In short
Rashida Jones discusses fashion as self-expression and control, maternal qualities in relationships, anxiety vs certainty, humor as survival, and how empathy and listening counter prejudice. She also talks about her family legacy (Quincy Jones and Peggy Lipton), body comfort and nudity, and using sex and risk in her film work.
Guests
Rashida Jones (actor, producer, writer; daughter of Quincy Jones and Peggy Lipton; known for Parks and Recreation; creator/writer of graphic fanzines “Frenemy of the State”; activist voice in Black Lives Matter). Host: Bella (Fashion Neurosis interviewer). Also referenced: Esther Perel (sex therapist/consultant for The Invite), Sofia Coppola, Bill Murray, Olivia Wilde, Seth Rogen, Penelope Cruz, Edward Norton, Ta-Nehisi Coates, and Quincy Jones documentary co-director Al Hicks.
Key claims
Her mother’s sensitivity was “comforting”; she seeks “certainty” less now, viewing control as illusory. Maternal love appears as nurture and attentive well-being (including cooking). Empathy and deep listening are essential to prevent violence and division.
Notable examples
“Underoos” Wonder Woman empowerment at age five; stopping a birthday party to do a “Church Lady” SNL imitation; CIA graphic novel premise using “pillow talk”/honey-trap logic; men as “moms in the pool” via a swim-teacher movie; suiting as “tension” to keep risk alive; working with Esther Perel for The Invite.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOFashion Choices and Influences
0:32 to 0:57
Discussion about Rashida's fashion choices and influences from her family.
“But Amazon's Prime same-day delivery lets you say yes before the moment slips away.”
Fashion Choices and Influences
1:30 to 3:42
Discussion about Rashida's fashion choices and influences from her family.
“Can you tell me what you're wearing today and why you chose these particular clothes?”
Mother-Daughter Dynamics
3:42 to 4:50
Exploration of the complex relationship between Rashida and her mother.
“So I think that part of my mom was extremely comforting for me.”
Maternal Qualities in Relationships
4:50 to 6:15
Rashida discusses finding maternal qualities in male partners.
“And I'm with you because I don't have a mom now.”
Style Influences from Parents
6:15 to 7:31
Rashida reflects on how her parents' style influenced her fashion sense.
“I love thinking about men embodying those qualities because, you know, for so many reasons.”
Empowering Garments
7:31 to 11:19
Rashida shares a childhood memory about the power of clothing.
“Well, I have a lot of fashion psychology to work out here today, Bella, so I hope you're ready.”
Navigating Family Dynamics
11:19 to 14:00
Rashida talks about her experiences of loyalty and stability in family.
“Because what was the first garment that changed the way you felt about yourself?”
The Illusion of Control and Certainty
14:00 to 16:52
Explore the relationship between anxiety and the false sense of control through intellect.
“I had a pretty wholesome after-school situation.”
Discovering Humor and Comedy Roots
16:52 to 20:08
Rashida Jones shares her early experiences with humor and comedy.
“Because you're under the delusion that you can somehow control something, and then you trick yourself into thinking something you're doing is changing circumstance.”
Creative Expression through Graphic Novels
20:08 to 23:11
Discussion on creating graphic novels and the inspiration behind them.
“And I found these brilliant graphic fanzines on eBay, which you wrote called Frenemy of the State, about a socialite recruited by the CIA.”
Show all 23 chapters
Romanticizing the CIA and Espionage
23:11 to 26:56
Delve into the romantic notions of espionage and societal perceptions of the CIA.
“but the CIA kind of held this, you know, there's this sort of romantic version of CIA, which we know now is not true.”
Political Aspirations of Kamala Harris
28:54 to 29:49
Discussion on the potential presidential run of Kamala Harris.
“Absolutely, I think Kamala Harris will run for president again.”
Being Comfortable with Nakedness
29:49 to 31:19
Rashida Jones discusses her relationship with nudity and body image.
“I'm Estet Herndon, and this is America Actually.”
The Art of Nude Photography and Fashion Choices
31:19 to 34:07
A conversation about the nuances of nude photography and fashion expression.
“maybe they do, I don't know but I still look back and think like did not feel like me.”
Conversations About Empathy and Humanity
34:07 to 39:56
Discussion on the importance of empathy in society and personal connections.
“So I would love to be a part of that, just that discipline, you know, and be captured in that way.”
Rashida Jones on Her Connection with Sofia Coppola
39:56 to 42:06
Exploration of Rashida's relationship with director Sofia Coppola and their shared experiences.
“His whole thing was make decisions based on love and not fear.”
Reflections on Family and Influence
42:06 to 45:10
Exploring personal connections and relationships with influential figures.
“I'm going to go to my friend's house, so come with me.”
Balancing Legacy and Personal Identity
46:12 to 51:24
Discussing the challenges of living up to a famous parent's legacy.
“Because you're the intelligent and beautiful daughter of a superstar father, and envy is a difficult thing to be on the receiving end.”
The Art of Collaboration and Communication
51:24 to 56:00
Exploring the dynamics of collaboration in relationships and creative projects.
“And, you know, and then we had the gift of, you know, he lived for another nine years, you know.”
The Role of Sex in Communication
56:00 to 57:19
Explore how intimacy and communication intertwine through sex.
“And that's not a mistake because sex is kind of a tool for intimacy and it should and can bring you much closer together.”
Fashion and Risk
57:20 to 59:35
Discuss how clothing choices reflect psychological risks and personal expression.
