849. - Richard Ashcroft

26 Sep 2025 · 1 h 15 min · 26 chapters

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In short

Richard Ashcroft (former Verve frontman) discusses touring and the emotional impact of the Oasis farewell shows, plus his experiences living/visiting New York, rock-and-roll culture, and career longevity. He also shares personal life insights (marriage, balancing touring) and answers questions about music vs sports and football skills.

Guests

Chris Black and Jason (hosts of How Long Gone). No other guest is interviewed in the transcript.

Guest backgrounds

Richard Ashcroft is a singer-songwriter and former lead of The Verve; he also penned the UK national anthem. He has a new album, Loving You on Virgin, releasing October 3. He has been opening for Oasis at Wembley and discusses Manchester and Wembley dates.

Key claims

Stadium catharsis comes from strong songs and audience participation, not pyrotechnics/catwalks. Rock-and-roll is less “centrally respected” across generations now than in earlier eras. Career longevity is possible when you keep evolving and manage life outside music.

Notable examples

Ashcroft’s “History” and “On Your Own” (A Northern Soul) as stepping stones; his New York “Snail Suite” at the Chelsea Hotel and late-night dawn watching at the Mandarin Oriental; a charity match at Celtic with 54,000 fans.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Reflections on Previous Guest

1:19 to 1:55

Hosts share their thoughts on a past guest's performance and the fun they had.

“Just thank you to everyone who got in touch with me to let me know.”

New Product Launch: TJ's Blend

1:56 to 3:10

Hosts discuss the launch of a new product and its intended use for various activities.

“But then the way that it's projected out onto, you know, the audience, one could easily confuse that for lack of interest or desire to be there.”

Upcoming Events and Plans

3:11 to 4:32

Discussion about upcoming festival appearances and ticket giveaways.

“You're taking up valuable real estate in the joint with marijuana that could get you high.”

Life as a DJ

4:33 to 6:31

Hosts discuss the life of DJs and the challenges they face in their careers.

“So you can send an email to howlongatresoundpresents.com, the word resound and the word presents.”

Jimmy Kimmel and Media Reflection

6:32 to 10:40

Discussion about Jimmy Kimmel's recent actions and the media landscape.

“If you're really standing on business, you walk away.”

Cultural Commentary on Celebrity

10:41 to 12:30

Hosts analyze celebrity culture and the pressures that come with fame.

“It's like when Joe Rogan will be like, I'm just a little, little comedian.”

Richard's New York Experiences

16:56 to 19:36

Richard shares his unique experiences in New York, including staying at the Chelsea Hotel.

“I mean, obviously, all anyone says is, oh, it's changed, it's changed, oh, it's not the same, and blah, blah, blah.”

The Quirky Snail Suite

19:36 to 21:44

Explore the peculiarities of Richard's stay in the Snail Suite at the Chelsea Hotel.

Memorable Hotels in NYC

21:44 to 24:41

Richard recounts stories about memorable hotels and experiences in New York.

“You get this amazing sense of just this like tidal wave of buildings just stopping and then trees and whatnot.”

Real Estate and Artists in NYC

24:41 to 27:22

Discussion on the rising costs of living in New York and its impact on artists.

“And he was like, he said, do you want to come up to us?”
Show all 26 chapters

Urban Living Challenges

27:22 to 28:00

The conversation shifts to the challenges of urban living and the impact of gentrification.

Navigating Life as a Rock Star

28:00 to 41:10

Explore the challenges and experiences of living as a successful musician.

Navigating Life as a Rock Star

41:13 to 41:59

Explore the challenges and experiences of living as a successful musician.

“You think you know a browser, but Gemini and Chrome?”

Cultural Differences in Music and Sports

41:59 to 42:09

Discuss the unique relationship between music and sports in different cultures.

Football and Music: A Cultural Interplay

42:09 to 44:48

Explore the intertwined relationship between football and music cultures, highlighting their mutual admiration and respect.

Personal Football Experiences

44:48 to 47:15

Richard shares his personal experiences playing football, including notable charity matches and interactions with athletes.

The Toll of Fame and Career Transitions

47:15 to 51:45

Discussing the challenges faced by athletes and musicians in managing fame, career transitions, and mental health.

Marriage and Longevity in the Music Industry

51:45 to 56:00

Insights on maintaining a long-term relationship in the music industry while balancing career demands.

“But if you can figure out a way to sort of make it work.”

Discussion on Fashion Choices

56:00 to 57:40

Explore the value of quality clothing and personal style choices.

Sunglasses and Identity

57:40 to 1:00:40

Delve into the evolution of sunglasses as a fashion statement in media.

The Mythical Cave and Creativity

1:00:40 to 1:05:00

Understand the concept of a 'cave' as a metaphor for personal retreat and creativity.

“Francis was obsessed, they say, with the crucifixion.”

Challenges of Sampling in Music

1:05:00 to 1:09:30

Learn about the complexities and challenges of sampling music legally.

“So I think really that cave thing came from the St.”

The Future of Music Production

1:09:30 to 1:10:05

Discuss potential shifts in music production due to sampling restrictions.

The Complexity of Sampling in Music

1:10:05 to 1:14:06

Explore the nuances behind music sampling and its legal implications.

“There is a tubular bell in there, something like that.”

Experiences with The Rolling Stones

1:14:06 to 1:16:51

Insights into Richard Ashcroft's experiences and interactions with The Rolling Stones.

“So Noel induced that a bit in me as a songwriter when I was younger.”

Reflections on Music and Aging

1:16:51 to 1:17:06

A conversation about the impact of music as artists age and their continued relevance.

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Transcript

Automatic transcript. May contain errors.

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0:47how long gone what up what up chris black i'm back in the united states of america i'm in new york city it's been a couple hours so far so good unbelievable it's truly unbelievable um them jeans

1:02Jason Stewart:how are you doing today i'm good i'm good just in the middle balls deep right in the middle of a three-peat pod recording week because we have some travel coming up but what a what a great diverse musical week that we're in i'm feeling great thank you um well i'm working out i'm gonna Just thank you to everyone who got in touch with me to let me know. They were really impressed with our sort of wherewithal when our last guest gave us absolutely nothing. And I said, usually when someone gives us absolutely nothing, I don't like it, but this time for some reason I loved it. And I think it was actually so fun.

1:44I don't know what got into me, but Cass wasn't really giving us much, but I think he had a good time too. Is that your feeling?

1:50Jason Stewart:I think he had a good time. I think it's one of those situations where to him, that was like doing, you know, kill Tony level of fun. But then the way that it's projected out onto, you know, the audience, one could easily confuse that for lack of interest or desire to be there. but I think he's just a, like, you know, he said he's a self-proclaimed grumpy guy, just sort of across the board, day-to-day basis, you know, in a Larry David kind of curmudgeon way, but he also is sometimes a man of few words, but he's a giggler, you know, he's just a weird guy. Yeah, no, it's true. He gave us more than he had to, considering what I was expecting, you know, based on reputation, but whatever, it was fun.

