can't possibly be true, even though you had the evidence again and again being booked and booked and being on the covers of magazines and being, you know, an enduring figure in the fashion world.
31:21And I think it's real hard, it's hard to believe in it when that person doesn't say it to you. You know, the sort of relaxed confidence of that kind of love between a mother and a daughter doesn't sort of... Are you going to make me cry? Oh, baby.
31:57Okay. Yeah.
32:04I was never told that by my mom. In fact, my mom, she had seven kids, and that's a lot. That's too many, because it's like having a lot of cats. You can't give them individual attention. And she couldn't, and she didn't. And she was often frustrated with life, with all her responsibilities. And it was a different time, too. It was a different time. But I got very little attention. My brothers and sisters are the same. And I guess you always carry that with you, yeah? Yeah. You always, that's something that if it's not established early on, you're going to feel like not worth it, I guess, you know?
33:15Not worth, not worth, not worth much. I don't know. It's hard to believe it's not true, isn't it? Even though you know. Well, I didn't ever. I don't believe it's not true. I don't know. I look at, I know I'm a great model. I know I'm a great model. I know it. I know that I can be amazing in front of a camera and present and make a good photograph. but beauty I don't consider myself in that category not beautiful definitely not beautiful maybe weird or different but I embrace that so I embrace that I want to be like the oddball because I think there's a lot of oddballs out there, like suffering like I did as a kid and not feeling like they have a place in life because they're different from everyone else.
34:30And I want to represent them, you know, because that was me. And it's tough as a kid, man. It's the worst as a kid. all you want to do is fit in. Yeah. Because you've talked about your school years as being, you were a grade A student, but you've also talked about having no friends, and you said, I forgot everyone's name. That's how bad my childhood was. You said, I blocked it out. Yeah. Did anyone notice you were going through that? Yeah, they noticed. oh you mean the kids at school the kids at school noticed and because i was so gangly and hunched over and taller than the boys and i lacked confidence they they picked that up instantly so i was you know i was bullied but um my parents no no no no my parents nobody no and I really didn't know how to even do that, go to my parents and talk to them.
35:45I didn't know. I wasn't ever, well, I didn't feel, I didn't feel comfortable, definitely. I mean, my parents died two years ago, pretty much, my mom, my dad died before the, it wasn't two years ago. I always think it's shorter than it was what the epidemic whatever it's called my father died before my mother died right after so um what was the question what was i talking about you were talking about i was asking you did anyone notice what you were going through at school and uh i still don't feel i up until their death i never felt comfortable talking to them. Yeah. I never had... To be in a car with my father, you know, driving, it was just...
36:46It was like being trapped in a prison. It felt like, get me out! Yeah. Because I just couldn't relate. Yeah. I don't know. but they're dead now so i don't have to worry about it
37:07it's terrible because you've took you talked about this you know feeling insecure and how but knowing you're a good model and how does that help you to be a good model because you would think it would would be contraintuitive but actually it's something i've noticed in other great models too what's your resource that you switch on yeah well again it's like um I feel I have to work harder to so people don't concentrate so much on my face you know like I have to kind of
37:53just be fabulous, you know, like show the clothes and
38:01take chances. You know, I take chances all the time. Not like, you know, life or death kind of chances, but like, but a photograph, like do a pose that is off the wall. And
38:19And it's about I just lose myself. That's what I do. I lose my inhibitions. I lose my thoughts of being anything less than amazing. Yeah. And I just go for it. You know, I just, I live for that. You know, it's like those are my moments where I feel the best. It's kind of sad. I know. It's great because you're so good at it, you know, and it's, you know, the things, the photographs, the pictures that you've done. And I was watching the film you made with Karl Lagerfeld in 2011 called Tale of a Fairy with you and Amanda Harlick and Freya Beyer. and uh these scenes and it's you know all scripted and scenes of you lying in bed smoking and then and somebody massaging your feet and then you freak out at this big party and yeah it it was quite a strange film though what do you think Karl Lagerfeld was what point was he making because it wasn't it wasn't about it wasn't female empowerment either it was it was strange I think Carl had a fantasy about you know this life that didn't exist and it was just like this rich woman who was who was kind of unhappy, in love with her nephew, and going down the drain, losing her money.
40:14I don't know. You know what, Carl? Carl never... I love him. I think he's the best guy. No, not the best. The most eccentric. He was brilliant. Brilliant. and what he did for the fashion industry. And he had a sick sense of humor and he was amazing. But some of his things just didn't make sense. I don't think you have to think so deep about that movie because it was all over the place. I mean, all over the place. It was actually quite good and better than a lot of fashion films. I mean, there was a kind of weird plot and you were so good and Amanda was brilliant and all the freedom and the kind of emancipation was attributed to these young guys who actually weren't very good actors in the film and all of you women were fantastic.