“Like that is sort of like a bit of like a fetish.”
Clothing Preferences and Self-Perception
59:36 to 1:01:16
Examine how clothing choices influence attraction and self-image.
“Like, it can be all very right, and then you get to the bottom, and you go, what?”
Fashion Support in Relationships
1:01:17 to 1:02:49
Insight into how partners influence each other's fashion choices and styles.
“You're the first person to ever say his last name right.”
Transcript
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1:16Hi, come in.
1:23Welcome to Fashion Neurosis, Rashida Jones. Thank you. Happy to be here. Nervous. Can you tell me what you're wearing today and why you chose these particular clothes? Well, I am wearing a kind of suit, stripy suit by a wonderful designer. It's also my friend named Erdem. Erdem. I love Erdem. I was in my Bella Freud cashmere top, but it's really hot out. And I had to prioritize that, but it is my favorite top and I wear it all the time. Thank you. You're an award-winning actor, producer, and writer. You're also the daughter of the legendary Quincy Jones, who was a mentor and collaborator to countless artists, including Michael Jackson and Ray Charles.
2:26But it's your mother, the actress Peggy Lipton, who died in 2019, who seems to have been your compass. And I wondered, what were her reassuring qualities? Oh, my mom was an angel. She's a very sensitive person. She's really dialed into something deeper. than just being here on this planet. She was a seeker. And she got famous really young. She was on TV when she was 19 on the Mod Squad. And it just all happened so fast. She was really famous really fast because there were just three TV networks in the States. And so you're watching that show if you're watching TV. So everybody knew who she was and she kind of, she just, you know, exploded onto the scene.
3:25She was so beautiful and she had such cool style and it was a lot for her. And I think she decided kind of quickly that that wasn't the path she wanted for her life because she wanted something else. She wanted something deeper. So I think that part of my mom was extremely comforting for me. She was a very loving, very affectionate, very empathetic, very sensitive, and very deep person. God, how lovely. Especially my mother died too, but I wasn't connected to her in the way you describe. and it's a different feeling. It's something that I love to hear about, and I know there was something there between my mother and I, but it didn't get expressed very often.
4:27So I feel like I can kind of connect to that via other people's closeness and remember the things that were possible between my mom and myself. Yeah. I mean, I do think moms and daughters are always complicated, always. As much love is there. And I'm with you because I don't have a mom now. I'm always sort of searching for this particular type of relationship, you know female relationship that is that comfort yeah that very comforting and protective person so I definitely have that in my life to make up for what I don't have anymore yeah I've noticed that I look for my mother figures in men as well interesting and they're really good mother figures sometimes.
5:28Yeah. Like what qualities in a man have you found that are maternal? Well, this sort of nurture and attentive attention to well-being that was something very lacking. I mean, my era of upbringing, I don't know if people paid such attention to that, you You know, making sure someone's getting from A to B. And even things like cooking, I don't cook. Right. So sometimes if my man is a cook, I'll feel like it's sort of a maternal thing. It is. Very nurturing. Yeah. Food. That's so nice. I love thinking about men embodying those qualities because, you know, for so many reasons. But my partner and I made this movie about this swim teacher.
6:33And he was raised with just a mom and not a dad and four sisters or something. And he's a mom in the pool. That's why he's such a good teacher, you know. That's how he learned how to be a parent and a teacher from his mom. I just love that. It's the most brilliant movie. I mean, it's completely spellbinding. I love that. It was nominated for an Oscar as well. It was shortlisted. Right. So it was like the 15 before the 5. We didn't make the 5, but we made the 15. Yeah, that's really something. And your mother, as you described, was incredibly beautiful and the epitome of 70s glamour and purity.
7:20And your dad was also incredibly beautiful. Both of them had this great style. And I wondered whose dressing influenced you the most. Well, I have a lot of fashion psychology to work out here today, Bella, so I hope you're ready. um i my parents were so cool and they had such an innate sense of style and i i know everybody says this but i mean it i was like a bit of a nerd like an 80s nerd not like a cool nerd like a nerd like i had a desktop computer before everybody else and like a modem and um i loved little suits like I liked to be, I liked like a sensible slack. Do they have the word slack in UK?
8:17Yeah. I liked a sensible slack and like a little three-piece suit. I liked a bolero tie. Always, always a button down shirt, button to the top. I grew up wearing a uniform, but I think I always, I felt like my parents were the stylish ones and I was the sort of brainy one in opposition to them. So I don't know if I've ever felt stylish growing up, but I had a very strong sense of what I wanted to wear. And then I guess as I got older, I was lucky because I did have such stylish parents that I could realize my wishes of, you know, suits and blazers and button downs and kind of, you know, masculine coated dressing in a way that was elegant because they gave me that.
9:16They gave that to me, you know. So maybe closer to, I don't know, I'm definitely somewhere in the middle my mom was very kind of ethereal cool you know she had a lot of like when she was young aussie clark and um you know she was like a child she was a hippie she lived in la from the time she was 19 you know the people she kind of ran around with was very sort of like the the the roots of boho chic. Yeah. And my dad was just cool, just the coolest and could kind of pull off anything and did anything from like dashikis to Missoni to, he loved like Chinese tailoring and, you know, like Chinese silk.