2:39Jason Stewart:Not every battle is easy, but we got the fish in the boat, and that's what counts. That is what counts, Jason. You've always got your eye on the prize. Yeah, I love fish. We put out the TJ's blend today with Pure Beauty. You can go buy that anywhere you live on the World Wide Web. Yeah, you can buy it on their website, and I'm pretty positive that it's DTC, like legally ship it to you wherever you are in America. have at it y 'all enjoy it like uh like i said in the description it's something you can have a little bit before you work out before you hike little pilates do some squatting you can also hit it before bed go night night time it's all there has a little night night i usually don't like like weeds that have or like hybrids or combos or blends that have cbd in it because what's the point?

3:36Jason Stewart:You know what I mean? You're taking up valuable real estate in the joint with marijuana that could get you high. You know what I mean? Dude, I get it, bro. Trust me. But the CBD is like an award-winning one that has a one-to-one ratio. Award-winning? All right, can you share? Yeah, please share me. Please show me the governing body that gave the CBD an award. I mean, at the very least, I know you've heard of the cannabis cup, right, Chris? Of course. No, that's true. That's true. I've had an issue of high times in my life. That's not out of the question. I'm not saying they won the cannabis cup.

4:13Jason Stewart:I'm just saying that is an award governing board. Okay. But I'm going to say probably. I know that they've won awards for sure. It's really good. No, I'm joking. And our good friend Sam Jane designed all the packaging. Revolutionary. What a guy. And then this weekend. What a guy. This weekend we're going to be in Austin, Texas, Levitation Festival, and then Friday, you're hearing this today in Austin, if you are there, doing a little ticket giveaway for the club with DJ Python and me. So you can send an email to howlongatresoundpresents.com, the word resound and the word presents. and then first 10 people to send an email get on the guest list for free plus one send in your emails come out to the club me and python it's gonna be fun i can't wait to be there i'm gonna stay up till midnight at least good um you'll be able to see some of us yeah i'll be able to see 30 minutes 30 minutes of you uh i was joking about i was talking to somebody about djing and and like how i you know i hear about these guys and where they play and what time they play and it's it's it's literally like they live they live on a different planet than the one that i live on it's like i don't i can't even imagine that being my sort of day in and day out life but it's i'm happy that it exists of course i think it's very cool i mean and some of them are are in their 50s you know that's that's because they that's that's because they don't have a choice They don't have a way out at that point.

5:50You know what I mean? Their body and mind is...

5:53Jason Stewart:Well, I mean, some of them are in their 50s, but also, you know, what are they going to do? Quit making 20 million a year? Well, sure. Pouring the world in your private jet? I'm not saying that level. I'm saying like, I would say a few rungs below that on the ladder. Oh, we're talking about the punter down at the pub. I'm saying guys who make a living. Playing his cheeky tunes. I'm saying a guy who makes a living, but they're not on a private jet by any means. you know it's like a you know it's still it's still a better job than than many jobs that are that are on offer so you're talking about me you got it okay no no no no you have several income streams you have several income streams yeah djing but one pedal on the flower of me dude it's it feels so good to be back in america i that's the that i can never be in germany for that long again that is just not you don't even care if they have free speech over there you will still hang out in america preferably shit who gives a shit yeah i didn't really watch um the jimmy kimmel cry fest 20 minute monologue where he sort of played both sides a little bit i guess which i i don't know what we would expect him to do in that instance but yeah i would play both sides in his ferragamos you play but we we know you play both sides uh but i i think no no no no didn't mean it like I think upon further reflection I'm like if I'm him and I really care this much and I'm really this principled and I'm really this much of a bleeding heart you take the money from your contract and you're never to be heard from again on television you've made hundreds of millions of dollars you can still be a producer an executive producer you can still develop this and do that I'm sure you have several production companies you have plenty of money if you're really that principled Man show reboot.

7:40If you're really standing on business, you walk away. He's kind of doing the opposite of standing on business in some ways.

7:47Jason Stewart:I would say he's standing on business by not bending the knee. I guess he's bending both knees, but not in a fuck me in the ass kind of way. More of like an Asian squat. So it's sort of neutral still. I think that he, like I said on the last episode, there could be a scenario where he doesn't really have the option contractually or not to just up and leave. You know what I mean? I think that if he will... Not in a, like, we're going to break your legs kind of way. It's not in a casino-style shakedown where they're going to hit him with a hammer? I disagree. I think they'd love to see him go away.

8:26Jason Stewart:Maybe so. I mean, maybe they want him to go away, but they can't operate without a Kimmel until they find a replacement and they just need more time. I don't know. I don't think they want the... But do you think that they asked him to cry? no I think that motherfucker will cry over anything I think it's like I think those I think him as Stephen Colbert can cry on demand like a great actor and luckily if there's any liberal cause they're able to shed tears on cue on camera do you think those were toxic tears no no no I think he do you think those were like gaslighty tears you know what I mean no no no I think he's genuinely I think he's genuinely a pussy and like a guy who would cry about something i don't know i just like if somebody dies i get it you cry like stuff like that like you don't cry over over stuff like this to me well i think you do you do cry over that stuff and then you turn 11 or 12 and then you become yeah somewhat of a you hit puberty and then you stop crying about that stuff i just don't i just don't the whole thing is like i'm so tired of hearing about it it's like i i can't believe how quickly it took over the news cycle completely i don't think we're done i think it's going to continue in some in some regard uh at least on you know in our corners of the internet i mean if i was kimmy i was kimmy if i was kimmy jimmel i would i would he he probably got straight up death threats he was probably shook at home and yeah but he gets death threats all the time he's been getting death threats for 20 years no on all these guys i mean if you if you yeah but the the death the death threat seo was huge in the last week though you know i don't think that i think that he really i think the sad part to me is that he really believes this shit like he really this shit is real to him and he's trying to be he's trying to sort of deny that he's a multi-millionaire celebrity that is known globally by face and sort of pretending to be this little guy that's getting picked on by the president.

10:31The president is an idiot and they are picking on him, but he's not some cowering. You know what I mean? He's not the underdog to me.

10:41Jason Stewart:It's like when Joe Rogan will be like, I'm just a little, little comedian. What are you talking? That kind of thing. Yeah, it's like, dude, no, you're not. You have more influence than 99.99911. That's kind of what I mean. That's kind of what I mean. Well, I was just presenting that possibility because his tears were almost giving like, you know, I fear for my life style, like, please, sir, humiliation ritual kind of energy. I don't believe anything. And I think everybody is doing whatever they can to further their career and their reputation in this instance. because a guy like Jimmy Kimmel and even guys like us, this isn't a bad quality.

11:27It's just a reality. Want to be liked. That's what that job is. You're sort of like America's fun uncle. That's your entire existence. So if you lose that and everybody hates you, I think it also sends you into a sort of tailspin of who am I? What have I been doing for the last 20 years?

11:47Jason Stewart:Hey, these are tough times to navigate if you're the type of person who... When you try to appeal to everyone, you end up appealing to no one. I think guys like that also who are going to Cabo for two weeks with Jennifer Aniston in a private plane, I just don't. He's been doing this too long to have any illusions of anything else. This is what he does. This is all he's ever done. I don't know. If I was a late-night person going through this, Jimmy Kimmel would be the first person I would call because he would know exactly how to handle it. Yeah, yeah. He should be handling this. Yeah, a little better.