41:17But I liked it. I mean, I'm picking holes in it just because there was quite a lot to think about and sort of reminiscent of a, like you said, an idea about a life that actually seems very dated or like more 1920s with everyone having nervous breakdowns and becoming morphine addicts. Well, I believe we shot at Coco Chirrell's original house in South France. I believe that was it. Right. So it was, you know, around that time and that he, yeah, he just, he loved. In fact, the boy that I was in love with, I shouldn't say this, but Carl was also in love with. That was very clear. Was it clear? Well, he got all the good lines.
42:24I mean, the good shot. He was the golden one. Yeah. And all the women were having these terrible existentialist crisis and being ignored by their men or someone's husband was paying attention to someone else. Yes. It was like the worst party you could go to. I know. Everybody was happy. Oh, my God. Yeah. yeah because um also you've been a judge on rupaul's drag race three times is that correct yeah did you well the judge three times and then i recently did backstage with rue and we talked to the um to the queens which was so sweet oh it's so good and so funny oh my god I never laughed. No, really.
Read the full transcript
43:19I had a laugh on that show that one of those laughs that make you feel so great, you wanted to keep going and going, and you just lose control, and you're, like, crying. And it was, like, one of those because, oh, it was, oh, it was, like, so great. Anyway, yeah, so four times. Mm-hmm. and how was that well the judging is a bit um because michelle visage and rue are so used to it they're so good at it and they're all saying things because you're supposed to throw things out you know like uh but i don't know the lingo and i just don't know how to do that I'm not good at that I mean I have to face it so I just make silly comments that's all and they're kind of always sexy you know like oh you better get that I see I can't do it give me a sexy antidote like like um when was the last time you got that thing polished or i i that's stupid see i had so much fun i love it i love it yeah i love rupaul he's i find him incredibly witty and brilliant and so so bright i mean the things he says i mean i just watch him on instagram but i find him he's like a philosopher he's so cool he really is yeah do you know I I love him as a friend you know we just fell into this friendship and um I went to see him talk at uh South Bank and I was like mesmerized by he actually has such a good thing that he represents and that his words are so enlightening and so motivating and so like helpful to people.
45:53I mean, because he's so bright. You're right. And he's so, he does it with humor, but he does it like, listen, I've been there. And he's just really, I mean, I learned a lot on that. And he is, for me, I mean, if he wasn't gay, I'd marry him. I mean, I'd have such a crush on him. Because it's like the mind is brilliant. And I think he's one of the best. the best man sorry war i ever met i really do i feel comfortable with him and i don't feel comfortable with a lot of people and i can sit in a room with him alone and feel comfortable so that's a big test um yeah i love him because did you have that with steven misel too because I read somewhere that you'd said I'd marry him if he wasn't gay.
46:58Oh, Stephen would be my number one. He's just... I mean, I had dreams about him when I took off and had the babies for years. I had dreams about him and how he loved me. and they weren't sexy dreams, no. But they were just like, he wants me and he's holding me. And it's because he's so wonderful with women. He loves them. And the way he touches you, like, he's so gentle. And he makes you feel like the most beautiful woman in the world. the most important woman and he's so beautiful and he's so quiet too he doesn't say much he's so quiet but he gets it you know like when a person gets it you know even though they're quiet you know he's not so quiet when you talk to him after he's not so quiet but what he is is shy he's shy like me i mean i'm still shy yeah um but he he he goes about it differently than me i'm just and he's so pretty he is the best photographer of this generation anyway i mean the pictures that have influence the young kids don't know how influential his pictures were and are but like were at the time he took them just they were mind-blowing yeah totally he changed everything he just and that last cover that you did with him vogue 20 british vogue 2022 that that your face and your everything you just look so at ease and it's so beautiful and he has this thing he does with a model's face where you feel like you're she's thinking into you and you're with her and she's with you he really brings somebody's personality into being in that photograph.
49:43No, he does. He does. He makes you feel, like I said, at ease because you feel beautiful. You feel important. You feel like he wants you there. because then in lockdown you started creating these amazing setups of um photos that you that you then posted on instagram and they're the most beautiful and amazing pictures and it's like you reinvented yourself again as wow what's kristen up to and you everyone was just waiting for these photos and uh and you were married to um the art dealer Ivor Bracker at the time who has an amazing art collection he loved I remember him saying how much he loved these photographs that you did and were you were any of those setups influenced by paintings that he had well it was my home at that time I mean I kind of lived in a museum basically it was like because he showed his his art there and it was um it was all around me every day all this this incredible stuff I mean there was a Picasso hanging there there was a Lucian Freud there was like everything was in his house and and it was like wow and then when I started to do these pictures it's because I had all these clothes and I just wanted to wear them and it's like I started wearing them in the house you know just every day and you know the kids would be like why are you wearing that so I just thought you know what I'll do I'll just like put them on and model them you know and then you know the house was incredible incredible house the most incredible house probably I will ever live in.