10:08He had a lot of custom suits. He loved a double collar. What's a double collar? Like he'd wear a shirt over a shirt, like two collared shirts. Yeah. So cool. More like a chain, you know. I'm somewhere in the middle, and then I'm also my own thing, I guess. Yeah, I identify a lot with your button to the neck. I feel... You feel seen? Yeah, I feel seen, and I find there's a lot of, like, you know, what's your best feature? And I feel like, well, maybe my best feature is my brain. So I want a collar to kind of emphasize that oval. Yeah. And identify with that. I once had a kind of creepy older employer ask me, why do you always wear button-down shirts and button them all the way to the top?
11:14And I just said, style, style. That's a very good response. Because what was the first garment that changed the way you felt about yourself? And what age were you when you noticed the connection between what you were wearing and what it gave you? I had this brand called Underoos. I don't think they have them in the UK, but they were like superhero undergarments. I had a Wonder Woman underoos. And I would put that on and just feel so happy. I was probably like five. Like totally synthetic material, super cheap. But I can remember the red and the gold and the trompe l 'oeil belt, like the Wonder Woman gold belt over the red suit.
12:23It was like a two-piece suit. Just feeling so cool and empowered. Yeah. They're very empowering, this kind of total look. Yeah, like today. my underoos
12:45when your parents divorced your older sister Kedada went to live with your father and you left with your mother how were your feelings of conflicting loyalty so funny I was just talking about this the other day I don't think I think that much about that time I would go spend weekends with my dad I felt very protective of my mom. You know, I think maybe that's just typical for either a younger sibling or a daughter. My sister had like a big, she was a teenager and she had a big life. And, you know, she was like super cool and had lots of friends. And I would have a bunch of friends over to my dad's house and I was with my mom.
13:38And my mom went back to work when my parents separated for the first time in a long time. So that was new. But yeah, I think I felt protective of her. I wanted to make sure she was okay, you know, and that she knew I was with her. I was a very well-behaved, for the most part, teenager. Like I didn't get grounded. I did my homework. I had a pretty wholesome after-school situation. I was on the dance squad. I was in the math club. I was in student government, and I would do my homework and dance with my friends, and they'd come over and eat snacks, and we'd watch TV. So, you know, I think she probably really liked that stability.
14:34And I think I probably liked feeling useful in that way to her. Yeah. Because you described your rebellion as a child of artistic people as being academic. And you said, I like this idea of being able to control my environment. And the easiest way to do that is you work on something and then you get a grade. And I wondered if you do use your intellect to create certainty where maybe there isn't much certainty. yes yes i absolutely i did and i do and it's something i'm at this point in my life trying to move away from because i think what it provided for me was a sense of control that i could control my environment which we all know is not real we we don't have control of anything except how we react to things and how we feel emotionally to things.
15:39So I think that served a purpose. It did me very well. It did get me this sort of great life and friends in college and people had things in common with me intellectually, but I now feel like certainty is prohibitive. Like the need, this seeking out certainty, it's a fool's errand and it's prohibitive because it's not, you know, at this point, it's not the point. The point is to accept the things you cannot change. It's true. My Pilates teacher was telling me about a book that's all about the relationship between anxiety and certainty and why people think that, you know, certainty will quell anxiety.
16:42But of course, as there isn't really any certainty much. I'm sure seeking certainty creates more anxiety. Yeah, I would have. Because you're under the delusion that you can somehow control something, and then you trick yourself into thinking something you're doing is changing circumstance. And then when it doesn't change circumstance, then it's your whole kind of structure, the rule of being alive is brought into question, which is existential. Yeah. Yeah, there's no control. There's no control. You starred in the political satire mockumentary of Parks and Recreation, which ran for seven seasons and never dates.
17:30And you have a bewitching way of being incredibly deadpan and funny while often berating someone. And I wondered, when did you first know that you were funny? that's so funny i was just talking to a friend of mine who she doesn't think she's um funny or caustic or witty she was like i want to learn how to be that way how do i how do i do that and she was like how did you do that and i was just thinking about the amount of times it was it felt like a source of survival for me starting from a very early age but i was obsessed with Saturday Night Live and Second City TV and sketch comedy and comedy films.
18:20Like I loved vacation and airplane. And it felt like a language I understood. And so it's like I learned language. And I remember being 13 and having a birthday party, a dance party, And I stopped the party so I could do my imitation of the church lady, which was this Dana Carvey character on Saturday Night Live. And I think it was only funny to me. But I really wanted to do it at my birthday. So great. And you did it. I did it. And I had the DJ put on, like, there's a little reverb effect when she says, her thing is, who do you think is possessing you? Oh, I don't know. Satan? And it just, like, has a little bit of an echo.
19:14And I mean, I'm sure my friends who love me supported me, but I'm not sure it was that funny. It sounds really funny. It sounds great. I think it's such an amazing thing to have actually done rather than just thought it and that you did it right and that's I I remember fantasizing about those moments but I didn't do them it's taken me my whole life to become more visible well I have a lot of those too I mean there's things that I just you know of course wanted to do and didn't do but I guess I had a captive audience because it was my birthday. No, you did. You had no choice. That's wonderful. And you're brilliant at it.
19:58So you must have known that you had this ability somewhere and you actually took the first action, which is everything. And I found these brilliant graphic fanzines on eBay, which you wrote called Frenemy of the State, about a socialite recruited by the CIA. I've got one here. In fact, I've got loads because I love reading comics. Oh. I also learned all my Freudian analysis history from this comic book. And I think there's a great way of learning things that are kind of dense or kind of daunting through other mediums. But I wondered why it was, so your character was a socialite who'd been recruited by the CIA, and I wondered why you'd chosen the CIA.