12:29Anyway, we have a guest today. He penned the national anthem of the United Kingdom. Richard Ashcroft is a singer and songwriter. We love the Verve. We love his solo music. He has a new album coming out. It's called Loving You on Virgin, October 3rd. The final Oasis shows, which he's been opening at Wembley, or this weekend if you're in London. Anyway, we're really pleased to talk to him. And we're going to ask him about his skincare and hair care routines just to kind of get the real dirt that you guys are looking for. If it ain't broke, don't fix it. That sounds right until you actually do the math.

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14:56And I think in our circles, Jason, everybody's encouraging everybody to get help in any way they can.

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16:23just gonna happen i want my fairy tale ending married at first sight now streaming new episodes thursdays only on peacock all right richard what's going on how are you yeah i'm very well thank you yeah yourselves guys you're good lovely yeah we're good i was just complaining about i just got back from berlin a couple hours ago so i'm feeling i'm feeling rough and ready if you will yeah yeah i get it yeah i've been traveling a bit the last few weeks months yeah i get that feeling man your whole life you mean yeah where are you where are you guys where you're flown to uh i'm i'm back in new york um so it's you know it's nice to be home i can't but it's it's a little it's still warm here it's feeling uh summer-ish and berlin was not feeling summer so i'm having a little bit of a whiplash situation yeah new york so you can have some beautiful septembers i've been in new york in september it can be it's a great month for new york and it's the best you could have the best two weeks of your life if god you know intervenes yeah it can be it can be really did you ever live in new york or no no i know i um i had him like a lot of well a lot of people not just musicians but yeah i did harbor a dream to um to uh move there at some point but no i've stayed there for you know a while you know a few weeks and things like that and i i love that i I love that place.

17:44I mean, obviously, all anyone says is, oh, it's changed, it's changed, oh, it's not the same, and blah, blah, blah. But every time I go, I've not been for a few years now. I just, as soon as I got on the street, the energy. I used to change. So originally, we'd stay at the Chelsea Hotel. And it was still kind of, I think the guy running it was like the son of the original owners, you know? He was asking questions like, how come you guys haven't plugged the amps in the room yet? So the first night we arrived there, so my first night in New York was crazy in a sense that. We checked into the Chelsea and I was in this room called the Snail Suite and everything was shaped like a snail.

18:28It was strange. And I looked out of the window and then I could see the iconic sign and then like a little marijuana leaf just drifted past my window from above. and yeah we had a flatbed yeah we had a flatbed truck waiting for us outside the chelsea and that night we went on the back of a flatbed truck and we just drove around new york went through the meat markets to times square and we were just jamming on this flatbed truck what was this was this promotional or was this just yeah fun it was kind of like promotional was this brought you by sprite yeah it was brought to us by some substance a god knows what it was but uh um it was i think there was a show that night as potentially even a show later on or something it was just such a crazy introduction to new york and like yeah that's where it started off and then i started staying a bit more sort of um so and then then over the years i got more into just staying it close to the park on the park really because that's where it still feels like an intersection of the whole world around there you know what i mean take a football down the park and walk down to strawberry fields have a look at the dakota and i that i love that and that old money sort of area around there it's like i think that the yeah they've redone the chelsea and it's popping again it's like a full scene in a in a good way they did a good job with it so it's uh it's i mean usually stuff like that just kind of goes away you know what i mean because it just can't sustain itself but someone you know swooped in and saved it well that's good hopefully they preserved

20:15Jason Stewart:the snail shapes i want to know more about yeah when you said everything was in the shape of a snail yeah i mean i want how detailed was it was the bed slippery yeah you know kind of like a shell over it so you could have like yeah i mean it was crazy i mean the whole heating system and everything was archaic and i remember looking out of the because it was quite high up looking across that was the first time i saw all the sort of water coolers and back then you know i i'm not sure whether the infrastructure of america has really been dealt with anyway since then but it was quite hard i can't being brought up on big fridges cookies and milk happy days you know you guys are you guys were showering in the 50s it took us until about 1989 to get a shower in england you know but it was in sure we saw it was surprising to see how old a lot of the underbelly really was no and that you see that from the rooftops you see that in the electrics and the and the plugs in the chelsea and the heat and you know no air conditioner or anything like that but it was a real insight into it was like another like the matches still had you know like jfk on and it was just strange it was like a strain at the time even though it was the early 90s and you think well this surely it was so much different by then but actually there was still a hint of the 70s you know what i mean or god knows when a lot of this infrastructure was put in but what was interesting is my last foray into i don't know if you guys have ever had a drink in the bar in the mandarin oriental on columbus circle you must have a drink in that actually no i have i know what you're talking about but no i haven't well this thing it's got a huge plate glass window and it's kind of on parallel with when the the architecture and the skyscrapers stop and the park starts.

22:12You get this amazing sense of just this like tidal wave of buildings just stopping and then trees and whatnot. And I love this view. And one night I decided you know what, I'm just sitting in this chair on my own and I'm going to stay here all night. I'm going to wait until dawn. And we'd have been in this other hotel, I won't name it, it wasn't very cool. We got into this one and it was all like, oh yeah, it was incredible. It was like Fantasy Island or something. and um i'm sat there drinking and having a couple of drinks on my own looking out the view and one of the guys started hoovering for the next day and the concierge came home and said oh mr ask would you would you like me to tell him to stop and i'm like no no it's cool get it he's got to do his job get it get on with it and then it was like shall we turn the music down and no it's fine everything's cool just cool so i just sat there and watched the dawn break on um new york and um that was amazing so yeah i've seen some of the roughest gaffes not necessarily some of the worst places i've stayed in some great hotels the last great hotel i stayed in was pretty funny story actually because i think they gave what was liam gallagher's room to me by accident because he recommended this hotel because he'd stayed there before yeah sure sure so he said um he said you've got to stay in this hotel on central park it's amazing it's old school it's and i was like okay and i was doing a gig with him in um central park i saw that gig actually at summer stage i remember it was pouring rain that's right yeah yeah so two days before i check into this hotel i don't think liam's arrived at this point and um the guy said oh mr ashcroft he said i'm pleased to inform you we've been giving you an upgrade and i'm like great fantastic you know not really expecting anything anyway i end up in this room and the corridor that is part of the apartment really it wasn't really a room it was an apartment it was huge was bigger than most people's flats you know in new york most people's apartments just the corridor and i found out it was one of the most expensive pieces of real estate ever to be sold the last and it had a triple aspect view over the zoo in Central Park.