52:00But it's, it came from the lockdown because Ivor and I went to a lot of events. So I wore them out all the time. And then there was, you know, all dressed up and nowhere to go. So I thought, okay, I'll get all dressed up and get my picture taken so my family started running away when they saw me because they were great pictures there they they were brilliant I I realized when I started doing it that hey I can do this like I've got something that I didn't know I had um and I don't know I can't put my word on it creativity or but it was something I did not know I had which um which I was so happy about because it was like I'm not just a model because as a model you kind of have to wait like a starving dog for that phone call you know it's like
53:18and you're you're waiting for this call to say guess what you know you got this big camp contract for l 'oreal and uh you know you i practice because i'm worth it you know in the in the mirror a hundred times but the call never comes and then you get a call finally from your agent is like, oh, there's a party, you know. It's like, don't tell me about a stupid party. I want a job. And you just wait and you wait and you wait. And the thing is, while you're waiting, you should be relaxing. You should be living your life. But you can't. You can't. Because every day, it's waiting for that phone call.
54:09I didn't want to wait anymore. Like, I wanted to be able to just do something that I could do by myself without somebody else's approval of me, you know? I didn't think it would get so popular, but it did. It did, yeah. Heinz is inseparable from both football and the city of Pittsburgh. It's an iconic staple that simply can't be replaced. And just like football fandom, Heinz is fueled by a kind of irrational love, the same unwavering loyalty Heinz fans have for the brand. So the next time you want to gather with friends to talk about how this is the year for your team, remember to add Heinz to the menu.
54:57It has to be Heinz. Stock up on Heinz. Available at retailers nationwide.
55:07I'm Maria Sharapova, and I'm hosting a new podcast called Pretty Tough. Every week, I'm sitting down with trailblazing women at the top of their game to discuss ambition, work ethic, and the ups and downs that come on the path to achieving greatness. We'll dive into their stories and get valuable insights from top executives, actors, entrepreneurs, and other individuals who have inspired me so much in my own journey. Follow Pretty Tough wherever you get your podcasts.
56:01I interviewed documentarian Louis Theroux. His latest documentary, Into the Manosphere, focuses on the incredible and horrifying influence this group of individuals has, especially on young men and boys. And recently, I caught up with Katie Couric, Amy LaRocca, and my brother, Jeff Swisher, to debunk some of the fads and misinformation behind the billion-dollar wellness industry. And we talked about the important medical tests that are actually worth your while. All of these conversations are available now. You can find them on YouTube or wherever you get your podcasts. and we've got plenty more lined up for the summer, so be sure to subscribe to On With Kara Swisher to catch them all.
56:36Because also you've had quite alpha boyfriends and husbands, and do you go loud or quiet when someone's overly focused on you? It was different with each husband.
56:56each husband um i think the first time i got married it was like he was my father like it took care of me he wasn't like my father but you know he was like a father that took care of me paid all the bills because as a model I never did any of that I had no concept of reality I my agents took care of everything I I didn't know how to pay bill I didn't know how to look at a bank statement I I knew nothing I didn't know how to how to clean or anything. I was just a complete kind of invalid in a way. So I became very subservient. And as soon as I stopped modeling and moved to this suburban London area, I felt like I was in a criminal, you know, protection.
58:15Witness protection. Witness protection. I felt like I was living like that. Like I was taken from here, Paris, you know, glamour, and boom, mother, you know, talking to the parents outside the gate waiting for your children to come. I was like, it was just such a different life that I didn't know how to live it. So I was pretty quiet. I'm pretty, pretty like passive, I would say. I didn't know who I was, you know. It was like, I didn't know. So progressively with Ivor, yeah, I had more fun. because I was definitely finding myself. And now I'm just hoping that, you know, that I'm not quite with Warren at all.
59:19I think I know myself or know my worth, I guess. Not my worth because I'm always insecure. um i know my my yeah my i guess myself if this is myself i guess i know myself i don't think anyone gets to know themselves i don't think so i suppose we keep changing so you get to know this yeah other bits of yourself which is kind of enjoyable isn't it it's kind of interesting Yeah. But when somebody says they get to know themselves or be there, I don't know who the hell I am. All I can say is, like, when I'm at home, I feel, yeah, I definitely feel better. And I can eat the way I want to eat. Like, I've remained, you have the fork and the knife and the whole setting for lunch, for dinner.
1:00:22It was like now I just put, I make a peanut butter and jelly sandwich and I just eat it there. I don't care if it goes everywhere. I don't care if it's all over my face. It's like so enjoyable. It's like, oh, there's no rules, like no rules. So I want to keep it that way. And if you fancy someone and don't like something they're wearing, does it kill your attraction? Well, I wouldn't fancy them. No way. I would not fancy them. it it it's so uh superficial but it represents that person yeah for sure for me no no no no no no they gotta they gotta be dressed the the part they want to be my boyfriend yeah and um The first time I saw Warren, boy, he was hot.