20:59Well, it sort of fits into my kind of life narrative. I grew up in L.A. and there's a lot of sort of, you know, L.A. is a city of dreams and fantasies. And there's a lot of people there who their job is to socialize and to look good. And I started thinking, and actually I knew this girl who, she was really adept at like hacking her boyfriend or ex-boyfriend's email. And she got in trouble. She got arrested. I was like, that's so cool that she had this skill because her passion was such that she learned how to do this thing just to get the information she wanted. So I started thinking about, wouldn't it be funny, it's a perfect cover.
22:03Like a girl who is at every party in every country, every launch, every whatever, champagne, I don't know, soiree, is the perfect cover for somebody to be recruited by a government agency. And if the girl, like the character in the graphic novel is, she's kind of boy crazy and she's spying on her boyfriend and she's, her hurt causes her to have like this great skill set, which she probably had anyway. But it makes her an even more perfect person who's willing to kind of take the risk, break some laws to get the information she wants. And they kind of hold this information over her head as like almost blackmail to make her have to join the CIA.
23:03But there's also like, I mean, I think modern times that feeling has kind of changed. but the CIA kind of held this, you know, there's this sort of romantic version of CIA, which we know now is not true. Yeah, I suppose it's the romantic notion of, like, here people used to be recruited at, they probably still are, Cambridge and everything. Or MI6. Yeah. Yeah. And then all these kind of desperate, alcoholic, ex-public schoolboys with just these kind of withered moral code of resignation. It's not a great life. No. I think, I don't know, but I think people who say yes to work for government agency, I think it's pretty grim.
23:59It self-selects for somebody who maybe doesn't really fully want to have their own personal life. But I remember doing research and learning that most secrets are told during pillow talk, which is why they love to set a honey trap. Yeah. Which makes sense. Yeah. You're vulnerable. Like the jackal, the brilliant scene with the government minister. Yeah. Who is it? I can't remember the actress, but I watched it again recently. It was so good. The show? The movie. The original movie. I love that movie. The Day of the Jackal. Yeah. So good. Yeah. Because you also made a film with the Muppets where you get to interact with Kermit, who's everyone's secret crush.
24:50Yeah. I wondered, did you kind of fall in love? Is it possible to fall in love or become emotionally involved with a puppet? It seemed infinitely possible watching. Absolutely. Absolutely. Well, first of all, yes. very quickly you forget that these brilliant puppet performers are actually manning the the puppet so there were a lot of times in between takes where i would just have full conversations with kermit you know like he was real yeah and i really liked him and steve who was the puppet performer. I mean, he's great. He clearly infused this little felt green guy with all this personality and great rapport.
25:41But yeah, I once, it never got made, but Will and I, we wrote a TV show about puppets and yeah, this feeling like you could maybe fall in love with a pop it yeah yeah because karmic he's i mean talking about maternal figure men he's you could just imagine him taking care of you and being a great lover and then bringing you orange juice in bed you fella you've really really really thought about this i mean listen you're gonna have to fight miss piggy that much i know gosh i would no one could win against her so yes but you're You're right. He's sort of like the calm-headed caretaker because Piggy's just kind of doing her thing.
26:33And he's like, he is very, but I guess we could say that's also, it should be paternal. To do. To do that. Yeah. It should be paternal. you know that should be this sort of like um i don't know taking care of stuff can be maternal and paternal yeah you know no it is my dad was a great cook oh was he god that's that just doesn't feel fair he's how can you be that good at two things he had some other flaws but well don't we We all, we all. Hey, everybody, it's Prime Video's Cassidy Hubberth, and the Chicago Sky Skylar Dingens and I are bringing our new podcast, and Mom to Chicago, for Vox Media's The Lineup on Friday, July 24th.
27:31And Mom is the conversation motherhood deserves. It's honest, unfiltered, and real. Skylar and I are diving into what it actually looks like to be both a working professional and a mother. The identity shifts, the career pivots, the mental load, and the stuff that usually stays behind closed doors. And at The Lineup, we're bringing that conversation live. It's a full day of programming that celebrates this amazing league and its players. Three stellar podcasts, four legendary hosts, one stage. Get your tickets for The Lineup at voxmedia.com slash lineup. That's voxmedia.com slash lineup. See you all Friday, July 24th in Chicago.
28:11Vogue.
28:14Hi, I'm Nicole Phelps, Global Fashion News and Features Director at Vogue and co-host of the Run-Through Podcast. Each week on the show, our listeners get an all-access pass into the world of Vogue. On Tuesdays, join me as I interview influential designers like Calvin Klein, Rachel Scott, and Simone Belotti. On Thursdays, join Chloe Mao, Head of Editorial Content at Vogue US, and Choma Nadi, British Vogue's head of editorial content as they explore fashion through the lens of culture with guests like Doja Cat and Margot Robbie. Listen and watch the run through with Vogue wherever you get your podcasts and Vogue's YouTube channel.
28:53Is Kamala Harris running for president again? Listen, I might. I might. I'm thinking about it. But does anybody want that? Yeah. Yeah. Well, I don't see why not. Absolutely, I think Kamala Harris will run for president again. I don't think there'll never be a woman president in the United States. Now, wait, wait, wait, you can't just walk away on that. Tell us why. I know it's still early to talk about 2028, but as we build to our post-Trump future, it seems to be a big question about the Democratic Party. Kamala Harris leads all of the presidential polling. So does this mean that the person who led the ticket in 2024 is going to lead the party again in 2028?