24:28And it had the craziest steam room you've ever seen, the maddest bathroom, blah, blah, blah. Anyway, so, because we haven't really met up on, we've done a few shows, we haven't really met up. And, you know, socialized really at all. We haven't had time. And he was like, he said, do you want to come up to us? Because I've got a balcony. And I was like, mate, I'm not going up anywhere. There's nowhere left to go in this hotel for me. I'm on the top floor. i don't know i think your trainers i think your trainers are still under the bed here and he was like what yeah and um to be fair he added a very very nice room with a huge balcony and um that was very nice but yeah that new york man i know we've gone off on that but it's always worth it because um you know i've recorded in new york i recorded in studios that they are now chung king and i've had some great nights great nights and great concerts and you know good memories really it's funny you brought up the dakota because i over the holidays my friend had a christmas party there and i was really upset i wasn't able to go because i've never been in an apartment there and it's something i feel like you gotta you gotta see if you've especially if you've lived here long enough yeah i think what people underestimate is just the enormousness of some of those things you know what i mean i think yoko and john they bought yeah want you know ones that were parallel to them and etc etc well i think there's those kind of i remember i think it's the odd couple or something like that that the 70s the odd couple if i was going to live in new york i was always wanting to live in one of those huge apartments you know same same i'm still i'm kind of working up to that you know i have some time i hope you know yeah but in reality for most of us we end up being willie lowman in death of a salesman don't we in a in our tiny apartment because yeah it's pretty expensive new york and it only got more and more as time went on and it you know places even when i first went there that were kind of totally undeveloped just suddenly it seemed within the space of five ten years it was like these properties were multi-million dollars you know and they were like yeah no man's land only well they yeah there's there's there's there's nothing left like nothing to develop Yeah, when I first moved here, I just remember people being like, oh, I bought this in my studio at Williamsburg for$100 ,000.

26:49Now it's worth X million. Wow. And it's like there's nowhere to go. And if it is, it's so far out. It's like you might as well be in New Jersey. You don't want that. I don't want to wait 30 years for this to appreciate. I want to live in the place where I like. It doesn't make sense to me. but it's yeah there's not much and i'm sure i mean i'm sure that's true about london too even though london's got the crazy sprawl like i don't you know how far can you go you know before it's like well i'm just living somewhere else at a certain point exactly yeah it happens everywhere and now there's not enough space left for the artist because generally the the cliche is and it's normally true you know when our young artists find places in a place no one else wants to be they build a buzz they build a community then a few coffee shops open and then yeah oh yeah it's over it's like hoxton hoxton over here you know hoxton was like where's where i did the video of a bit of sweet symphony around there and even back then 96 7 it was like it wasn't really happening at that point but it was as an artist hub because the space for studios and etc was cheap but um then it just it becomes this thing and then it's gone but um same with brooklyn you know what i mean you live do you live you live in the countryside now right or do you live in london too yeah i'm a i'm a cliched rock and roller i've i've got the patterned town and um and some makers

28:16Jason Stewart:in the countryside you know i mean i think every every successful british person we know that is what you do right why not it's the best of both worlds if you can get it yeah absolutely how which which house of yours the country or the city is closer to the river cafe the river cafe in london yeah yeah yeah yeah well this one is very close okay well i was just i was just in london and it was the the tube strike and it really fucked up my 48 hours yeah i was just saying that you know i think um a couple of big wembley shows had to get rescheduled with that strike dude it was it it was like pretty impossible like i i was like oh how bad can it be and i was like oh it's really fucking bad it's like really really annoying and even if you have a car traffic is obviously you know quadrupled at that point so it's like it's gonna take forever to get anywhere right it was it was it was brutal we were at we went to the wembley show one of one of yours yeah it was the sunday show i forgot what day but the last two were this weekend yeah that's right yeah how do you how do you feel no i'm um i'm excited it's um it's been a crazy summer really is you know the manchester shows um i think we did five nights there and the the way the place was set up it was like a park it was like when people got there early you know so you add up the amount of people you know it's over a million and a half people you know over the summer just just with those shows and um it's been unique it's in a sense of everything's so damn fractured now and it's one of those rare opportunities where i've said before like there's a sense of leaving whatever your difference is at the door and coming in for this like huge collective cathartic experience you know and you've got the older fans who've lost people along the way you've got their stories you've got the younger fans who never had the opportunity you've got this cross-generational thing that only say you really see with kind of like the stones and people like that and um the younger ones brought a new energy and the band themselves oasis almost surpassed expectations so the whole thing is um it's it's just faultless really and um it's exhilarating i think you know it's it's interesting to to think of i've said before where both bands were in kind of what we call transit vans for transit van in in the uk is like your classic i'm not sure what you call it a corner line or whatever it is yeah yeah yeah yeah your scooby-doo van you know and they supported us before their first album came out and their album took off in the uk and did well in the states and then obviously they released morning glory and we released urban hymns and and now all these years later you know that when the last note of bit symphony fades away it's half an hour before oasis and yet it's the same you know no wrote those songs i wrote my songs the odds of one of us having um any song that was kind of a worldwide hit or an album that sold millions was rare but to have two bands who um kind of mates in a way and it is extraordinary it's all it's almost like history repeating itself because when i first bumped into them we'd already done our first album and um i was trying to like navigate being in a band where we did a lot of jamming and i'd try and like arrange a bit which we try and arrange jams into songs and stuff and And when I first met Noel or I first heard Live Forever, I thought, you know, I'm really going to concentrate on trying to gain some kind of control over this whole writing of songs thing.

32:03I've got to like, I'm going to learn a few more chords myself. I'm going to get really into my acoustic. And that's when I wrote this song called History and a song called On Your Own for an album called A Northern Soul for the Verve. And that was my stepping stone. but it was really through the influence of live forever hearing that one song and meeting the guys playing with them touring with them and i thought yeah because it was such an inspiration and i think this summer's almost like going to be a catalyst for whatever goes on for me in the next few years where you know there's glass ceilings on everything and you you know when you start no one believes you're going to do it no one believes you're going to get a record deal no one believes in it only yourself and then you push through there and you push and you push and then when you reach say god knows how old i am now but i was born in 71 we did the maths september 71 um whatever around this period there is a sort of general consensus that your best days have gone you know as far as songwriting and i always look at people like um johnny cash at the end near the end of his career end of his life he was producing such amazingly like strong authentic material van Morrison continues to push um Neil Young and you know if a John Lennon would have lived you know and he was still around 80 whatever I'm sure the last 10 years we'd still be discussing what John was up to you know what because you want to you want to know what a mind that you admire is feeling and expressing as they go on this journey it's not about just of course with some people yeah that they they hit a wall and they never seem to manage to get past yeah yeah exactly i mean it isn't but it's not just a absolute fact and i think this is in this oasis tour for them and me and i'm sure is kind of like um smashed a few concepts that you get put on yourself about the possibilities you know oh oasis whatever you get america early all right then we'll do two stadiums in new jersey and chicago yeah we could have done a whole plot they could have sold out stadiums all around america for sure you know historically music or a lot of things or a lot of artistic pursuits are are considered sort of a young man's game in a sense that like if it doesn't happen for you in your early 20s it's not going to happen you know um and i think that that's maybe becoming less true or we're giving people more of a license to sort of keep going you know and like allowing allowing for more if it's good if it's good if it's good yeah if it's good we're

34:44Jason Stewart:willing to listen you know you can play the cruise ship if it's less good yeah there's always a way to make money you know i think nowadays there's just there's a we have a real shortage of like just real rock and roll and you were you were mentioning how these shows are cathartic for these people and you know at first glance you wouldn't think a lot of these songs have that cathartic feel it's you you typically you know the ballads and like the more emotional ones but just the catharsis the cathartesis of uh just good rock and roll being played loud yeah and also like it just doesn't doesn't happen that much anymore yeah you don't get to hear guitars i I remember seeing, I think it was the first time Wastes played in an arena and I went to see that.