1:01:20He was like a suit, but a really good suit, not like all the rock and roll chains, a shirt, you know, old shoes with pointed tips. and yeah he looked good yeah he knows how to dress doesn't he well well yeah he knows how to dress but now he's going he's going crazy with his uh adidas and easy sneakers and stuff like oh no i hope he doesn't give up because if he starts dressing if he starts wearing blue jeans and a t-shirt and a baseball hat he's out no he's not but you know it's like if he showed up that way when i first met him he'd be he wouldn't be with me because what i bumped into you recently we were coming back from paris on the euro star together and you were reading me some of the writing that you were doing and it was really good and it stayed in my thoughts a lot.
1:02:47You read me out of this journal that you were keeping and it was like a road movie and very immediate. How did you know what your voice is as a writer? Well, originally, I had a ghostwriter coming from LA. And she spent three days with me and then went back and wrote a chapter. And it came back, and it was hollow. You know, it might have been good writing, but it was hollow. It was just nothing there. um and then i thought well she can't she can't write my my autobiography my biography she cannot do it i have to do it i'm the only one who was there with the thoughts with the feelings what i saw you know what i don't remember what i and it's my voice that if somebody else did write it people that know me would know in a second it's like it'll be too sterile so i just write it the way i think it and i don't know if it's it's just the way i speak so it it's all i have at the moment so that's what i do i just like if if if in that i kind of put myself in that moment again what I'm going through and what my mind is saying to me when I'm going through these things.
1:04:16And I put that in because it's like, oh, oh, fuck, he did it again. Fuck, fuck, fuck. I'm an avid reader. So I just, I just love reading so much. Like reading is my, yeah, my escape. And it's just, it's better than a Netflix series, you know. It's like so good. When you get a good book, it's, but. What are your favorite books? Well, the one that inspired me to write my book was Demon Copperfield. Oh, yeah, I've heard about that book. What's her first name? Kingfisher is her last name. And I read it, and it's about a boy. It's incredible that it was written by an older woman, but it's about a boy in the American foster system.
1:05:21And she writes the way he is thinking, is talking, is, you know, what he's going through. what do you see so i just loved it i loved her style you felt like you were living with this person you felt like you knew what he was it was so good yeah gosh um but i want my book just to be entertaining i want people to want to go back to it because that's the fun of a book when you want to keep going back to find out well what you described to me was so cinematic I'm still waiting for the next bit and it was really exciting so I hope you'll carry on with your writing every day really? every day I sit down oh wow and if I get half a page I get half a page if I get you know sometimes three, four, five, six, seven it's a good day but every day I have to do it that's great well thank you so much Kristen that's it for being on fashion neurosis it's been so much fun to hear some of your stories thank you Bella it's really great being here
1:06:59Heinz is inseparable from both football and the city of Pittsburgh. It's an iconic staple that simply can't be replaced. And just like football fandom, Heinz is fueled by a kind of irrational love, the same unwavering loyalty Heinz fans have for the brand. So the next time you want to gather with friends to talk about how this is the year for your team, remember to add Heinz to the menu. It has to be Heinz. Stock up on Heinz. available at retailers nationwide.
From the publisher
Kristen McMenamy is an American model. Born in Pennsylvania, she rose to fame in the 1990s as part of the legendary group of Supermodels including Naomi Campbell, Cindy Crawford, Kate Moss, Christy Turlington, and Linda Evangelista.
McMenamy was a muse to Peter Lindbergh and Karl Lagerfield, and her short dark hair and bleached eyebrows made her an icon of the early 90s grunge scene, appearing in the famous American Vogue “Grunge and Glory” spread shot by Steven Meisel and styled by Grace Coddington.
Known for her unconventional, androgynous look, she has worked with many of the world’s most iconic fashion photographers, including Helmut Newton, Richard Avedon, Steven Meisel, Arthur Elgort, Tim Walker, and Juergen Teller, who described her as “the best model I have ever worked with”.
After taking a hiatus to raise her children, McMenamy returned to modelling in the mid 2000s. She is more in demand than ever, a favourite of Haider Ackermann for Tom Ford and has appeared on a multitude of covers including British Vogue in 2022. She regularly walks in the shows of top designers including Miu Miu, Tom Ford, and Valentino.
In this episode of Fashion Neurosis, Bella Freud and Kristen McMenamy discuss how insecurity can make a good model, Karl Lagerfeld, and the artistry of the selfie.
Part of the Vox Media Podcast Network.
Learn more about your ad choices. Visit podcastchoices.com/adchoices