29:36The campaign needs to be called Bye Bye Bye. It's just a tainted brand. Do you think from a donor community largely that there's any appetite for a Harris return? I don't. I'm Estet Herndon, and this is America Actually. Catch us every Saturday on YouTube or wherever you get your podcasts. And you featured in a Calvin Klein underwear ad with Kirsten Dunst directed by Sofia Coppola. and you dress in a charming, slightly boyish way that's more suggestive than overt. And I wondered, how do you feel about being naked? Good question. I am definitely not one of those people, as maybe you can tell by my outfit.
30:25Like you, I'm actually maybe they're not mutually exclusive, But I don't identify with my body and certainly not my naked body. It's not how I express myself. I'm very, very in awe of people who can and do. I think it's so cool to just be so comfortable with your body. I, you know, Sophia and I had a lot of conversations about that before that shoot because I obviously trust her. Her eye trained on femininity is a very different thing than just an underwear ad, which is why I was happy to do it. Because I knew she would make me feel beautiful in a way I would want to feel beautiful. Like not in a sort of like male gaze-y sort of way.
31:23but yeah I don't it's not my fave I'm going to be honest and there's been times in my life where I've gotten really in shape I did remember doing one shoot in like bra and underwear around the time when everybody was doing everybody had to do that do people still have to do that? maybe they do, I don't know but I still look back and think like did not feel like me. But I have a lot of women who say to me, today is the best you're going to look for the rest of your life. So enjoy it. And so some part of me thinks, I think about being 25 and feeling self-conscious about my body and how different that body is from my body today.
32:20But I still don't think it would make me any more naked, want to be any more naked. What about you? Well, I was going to ask, do you have like artifices to do with nakedness? Because I know I have kind of things I wear that make me more naked. Because I find that sort of 70s nakedness where you're just like striding around with nothing on. I just couldn't you know it just makes me feel so cringy at the thought but now I'm older I'm more into it than I ever was when I was younger and I even once asked got someone to take a photograph of me naked because I thought when I was 25 I thought when I'm my age now I will look back and think what was all this hatred of body stuff right so i forced myself to do it and once i was naked i sort of barely noticed and i've got the picture in my in my bedroom and i'm glad i did it and but it's this exacting thing and i wondered what are your skills to do with you know how do you get naked without being naked good question well first of all that's so cool you did that that's a that's a photograph I would kind of like to be painted naked that feels I mean I love nudes so much yeah I love your dad's nudes so I just loves nudes they're so cool and interesting And the human body is so varied and then also not.
34:06I recently took a figure drawing class and it was like an eight-hour class where you just have this beautiful 75-year-old naked woman who just kind of fell asleep, knotted off for eight hours in front of us. And it was so interesting. It wasn't long enough. I loved it. So I would love to be a part of that, just that discipline, you know, and be captured in that way. But I guess these days I do love like a sheer dress if you're wearing. I always like like a boy short and a bra with like a very sheer dress over it. I think that's very elegant. Love that. and I've never minded my legs. There's other parts of my body I don't like.
Read the full transcript
35:02So I'm happy to wear a very, very short dress. And I also really like, because I don't really expose this very often, sometimes it's a special treat for myself to show my décolletage. Yeah. And because I've covered it up my entire life, it looks pretty good. Yeah. Like it's not, I don't have sun damage there. That's sort of the one benefit of being this chaste for this long. Now I get to show the world. Once in a while. Yeah. You've been a campaigning voice in the Black Lives Matter movement in the U.S. And I remember this talk by Ta-Nehisi Coates where he outlined some of his experience of prejudice and growing up as a black man.
35:54When people want to do something positive about existing discrimination, what do you reply? Oh, I love Ta-Nehisi Coates so much. He's amazing. What a gorgeous voice. What a raw, eloquent, unafraid. and like he just distills the essence of being alive and somehow manages to balance poetry and politic at the same time. I mean, he's just what a singular voice. We're so lucky that he's like a once-in-a-generation voice. I mean, I don't know. I could never reply like he could, But, you know, humanity is steeped in inequality, injustice, dehumanization.
36:58And we're living in a funny time where, you know, we're very divided and people feel fervor around their politics. And that I love. I love that people feel so strongly. But I think I'm concerned about the lack of humanity within that belief. Because empathy, empathy, empathy, empathy. We have to see ourselves in others. And we have to allow others to see themselves in us. Because that's why we're here together. That's why we're not living in a weird VR fantasy. because we must work it out together here in the same place. There's too many of us to be this divided, this siloed, and this on other sides.
37:54We have to see our humanity in each other. I know that sounds so cliche, but the older I get, I feel like my job is to listen deeply and to pick something out of what somebody says, even if I disagree with them to my core, and see either their hurt, their pain, or the thing we have in common. That's my job. Yeah. It has to be. You know, it has to be. Because if not violence, war, you know, we turn on each other. Yeah. We hurt each other. That's so important. It's such a discipline and it does give results as well. It really does. Yeah, and also, not to be too woo-woo, but I do find that the healing nature of having a conversation with another person, especially an unexpected person that doesn't come from the same background as you, where you don't expect to have anything in common, that reverberates.
39:04That energetically can travel outwards. I know that's so, look, I'm from California, okay? This is part of who I am. It's not. But I truly believe that. I believe that. It has to be because everything else is, you know, my dad was very much one of those people. He was such a connector. He would talk to anybody and for hours. And he didn't believe and, you know, he wasn't like, he didn't reserve his energy for the most important people. He thought everybody was important. And so many people still come up to me and say, I had the best night. I met your dad and we talked for two hours. And he was just the greatest guy.