35:30And they had an old sound guy who was absolutely unbelievable. And you kind of like, it's rare now to hear guitars in an arena or a stadium anyway, you know, with the volume up to a point where all that guitar starts mushing together. And it's almost like, what is this? The Velvet Underground? What are all these mad harmonics going on? What happens? Which happens with guitars? bouncing off of all the walls and back again yeah it takes on another dimension and a lot of the younger audience they they probably you know maybe they've been to see say the foo fighters or whatever but there ain't that many bands really that uh you get to witness hearing just a guitar amp through a pa loud you know it's it's so that's what was so i think that was what's so interesting about that show to us because i mean i i you know i try to go see a lot of things at the largest scale because i think that's when it's sometimes the most interesting and usually the bigger the scale the more shit there is besides the music you know what i mean and this oh i was stunned at the lack of extra shit on that stage like it is it's literally that could have been there there's no light there's no you know what i mean there's no like pomp and circumstance it's literally like

36:45Jason Stewart:these songs are good enough it's a little 12 inch amp with a mic set up going through the biggest sound system in the world that's the thing the crowd the audience the people decide what's an anthem as well so there's a big difference between bands that write for stadiums when they are you know almost like well this section they'll all sing this bit back or yeah you know i bet you were disappointed that you didn't couldn't jump on a peloton and charge the uh liam and noel's electricity to get them home or whatever you know i'm not poking fun at one particular band but it it gets this stuff gets ridiculous you know what i mean it kind of but but what was interesting is you kind of believe like you're led to believe that like shit if you ain't got all the bells and whistles and you haven't got this falling at this point and you know people with the bangles on and that's a great show don't get me wrong like i'm not saying the cold the cold play shows a phenomenal show you know and people are getting quote unquote their money's worth but you almost think that oh shit is everyone gonna have to like uh present their thing like with all this you know is and when you witness that like you guys said you know liam's got no catwalk liam stays in a very i love i love the idea of him having a catwalk though i do like just just the word no but you're right he's he stands in front of the mic and sings the song i know you mean he's not strutting out into the crowd you know and this is what i mean the majority of those songs uh not majority but half of them they were playing on the first tour when they supported the verb in back in the day and they were doing a similar thing and it's the strength of songs that have grown it to a stadium do you know what i mean it's not like yeah it's not like that no knew every single damn thing was gonna oh this is stadium rock this is you know this is gonna it was a song that the audience were saying to the heart and then they give back which then creates this anthemic feeling when i wrote like a song i didn't think when i finished the song the drugs don't work i never thought that i'd be in a stadium and people be singing a song like that along to me it's it's you know in many ways it's not an anthem in many ways it's not at all but the people have made it that you know what i'm saying so it is refreshing that you can just stand there present your tunes and i think like i say the audience gives so much that they are like it is a symbiotic thing that goes on there and without them you know because they give so much it's like you don't need a catwalk and fight like big explosions pyrotechnics because that's going off in the crowd you know what i mean i'm sure that's happening yeah yeah yeah that's that's jason getting hit hit with a cup of piss you know during the encore that's that's the the fireworks kind of crazy i'm on my hands and knees looking for the bag i i've got enough danger and excitement going on exactly but i i mean we we talked about this a lot on the show after after we we saw it but it was it's also i think that america just doesn't have anything that could bring people together in that in that way oh like a mass scale like at least as it sports like maybe the nfl is as close as we get and i don't care about football so i don't really consider that you know it's like a different but that's just america

40:34and baby

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41:30Check responses set up required compatibility and availability varies 18+.

41:36Jason Stewart:At OLLI, we've got wellness down to a science. From PMS to pregnancy to menopause, our women's wellness line offers science-backed support for every stage. no judgment no shame none of the stigma just supplements designed to meet you wherever you're at ollie choose science over shame find support at a retailer near you or on ollie.com that's o-l-l-y dot com i think the thing is as well is we're we're a smaller country um we have a kind of national game for we have our soccer well that's our national game and yeah there's a different vibe with football always has been and i think it's a similar thing where like hip-hop has this sort of thing with um without being cliche but it has like uh it slips into basketball and the culture really really well yeah yeah do you know what i mean there's like a mutual respect among among the players and the fans and also an admiration and the club the whole the whole nine yards you know whereas in the early 90s or the late 80s in america you know you kind of had that thing of like if you were like into your guitar bands or you were alternative whatever you weren't a jock yeah completely separate exactly completely separate whereas here we have that symbiotic thing going on again where the clothes the culture the the vibe yeah it's like intertwined it's intertwined whereas um it's a bit more fragmented and i think obviously we lived through a period where music became so genrefied and separated it was difficult for good stuff to penetrate different audiences because that audience was literally being peppered with what the tastemakers or the programmers of the radio at the time believed that audience should be hearing you know we didn't have like you know even in the uk you know when i was like pretty young i mean i think we took in the national radio station they he said to the radio plugger um the guy brought him a record of mine and he said you will never hear again ashcroft a gallagher song or a alburn's song on this like we're all set on this bro we've done it we're good like we're not playing like like how disco sucks happened in the 70s yeah yeah because i think it was anyone over 13 i take hip-hop as an example you know you've got great new york radio shows they might have some hot kid come up who's 19 20 years old they'll play his record yeah but if they respect the dude in his 40s or early 50s and he's just come up with something interesting that'll be on next yeah yeah so the culture the culture feeds feeds itself from the youth from the greats and it becomes this one narrative whereas like with our culture in a sense of rock and roll rock alternative there isn't the same i wouldn't say respect it's just there isn't that there isn't that central place anymore where people go and hear these things from people of all ages whatnot there's not that kind of yeah i mean i think in the heyday the only thing i mean it was college radio would be like that a little bit you know but otherwise glastonbury maybe yeah i want to i wanted to ask you though because of the there's so many iconic photos of all of you guys playing football who's actually good like who can actually really play and who just looks good in the jersey yeah um i'm not sure actually i mean i i stopped playing for a while and then i went back into playing five a side and um about five ten years ago and i really enjoyed that and i realized i'm better i was better than i was when i was young when i was young that's all i wanted to do is you know when i was very young it was like i'm being footballer it's a cliche but there are those couple of routes into wherever you dreamland and it was generally football and if not music or music if not football whatever so i'd say i'm probably the best player out of any any you're like i'm probably the best player of anyone any musician any musician any non-professional I've got an advantage I've left footed you see you're left footed you're tall you're long and lean you're a bit of a killer did you ever play over at Rod Stewart's house in Beverly Hills?