39:48And he asked me so many questions about myself. And that's our job. That's how we heal each other is to listen. His whole thing was make decisions based on love and not fear. And that's with each other too. We can't fear each other. We have to see where we can relate. That's our job. Yeah. It's essential. Yeah, it's essential. you starred alongside bill murray and in the sophia coppola movie direct that she directed on the rocks and you and sophia coppola are a dream union and you both seem to possess this kind of introverted brilliance and did you feel a kindred spirit in her i do i always have with Sophia.
40:36We've known each other a long time. We met, I was in my 20s and I was in an acting workshop with my teacher, Greta Seacat, and Sophia was workshopping her first script, Lost in Translation. And she came to class to kind of like use the actors to work on her script. And I was very lucky I got to play that part for like a month in class. And we did a lot of like dream work around that character. And so I would dream and she would dream. Then we'd share our dreams and put it into the character and kind of improv and work on it. Anyway, yeah, I just always really liked her. She's such a personable person.
41:30person. She's just got zero veneer, and she's just always been so lovely. And we have, in some ways, kind of similar upbringing. And our dads were friends. Really? Yeah, they were friends. And actually, before I met her, I was with my dad, and he took me to Francis's vineyard for the weekend. It was the weekend of the LA riots and there was a curfew. And he was like, come with me. I'm going to go to my friend's house, so come with me. So I spent the weekend with them. It was great. God, how wonderful. It was so cool. And he was so nice to me too, like, you know, teens, whatever. I feel like I had parents like this too where they treated kids in a way like they were deep souls and like young bodies.
42:30Like they just spoke to them with respect and had real conversations with them. And he was like that with me. He was very, very lovely and very respectful. So, yeah, we always had this nice kind of like parallel life thing in common. And certainly in the movie, Bill plays my father, and he's this, like, worldly, charismatic, loves women, loves life kind of guy, which I think we both could relate to strongly. yeah because both you and sofia coppola you have you're very much the objects of girls fandom as i mean obviously men as well but all girls love you both and you represent glamour and kind of subtlety and beauty and this you make things you know you you're you you're both so brilliantly creative and and original and uh so the idea of you together was just like oh my god this is thrilling this is as good as it gets i think we probably i mean we both loved our moms so much and our moms i think were incredibly supportive of our careers and i think we we but we share this sort of like real like deep love for women and to be a woman and all the kind of great and you know kind of eye-rolly things that go along with that yeah like and I really I really admire Sophia because she she has this way of sort of like making femininity so punk rock you know That's so true.
44:25So cool. Yeah. And also, like, she's got this sort of, like, sad girl complexity is kind of what she brings to her movies. You know, she loves to linger on, like, a woman contemplating her life. And so there's a real interiority in the things that she does, which, you know, I don't think we really saw before her. She really stands for this thing that is really hard to do, which is like she allows for the kind of quietude of feminine thought on screen. Yeah. So cool. Yeah, she's a master at that. Yeah, yeah. It all started with Call Me Maybe. Over 10 years ago, we created Switched On Pop to listen closer, uncovering the song craft behind even the glossiest of pop hits.
45:17Since then, we've released almost 500 episodes. We've defined the sounds of our modern soundtrack and interviewed hundreds of musicians and music insiders, including the singer of Call Me Maybe herself, Carly Rae Jepsen. I'm musicologist Nate Sloan. And I'm songwriter Charlie Harding. And on July 14th, Switched on Pop is embarking on a new chapter. We're stepping out from behind our microphones and in front of the camera to stream our podcast on Netflix. Now you'll still be able to listen to the show anywhere you get podcasts, but now you'll be able to watch us each week, breaking down the sounds of the moment, digging into musical minutia with your favorite artists and offering questionable dad jokes as always.
45:54We're kicking off our Netflix debut with a four part series on the art of the song with help from artists, producers and songwriters like Aaron Dessner, Audrey Hobart, Trevor Horn, Cypress Hill and Taylor Parks. Streams switched on pop on Netflix and anywhere you get podcasts every Tuesday, starting on July 14th. Because you're the intelligent and beautiful daughter of a superstar father, and envy is a difficult thing to be on the receiving end. And do you think your high-achieving academic approach to your art is a way of handling what comes with heritage? Yeah, yeah. I think I picked something different.
46:36not ultimately, but I pick something different to sort of have something that was my own. And I think about it a lot because as supportive as my dad was, he was so supportive. He always told me, like, pick two things to be good at, which I thought was really good advice. But he could say all those things to me. He could support me as much as he wanted to. But when you have somebody in your house who shifts culture seismically, it's really hard to not take that in and feel like a failure if you don't achieve anything close to that. So I think, yeah, I think having some kind of like academic spin was my way of being like, oh, yeah, but I'm not even trying for that.
47:25And the truth is, obviously, now I'm very lucky I get to write and have a very even career between writing and producing and directing and acting. But, you know, yeah, I would be lying if I said that I don't think of my dad's accomplishments and, like, sometimes want to just shrink at the idea that, you know, whatever it is I, whatever my legacy is, whatever it is I accomplish, like, I just know it's not going to be that. Because I also know what the sacrifice was for him. I mean, he's almost died so many times. Like, I don't want to do that. I don't want to do that. I value my alone time. I value my inner life.
48:19And I value the kind of balance between feeling good in my own life and feeling good about what I put out into the world. And not to say, obviously, my dad had a destiny. He was a bullet train. He had to do what he did. at great expense. And luckily, you know, he had such a long life and we got the other side of him where we just got to be a family man and be with us. Um, and he had no regrets because look, he had to do that. He, he like, you know, he, he healed the world in a lot of ways with what he gave to us. So, um, I know he had no regrets, but for me, I think I'm always looking for a bit more balance, you know, I want to be here.
49:04I had this wonderful documentary about him in 2018 when he was also creating the National Museum for African American History and Culture. And it was like a race against time during the documentary because of him being intermittent. At one point, he's rushed to hospital. And I wondered, is that your love letter to your father with making that film? Yeah, definitely. It took me six years to make that. And my wonderful co-director, Al Hicks, who's like, you know, it's really nice to be able to share that experience with somebody because it's very intense to capture your parent.
49:55but Jane Rosenthal who runs Tribeca Films is Robert De Niro's partner. She came up to me. We've been friends for a long time. She knows my dad very well and she was like, you have to make a movie about your dad. And I had that feeling like, oh, it was like a gut punch. Like, I don't want to, but I have to do this. I must do this. And I'm so, so happy that I did. because it feels like him. Yeah. And I get to, you know, I don't watch it back too often because I do. It just makes, it just destroys me emotionally. But, you know, it's a meditation on his life and it's a meditation on him meditating on his own life.
50:40And, you know, we had this moment where he went into diabetic shock in the middle of, you know, filming. And we stopped filming. And luckily, my brother was filming in the hospital because we were sort of using it to show him after he got out of his coma because we wanted to convince him to stop drinking, which literally woke up from a coma at 82. And was like, I'm not going to drink anymore. So we didn't even have to do it. But luckily, we had that footage. And luckily, he survived that. So putting that in there really felt like we could tell the story of his survival and his resilience and his nine lives.
51:24And, you know, and then we had the gift of, you know, he lived for another nine years, you know. He was an absolute beast, just a loving beast, you know, really wanted to be here. Yeah, it's difficult to show someone who you love so much that you love them when they have their own life. I mean, I found that with my father, that my only real way of showing him was to sit for him. Right. And at least it was an act I could make, and it was just a gesture of my kind of loyalty. But would you talk when you sat for him? Yeah, he was, unless he was painting my mouth, we would talk away about anything from, he had an amazing memory and would remember all these poems and these things.
52:29He'd tell me about things I was interested in, like Ballet Russe and all those, kind of that era in the 40s in Paris. And then he was very funny about people and gossip, and it was fantastic being with him. That's so nice. It's like stolen time. Yeah. Lovely. It was really, it was great fun. Same. So that's, you know, I'm with him everywhere, sometimes with a camera, but I got to just, yeah, I just got to spend all this time with him. It was great. Yeah. Yeah. It's great to have an excuse to spend time. Yes. For something. Yes. It feels, it makes there, it's like a skateboard to go on. Yeah. And then you have this thing that you essentially made together.
53:20Yes. Yeah. Yeah. because you're a writer and your new film, The Invite, is described in a review as a four-way sex comedy of embarrassment, intriguing, amusing, and somehow bizarrely moving. And it's really interesting about sexual fantasy and how the characters played by Olivia Wilde and Seth Rogen keep theirs private from each other, and the Penelope Cruz and Edward Norton characters share theirs with each other and anyone else. And Esther Perel, the renowned sex therapist, she has a credit. And I wondered, did you work directly with her on the interactions and how they worked? I did. I did.
54:08I was very lucky to work with Esther, yeah. We had a few sessions and every single thing that comes out of her mouth, you're just like, oh, hits so hard. Like she finds a way to crystallize the kind of essence of two ways of being or the essence of relationship, and then just puts it in the most perfect, pithy, thoughtful package. Literally, we were just all kind of agog with everything she said. So yeah, we're very lucky to work with her. And there's a lot in the movie that is borrowed directly from Esther. She knows that. I mean, I've thanked her effusively for just giving us the wisdom to anchor the movie in reality.
54:59Because Will and I, my writing partner, we're so obsessed with relationships. We're so obsessed with the dynamics and long-term relationships, especially now, because we've both been in them for a long time and have families. but yeah the for us you know yes there's obviously sex but there's some famous quote that is like everything is about sex except for sex yeah I feel like maybe somebody in your family said that I don't know but it's true yeah and this movie is that which is like you have a couple keeping secrets you have a you have a couple a new couple sharing secrets and like kind of using secrets to create this sort of frothy, exciting, passionate sex life.
55:48And so many people in relationships, I think, feel like communication stalls out when sex stalls out. And that's not a mistake because sex is kind of a tool for intimacy and it should and can bring you much closer together. And so when you stop doing that, you sort of create this like giant divide where it feels like you can't even speak to each other. I know because sex is communication, isn't it? It's not just the side dish, you know, it's, but it was so well written. I mean, just brilliant, the totally credible and so thought provoking. And I mean, I'm a huge fan of Esther Perel and she's been on fashion neurosis and I was totally honored you know she's an advocate for for inter for fantasy and passion yeah and it bears no relationship to the mechanical nature of of what can be in porn and I found that very interesting but she also in her book um be it her book, Mating in Captivity, she talks about keeping risk alive.