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46:02no no no that would have been nice to have played at Rod's yeah I mean Rod loves Rod has always obviously been a keen passionate footballer and again actually think about it the faces when you see the old footage of the faces playing live that seems to have tapped into some of that stuff early doors you know what i mean where you know it's quite oasis like the vibe yeah yeah yeah but no no i haven't done that um i did play i played a great charity game um um at celtic there was literally 50 54 000 in there um i didn't play for that long but um it was it was um i got a little bit of time but you know there's a lot of people there so it's fine you know yeah i got a few heavy challenges in and blah blah blah but it was such a great experience because i'm a manchester united fan and i was representing manchester united in this game and um yeah it's incredible experience but looking back i have met a few athletes over the and athletes obviously when they get into the tail end of their careers they look at musicians and artists who can carry on and there is such a absolute they're like it's all right for you you know i've literally met rugby players um who've said that we were coming to the end of the career and they're like you can just carry on man yeah you know i've i've been getting this mental in rush every week for like 15 20 years and then it just bang it's gone we lost a great boxer actually in the uk a couple of weeks go ricky hatton and um he died and he was troubled with that with a lot of depression after his couple of he had two defeats uh in america and literally 20 30 000 fans came over to watch his fights in vegas and he felt what kicked to this depression on was this feeling of letting people down and yeah i think those guys they they don't get enough i don't know what it is help or after care after their careers because it must be so it's like it's like me doing these shows with the waces play to one and a half million people and then just someone say okay sorry mate that's that we're done here yeah yeah yeah well maybe there's you could do a thing where you and all

48:22Jason Stewart:the guys who are successful musicians still you can adopt a wayne rooney let him hang out with you for the weekend yeah you know not to make a wish you know but just you know give him a little taste that's a great concept mate you want to write that one down you keep that one copyright that's well i mean in the in the in america there's a lot especially with the rise of like sports documentaries on tv about how athletes are just you start so young you make so much money there's it's only downhill from there basically like there's no like you're broke by the time you're 30 if you do it wrong and then you have all these injuries it's just it's not really you're right it's just not sustainable yeah yeah it's it's yeah i mean it is tough in the sense of i kind of thought that when um when i first ever the house i got in the countryside the the publishing company knew they were going to get a load of money and so they kind of lent me and i bought it i just thought you know i'll try my best not to mug myself off and the reason why i haven't lost everything is probably because i've been married for you know 30 years i've had you know my wife used to have to lend me money for cigarettes type thing and um so we've seen it we've seen it all i was gonna ask you i was gonna ask you about that being married for 30 years in your business is impressive if you have any insight to impart on a couple of young bucks we would be very i'd love to hear i'd love to hear it i'd love to hear any tips that you might have yeah you just gotta find a cool chick man that's all it is yeah yeah that's the priority number one obviously you if you find find the right person you're lucky enough to find someone who will put up with you for that amount of time and you know grow with you um my thing was with my wife as well after a few years of being married um I was solo at that point and my wife was in a band prior to our marriage and so she was with me playing keyboards as well and we traveled together and when we had kids they came away and then I took a few years off um I think that's it really is is my game you have to make some difficult choices really of in a sense of I could probably be you know much more elevated and quote-unquote successful as a musician if but would I be married you know would we be living together my kids are grown up but they're still here now they're downstairs as we speak you know they're doing their thing but we're still together you know and i think um that was through not just every now and again going all right folks i'm off for this month yeah yeah yeah yeah sorry about that and and we don't recognize each other when we get back things have gone down i don't relate to it that's generally the thing that happens in in in my industry i can't speak for others but it's really that whole thing of just being separate too much and and being getting a bit greedy with your yourself your ego your your necessity to push your thing to its you know whereas with god's grace i can still do it now and now they're kind of grown up so i'll probably be doing stuff over the next five years six seven you know who knows that i would have been doing then you know because now it's not a case of with me and my wife want to go i want to go on tour i want to do this other than the dogs the kids can look after themselves you just got to find someone luckily we found someone to help with our dogs and whatnot so the responsibility isn't quite as intense yeah it's heavy yeah yeah yeah so i think yeah again going back to it's just i was lucky to meet a truly fine woman and um and like i said we kind of made an effort not to drift into i'm just pissing off for six months you know what i mean yeah i mean I mean, that is part of the job to some extent.

52:12But if you can figure out a way to sort of make it work.

52:15Jason Stewart:Also, your wife was in Spiritualized, yeah? Yeah, that's right, yeah. So let's not bury the lead. She was in a cooler band than you guys, you know what I mean? Yeah, yeah. I mean, that goes without saying. She's always been cooler than me anyway, do you know what I mean, in a sense? Which is the craziest thing to think of, you being known as one of the cooler people alive. yeah it's a funny word as well though isn't it i think it's like um it's more like a grace it's more like uh i'm the idiot who became the lead singer you know i'm the one with the i was the one doing the interviews i was the mouthpiece of the band i'm the one you know so there's a certain amount of what would you say um it's not necessarily a persona but you do need to have some other element yeah totally yeah totally if you're gonna do that or and do it successfully but if you've got that then you're not as cool as the you know it's cool as the keyboard player you know what i mean sure you're not sure the person who sat quietly on the you know i learned a lot from her in that respect you don't always have to be filling in the void you know what i mean you don't always have to be the loudest dude in the room you know i'm saying that's the that's the advice i need to hear so thank you that's actually that's that it's that's close to home for me personally yeah same same yeah well you guys do a podcast you're always voids are an anathema to you guys silence is not what you it's true that's true that's true yeah we could all bring it down a couple notches though you know oh always i wanted to talk about leather jackets a little bit too i feel like you're a connoisseur of the format and what is what do you look for What would you say is your number one leather jacket of all time?

54:00You know, if you had to choose one. And do you still have it? Do you have an archive? Do you have a lot of the stuff from over the years? Well, I still got my one that I wore on Bittersweet Symphony, but I'm very surprised I wore it because I'm not necessarily a collar. It's got a collar on it. It's got like a thing. You want that. You want like that collar. You want like the motorcycle. i like it more like this like the german maui type yeah yeah around i don't this one has like on bittersweet and i look at it every time and i think why did i wear that one you know what i mean i'm i was happy with the boot cut corduroy happy with the uh and i made them put the wallabies on i said you want to start this whole video with my clark's wallabies yeah and they were like what are you talking about i'm like no just understand me just just do it yeah i mean front of the album i i was on holiday before we did the album shoot uh in me yorker and there was these knockoff clark's wallablies called dingoes so i thought oh these are cool i'm gonna buy these dingoes and i wore the dingoes on the front of the album sleeve and clarks thought that they were clarks so clarks were giving my family a credit they were like oh whatever you want and i didn't want to i didn't want to break it to them that they were dingoes some rip off okay you know no just let him let him go let him go this one this has been my this has been my summer purchase for the oasis tour this one's by uh celine okay okay and this one's real nice and i got another one for these wembley shows i thought you know i went for a period of um i went a bit crazy when i did have the opportunity to start buying decent clothes you know what i mean and then you may have overspent a little bit you went a little crazy a little bit and then recently last 10 years i've just you know it was a period where i would be i wouldn't really look at what had gone on until i i didn't want to know sure i might have half glanced in the hotel room you know really bloody hell but it was a period over the last 10 years where there's a big department store in a called selfridges and um of course the greatest department store in the world yeah i'd for the first time i was starting to really look at the labels on these like on a cashmere cardigan i'm thinking i'm gone i could buy a car i could buy a car with it all right so you're saying in the last 10 years you started to look at price tags on clothing i'm glad this grows yeah yeah just just just kind of like out of really do i do i really want that because ultimately i'm a mix of if the t-shirt feels nice in the stand and the other i don't care about i got it from the supermarket do you know what i mean if it's a cold white t nice black t-shirt i don't need it to be a label but what i realized is over the years when i did buy good pieces nice quality things that were well made that even though i'm terrible at looking after things some of these things are i can put a jacket on that i bought 25 years ago and it's still like wow you know this this thing's incredible like so for certain things like you say the jackets and whatnot if you've got the opportunity yeah why not and um i bought a real wife got me one for my birthday actually is insane because i've always wanted um a really nice hooded black with a with a hood you know and this one is absolutely insane it's like this is the softest damn thing i've ever felt in my life that's that's nice that's easy to shop for christmas and birthdays for you know what i mean there's kind of a couple zones for you that we know yeah it's become a bit of a thing though me in jackets and coats a bit like i know it has with liam but it's become like along with sunglasses i've kind of like forget elton john i swear to god i've bought more than he's ever had but you're you're are you aviators only no not not only no i mean these what are these ones i don't know yeah these are tom four big huge like that when i think when i think of you and sunglasses that that's what i that's what i think of yeah i do like them i basically in about when i was doing a few front covers in um in the 90s um it was gucci actually they they created these and i actually spoke to a guy from gucci of x amount of years ago and i'm saying do you know one thing you guys in your relentless need to create a new a new season's clothes yeah you forget that over the years you've made something classic and that's quite rare so you could only buy these aviators for one year one season even yeah yeah yeah my wife still she'd made she changed uh them into sort of glasses glasses she got them changed and the the frames were absolutely incredible and um yeah they were the ones they were the number ones i did the front cover there's a magazine called the face in the uk back in the day the face of course they did a retrospective from a month or two back in london on all the front covers and i looked at it and i'm the only one who's wearing sunglasses on the front of the face not a single because it was a huge thing if you went to do a front cover of a magazine and the photographer's popping away and you keep your shades on at first they would say it straight away but the more and more so it became this the glasses thing is you know obviously i don't think i'm like don johnson in miami vice and i understand that thing oh he's got shades on on the inside no it becomes this kind of battle of wills as in a sense of it's a bit like anna winter i'm sure people still said to her can you take glasses off the shot and she says no would you ask roy orbison would you ask whoever it became this battle of work and it me doing most of my stuff and stuff with shades on because i thought it's a real simple way of making something iconic but it takes time you've got to be in it for the long game you know what i mean you're not going to pull it off you got over sunglasses and pictures for 20

1:00:05Jason Stewart:years and people really start to exactly there there are certain people where you can tell them you were like i can tell that person to take these glasses off for the shoot and then there's some people were no photographer in the world's going to touch it i've chris likes to wear sunglasses and sometimes he'll get the call from upstairs that you know i got the cop gotten the call from upstairs a few times i feel like i have a i feel like i have an issue of days from that era the you're on the cover of it's like a black and white picture and you're not wearing sunglasses that's true that's true that's just pre the the trend the transition into sunglasses in oh this is okay so you're saying there's okay this is i'm looking i'm looking at the face cover right now uh it is september 97 yeah featuring hansen cool keith lammy patricia patricia arquette portesad and the verve and you're looking good the gucci frames yeah i went to the face i went to that face retro retrospective and it was all right cool that magazine like you could get that obviously when i was like in high school you could get it at barnes and noble or one of like the big bookstores so it was like pretty available but seeing it all in one place like that was was very cool i think they did a really good job especially with like the sort of music like sound design element i wasn't expecting that part of it oh i was listening to the new record uh this morning and you had a lyric that i wanted to ask you about uh the cave is where i need to be i wanted to know if you could describe this cave if and if you have a literal cave at home and if you're in right now maybe yeah um yeah i mean it's a multi-level thing i think i got really inspired years ago by this there's a great book on saint francis of assisi's life and it was quite mind blowing to me i had no real understanding of his youth and you know he was kind of obsessed with the knights they'd see passing through town and wanted to be a knight and he was a bit of a jack the lad you know and um when he started in um in sackcloth in this uh um donkey shed sort of pigsty next to it and what was remarkable about him it was that it's even his first sort of followers where some of them were like some of the richest people in the area landowners that just sold everything and just put on the sackcloth and would sleep in in a circle in this thing and And the book then went on to talk about how he would go off into the hills and go into the cave and find that time to meditate.

1:02:39And he was obsessed with the – St. Francis was obsessed, they say, with the crucifixion. That was his main obsession that he – and he's the first reported stigmata ever. And they were actually embarrassed of it at the time. And Claire was another girl. She formed the poor Claire. She was like a childhood friend. she stitched him these slippers to cover the wounds and etc but it was this idea of that mythical cave that stimulated something where caves are involved in a lot of like a revelation do you know what i mean uh for people they are places of contemplation it's just a place in my mind it's it's it's like um it's not a physical cave it's just a retreat within myself from the madness because like some of the album touches on this kind of thing of there's one heavy news and it's like it's kind of a conversation between two people where one of them is literally drowning in drowning in the doom and drowning in the kind of current news cycle that just seems to offer nothing other than you know at the moment as a as a society you know if it isn't the endless wars it's it's being told that oh sorry folks there's going to be x amount a million people unemployed in about 18 months don't worry about it hey you know ai is going to be fine you know we'll we'll find find something for you to do don't worry etc and i think you know there's a point where people just get overloaded with information and most of it's negative so the cave is my mythical place like I haven't really got a cave.

1:04:19I did have a little bit of woods with a stream that is really beautiful, little thing, but it has this stream running through it. And, you know, I used to walk down there and there's a very ancient yew tree in there, in the wood with these incredible roots. And I'd sit there and just try and find a moment where you just clear it all out of your mind. And that's the same for like creativity and writing. There's a point where you've got to clear it out of your mind, clear it all out, and then wait for, like I say, the revelation, the revelatory moments. They're the moments that can sustain you for years and years and years is when you have these moments of self-realization and revelation at the same time.

1:05:05So I think really that cave thing came from the St. Francis story and also a lot of other religious figures have found that cave, but it's more like a mythical cave it's a a cave within myself do you know what i mean yeah do you do you write i love it right on guitar or piano or both um yeah both um more guitar really because i'm just not very i play very claw like on the piano but um you know and like samples as well so i'll sample loops yeah and then do that kind of thing but um essentially having finished loving you and making it as quite eclectic as i can i think the next set of albums will be i'm going to go right back to the very true basics there's a couple of songs on this album that are you know recorded in my lounge you know they a friend of mine did a little bit more work in san francisco on some of them but they are very stripped down you know and i there's a great album by uh primal scream screamer delica back in the day and screamer delica was such a record that it you could have tracks on it that were just out there produced by the orb or andy weatherall and then you could have like a stonesy ballad next you know and i really like that when something opens up the possibilities for yourself and for the listener and for people going forward is like the mixture of sounds going right from an acoustic a vocal hardly anything a bit of piano know to a joan armor trading sample with synthesizer and not much else it was the culmination because of the covid madness and whatnot i kind of got put back so my original intention four or five years ago was to potentially do an album that was nearly all samples but covid came along but also just the the actual reality of trying to do 10 songs that come from samples now not only financially but just every other way oh yeah the bureaucracy the red tape the clearance of the clearance is generally fine with you can come to that deal but record companies now want like a fixed fee as well for you using it so if every one of them wanted 20 30 000 we're into 300 000 how's that gonna work