57:08And I wondered how you dress to keep risk alive. Oh my God. Well, I mean, I guess, like risk to me is so psychological. so I guess I definitely don't wear high heels I don't like to keep that risk alive I've done I'm done with that era of my life can't do it anymore I'll wear a platform but I will not wear like a stiletto no um but I like I like the tension which is why I think I'm very into suiting but I like the tension of it makes me feel kind of sexy and risque to dress masculine. Yeah. Like that is sort of like a bit of like a fetish. Yeah. You know? I think it's so cool because it's like, it's kind of like what lies beneath.
58:11Yes, it's true. It's the conflict because there you have this angelic face and there's these kind of big lapels and a bit like where are you in there? Yeah, right. Yeah. And also I like the idea that, you know, like any interesting person, there's layers. And then you kind of, you can like echo that with what you wear. You know, like, yeah, you will have to peel back layers. You will have to get to know me to really like know me. You know, you'll have to like work a little bit to get to know me. And if you fancy someone and don't like something they're wearing, does it kill your attraction? Oh my God, completely.
59:01Completely. Will and I, we had a text chain for a while called Tricky Jeans, which was just about that. It was like, if there's, for the most part, embroidery on a jean pocket, it's kind of over. You know? It's kind of over. I think as I get older, I'm probably less shallow, but certainly it was very defining in my 20s and 30s to be like, for guys wearing a certain kind of shoes, like, I can't kiss them. I can't do it, you know. A shoe is a big indicator, isn't it? It gives a lot away. It gives a lot away. Like, it can be all very right, and then you get to the bottom, and you go, what? How? I find a jean that clings to the calf.
59:55Oof. Destabilizing. Stretchy jean. Oof. Yeah, I'm not one for like a clingy. I don't like clingy for myself. I don't like clingy clothes. I think it can be cool if it's like silk or it's like an intentional moment, but in general to just opt for a clingy fit. at all times it's like not not my thing i'm with you mind you i do really admire it on other people to be wearing skin tight stuff i just think oh that's so fascinating fascinating yeah fascinating impressive and all the things i was more dismissive about now i celebrate i was on the tube going up the escalator behind this girl wearing the tightest shorts.
1:00:49And I thought, oh, I'm so glad you're doing that. I couldn't have done that. Totally. I'm glad someone's doing it. And she looked great. Totally. Makes you think of how different all of our brains are. Because it's also like what you're wearing, how it makes you feel, how you think other people perceive you, how you want to be perceived how how you are perceiving somebody else like there's so many layers to how and why we wear clothes you know and everybody has such a different relationship with the thing that they're wearing yeah it's so interesting and you have a fantastic boyfriend Ezra Koenig who's the lead singer of Vampire Weekend does he ever veto anything you wear like Nick Cave has a hatred of ankle boots, which was so funny.
1:01:45You're the first person to ever say his last name right. That's the right person. König. Yes. That's the German pronunciation. Yes. I did a German exchange at school, so I know all about German pronunciation. He's very supportive of my fashion, and he's a very stylish dude himself. So, but I will often ask him, we have this inside joke where he's like, okay, yeah, maybe you're, I think you're just playing with volume too much. Because I'm always playing with volume. But then there's, you know, like I reach a cap where I'm like, the playing with volume must stop. I need to stop playing with volume.
1:02:28And I, but I, it's only when I ask, he's never, he never volunteers that. And he always, he's very sweetly, he's like, you're so beautiful and you're so beautiful in anything you wear. And, you know, we have a lot in common in the way that we dress. We like the same designers. Yeah. I will borrow a lot of his clothes. I'll buy him clothes. He buys me clothes. You know, we have a shared color palette. Oh, that's so nice. Oh, that's lovely. well thank you so much Rashida Jones for being on Fashion Neurosis you've been a great inspiration to me in my life and it's just wonderful to have you here I feel I feel so um therapized I do I feel calmer I feel like I've released a lot of a lot of things there's been a lot of insights I didn't expect to but I I think I feel better Wow, so do I.
1:03:29Thank you, Bella.
From the publisher
Rashida Jones is an award-winning American actor, writer, producer, and director with a dynamic body of work spanning film, television, and documentary filmmaking.
Her extensive acting credits include Sofia Coppola’s On The Rocks, The Social Network, Celeste and Jesse Forever, as well as the television series Parks and Recreation, The Office, Angie Tribeca and Sunny, which Jones executive produced. Jones will star in Lena Dunham’s upcoming film Good Sex, alongside Natalie Portman and Mark Ruffalo.
In 2025, she received Golden Globe and Emmy nominations for her performance in “Common People,” the premiere episode of the latest season of Black Mirror.
In addition to her work in front of the camera, Jones has built an acclaimed career as a writer, director, and producer. She co-directed the Grammy and Critics Choice Award–winning documentary Quincy and co-directed and co-produced the short documentary A Swim Lesson, which was shortlisted for the 2025 Academy Awards. Her directing credits include episodes of the television shows #blackAF and Angie Tribeca. Jones co-produced the Emmy-nominated documentary Hot Girls Wanted: Turned On.
Jones co-wrote the film The Invite with longtime creative collaborator Will McCormack, directed by Olivia Wilde, which was recently released. Additional writing credits include the Black Mirror episode “Nosedive,” the Oscar-winning Toy Story 4, and the Independent Spirit Award–nominated Celeste and Jesse Forever, in which she also starred. Jones and McCormack also run the production company Le Train Train, through which they have developed and produced a range of film and television projects.
In this episode of Fashion Neurosis, Bella Freud and Rashida Jones discuss fathers with style, Sofia Coppola, and falling in love with Kermit the Frog.
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