1:07:23Jason Stewart:yeah yeah and you already have some sample clearing trauma yourself right yeah it's true we know that absolutely yeah so i'm very tender subject for you yeah yeah i'm very mindful to get my affairs in order um early doors once bitten twice shy that's good advice for everybody yeah good advice for any musician yeah because it also it um what it does though it stifles creativity and it stops so you could be taking a piece of music that is probably maybe almost a zombie track on spotify you know it's dormant yeah generations of people haven't heard it and you're about to spice it up you're about to re-energize it give it a second life yeah yeah and yet they don't see that i don't see why you should i think you obviously you've got to come to your deal with the original writers whoever owns that after that the idea that you would then pay another 20 30 000 for the right to use it is madness because ultimately someone like me i just go you know what i've got loads of songs i wrote on my acoustic guitar man i don't need to sample anyone yeah it's you know financially i don't need to be going into 50 50 deals with someone yeah i really love that loop of jones loop and jones a great person and a great artist and she likes what i've done with it and then for me that's happy days it's like i'm using a moment of one of your most iconic songs etc etc we're all happy but when a record company then says okay you've sorted the publishing out we want we want something and it's like i'm gonna give you something if you allow me to finish this damn thing the people hear it and they go oh what's the original of that all right thank you so yeah it's it's it's quite uh it's bullshit yeah that sampling thing could die out because of this and definitely oh i definitely definitely it has to i mean i had that same reason why they don't film anything in a in los angeles anymore they just they put too many fees and restrictions and got too greedy and like you said hey i know this is a great drum loop that i found on this old record from the 70s yeah i could also pay my guy 500 and have him play it for me add some dust and crackles and we're there and now you guys don't you guys get jack shit throw some crackles on that shit i'm saving 30 grand we're gonna throw some crackles on it bro you're so right there man and also i think like now i'm left thinking well you know i gave it a good shot you know i've got a song this song called music is power and that was um that was a curtis mayfield sample and um that was all cool back then it was just do the deal with the publishing and away we go um but maybe this will be it now because you know if that's the way this is going then i'm happy i'm happy because to me it was just a artistic experiment you know what i mean of course you know joan deserves her cut of whatever and um i'm also not a fool like you said i mean don't they understand that that that's what people have been doing for the last 20 something years it's like nah let's not bother getting the sample just get the dude in and play it you know i know people who do that in la i know people on the daily get these songs they get given a piece of 70s soul or whatever and they're and and then it's like right make it because i ain't doing the sample but we're gonna try our best now the thing is is about that the only problem with that is is there's something in those old records that you can't create of course do you know what i mean so no for sure oh for sure yeah there's a yeah there's a je ne sais quoi that you cannot replicate no matter how hard you try that's for sure that's what happened with bittersweet that you know people who don't understand the song and there's a guy who's got like three million views kind of put a video recently about bittersweet symphony and he's still getting things wrong he's still getting although he's delved into it on quite a level but he's still getting things wrong and the comments underneath that i read a few of them they're still getting it wrong it's like look guys the iconic riff that starts the song is not the sample the sample kicks in when the drums kick in yeah sure the sample is a 60 sounding string loop with a bit of conga.

1:11:45There is a tubular bell in there, something like that. But people think that without even looking into it, well, the sample must be the iconic intro. It must be the part that everybody knows. Yeah, that's a good point. Surely you didn't play this. The irony of that, that the world was drawn into the song before the sample even hit.

1:12:11Jason Stewart:And you told that to the judge and they still said no. Well, I think I'm a few years away from having complete and utter X amount of years at some point. At the moment, it was the Stones being gracious and signing over their share of the song to me. Yeah, yeah. And having seen a few of those checks over the last two years. That's why you got that new Celine leather jacket on. Yeah, I'm sure. Yeah. Thanks, guys. but I mean God knows what they were getting when we were selling millions I see what you're saying now you're like I see why I see why you guys held on to this for as long as you did absolutely absolutely but we've all been we kind of like the beauty of it is the Stones have been screwed big time over the years and I've got more of a deeper understanding on that now and also they really didn't have to do it you know this conversation really started around me doing a acoustic version of it and look the sample ain't going to be in it oh it's kind of going to prove that there's a yeah the core is there a song within it without your andrew lou goldman and then they just decided or you know mick and keep just decided together no we'll take look take it did you have a relationship with them at all i mean you knew them socially uh i just oh i know i only met them once when i played i played a couple of shows of them yeah okay you know i think i think that helped because i think leading up to the shows people were like you know there was the odd muttering of richard's not going to say anything on stage is he yeah the muttering of your management being like richard please not tonight not tonight this isn't the time so there was a couple of things was like um maybe not mention that and also when i got on the stage there's this white line at the beginning of the catwalk and it was like don't go over the white line that's not your your space don't go over the white line is something that's been said in the rolling stones camp many times yeah yeah i'm sure i'm sure and there's definitely a little piece of tape on your volume slider on your part of the mixing board too do not cross this line we're not we're we ain't cranking him up the stones just sounded louder i don't know what it was yeah yeah but when you played with oasis you guys were very loud as well there was i had no feeling where i thought that they were they're cutting your volume no that's a good point man and that's a rare thing you know and i think that that shows the confidence in themselves you know what i mean and i respect that when you when you've got confidence in your songs it's your crowd for god's sake yeah you don't need to handicap me anymore for god's sake yeah i already yeah look i've got i've got bitter i've got bitter sweet symphony the drugs don't work you guys have a few more i you don't need to handicap i'm fighting for my life up here man yeah for my life oh god that's what it was like it's like it's like being it was like being bludgeoned you know what i mean so i i had obviously a limited set time anyway and uh when i got to see the full show like first night and then a few nights later i was out of the front watching it i'm like i said tonight it's like being literally bludgeoned i said that it could inspire me or retire me it was one of them things is like wow this is like one after the other song after song after song it was um amazing because I'm like, I come from that kind of competitive sort of streak.

1:15:47So Noel induced that a bit in me as a songwriter when I was younger. Oasis doing everything first sort of was like, right. You know, I said to some guy today, I said, you know, it wasn't Noel's house I was most impressed with. It was just how many beers he had in his fridge. His fridge was huge. And when he opened it, there was like about 55 cans of beer in there. And I'm like, wow. I'm still at the plastic bag four or five from the office kind of guy. That's the parallel. His beer fridge is like songs. He has a lot of them is what you're saying. That's what he did to me. Wembley, he just opened that song fridge and I just drowned.

1:16:29It was like a tsunami of melody.

1:16:33Jason Stewart:Oh, God. You guys both had great sets. Every song was a hit. There was no stinkers, no I'm gonna go get a beer songs they just happen to have a few more than you guys I guess that's all it's okay yeah everybody wins from an audience perspective it was beautiful alright Richard thank you for joining us it was a pleasure great to talk to you guys I've been listening to your music since I was in high school so I'm glad to see you thriving out here still it does give us all hope as we age thank you guys I really appreciate it good to talk to you

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From the publisher

Richard Ashcroft is a singer-songwriter, known for his work with the band The Verve. He's currently on tour opening for Oasis, and his groovy new record, Lovin' You, is out soon. We chat about Kimmel's apology, Richard's love of New York City, accidentally getting Liam's hotel room on tour, when Oasis opened for them, what makes an anthem, Manchester United, touring with kids, he'll wear a supermarket t-shirt with the Celine leather jacket, how to say "no" when they tell you to take off your shades, and the current state of sample clearing.

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