961. - Matt Spicer

24 Jun 2026 · 1 h 12 min · 33 chapters

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In short

The hosts and guest Matt Spicer (director) chat about film/physical media collecting (Criterion and boutique Blu-ray labels), directing as a managerial job, music and soundtrack licensing, influencer culture’s early timing, and the practicalities of making movies (budgets, schedules, stress/weight, and upcoming fatherhood). They also riff on pop-culture criticism (Anthony Fantano vs. Halsey), Olivia Rodrigo’s festival and stencil-shirt hype, and Cannes/Cannes Lion branding culture.

Guest background

Matt Spicer is a director known for Ingrid Goes West. He directed Little Brother, starring John Cena and Eric Andre.

Key claims

Directing is mostly meetings, budgeting, and managing personalities rather than “Kubrick-style” pure vision. Physical media quality (120-inch/projector setups) changes viewing. Music licensing can block song use (Ingrid Goes West was denied for a Donnie & Joe Emerson track due to alcohol in a scene). Ingrid Goes West was ahead of its time about influencer culture and gained a longer life over years.

Notable examples

Donnie & Joe Emerson’s “Baby” (song licensing denied); Ingrid Goes West soundtrack licensing and Sundance festival rights; boutique labels like Radiance, Arrow Video, Vinegar Syndrome; “creator/founder” word debate; Netflix screener convenience.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Weather and New York City Vibes

0:06 to 0:28

Discussion about the weather in NYC and its effects on life.

“We don't really talk about, you know, a lot of international global news items and climates and cultures and sports and things like that.”

Weather and New York City Vibes

0:29 to 1:14

Discussion about the weather in NYC and its effects on life.

“We're too outside, the nutcrackers are flowing.”

Summer School Memories

1:15 to 2:36

Hosts share their experiences and memories of summer school.

“Jason, unfortunately, I think those stains could be permanent, but we'll see what he can do with his power, capital H.”

Halsey and Anthony Fantano Controversy

2:37 to 4:17

The hosts discuss the recent drama involving Halsey and music critic Anthony Fantano.

“I don't want to set up a competition or anything.”

The Impact of Music Criticism

4:18 to 6:04

Exploration of how artists and critics interact and influence each other.

“I mean, I'm sure all of Halsey's points, whether you like him or not, are technically correct.”

Olivia Rodrigo's Festival Announcement

6:05 to 10:40

Discussion on Olivia Rodrigo's festival and her fashion choices.

“he should have changed it to Fanetto just because Fantano, I don't like saying it, it's not fun to say out loud, rolls off the tongue poorly.”

Cannes Lion and Branding

10:41 to 11:44

Hosts discuss the Cannes Lion festival and the intersection of branding and creativity.

“I think it's always been known that Cannes was for hot people and Cannes Lion is for ugly people.”

Cannes Lion and Branding

13:30 to 14:43

Hosts discuss the Cannes Lion festival and the intersection of branding and creativity.

“I use TaskRabbit a lot because I can't do anything.”

Movie Theater in the Backyard

15:41 to 18:27

Matt discusses his home movie theater setup created during COVID.

“I don't think about other people coming in here.”

Directing vs. Writing

18:28 to 20:36

Matt shares insights on the differences between directing and screenwriting.

“I mean, I know it was crowd fave, but I don't know if it's necessarily.”
Show all 33 chapters

Life on Set

20:37 to 23:48

Discussion about the challenges and experiences of being on a film set.

“used to mean a thing back in the day when we were kids coming up.”

Balancing Work and Life

23:49 to 27:32

Matt talks about the struggles of maintaining health while making a movie.

“And now we're about to have a kid in a month.”

Integrating Interests into Film

27:33 to 28:00

Exploration of how personal interests can influence filmmaking.

“So, you know, the soundtrack, music, that's a lot.”

The Denial of Music Rights

28:00 to 29:24

Discover the challenges filmmakers face when seeking music rights for scenes.

“From the 70s, their late 70s work, largely unknown until it was rediscovered by a new generation of fans in the 21st century.”

Influencer Culture in Film

29:24 to 31:34

Explore how the themes of influencer culture in 'Ingrid Goes West' resonate today.

“So we wanted to use one of their songs in Ingrid Goes West, and we got denied because there was drinking in the scene.”

The Evolution of Creator Terminology

31:34 to 34:11

Analyze the changing meanings of terms like 'creator' and 'founder' in today's society.

“But I think I really do think like influencer culture and that obsession, like I think it was peaking in some ways.”

Streaming Services and Viewing Habits

34:11 to 36:25

Discuss the convenience of streaming services and their impact on viewing experiences.

“And I think that's the issue with the word.”

The Rise of Boutique Blu-ray Distributors

36:25 to 39:24

Learn about the niche market of boutique Blu-ray labels and their unique offerings.

“If we stuck you in rocket money, how bad do you think your subs are looking right now with all this content?”

Collectability and Physical Media

39:24 to 42:00

Understand the resurgence of interest in physical media among younger generations.

“There's a poster to put up in your goon cave.”

Collectibility in Media

42:00 to 43:50

Discussing the trend of collecting physical media and its resurgence.

“I'm like, how badly do I need this$600 Kubrick, you know, 4K box set that's coming out?”

Collectibility in Media

45:18 to 46:36

Discussing the trend of collecting physical media and its resurgence.

“But for others, juggling all that summer fun can be tough.”

Spending Habits and Hobbies

46:36 to 49:50

Exploring personal spending limits and hobbies that cost money.

“She did actually, there was, I think it was, I don't think it was last year, it was maybe two years ago.”

Living in Chicago

49:50 to 51:06

Discussing the experience of living in Chicago and its culture.

“I was flying to Chicago for that whole time.”

Chicago's Summer Vibes

51:06 to 53:02

Delving into summer experiences and perceptions of Chicago's beaches.

“Is that a word that existed before five seconds ago?”

Insights on Merchandise in Media

53:02 to 56:00

Analyzing the portrayal of merchandise in film and popular media.

“You know, have a little edible, put a little iced coffee in the hand.”

Authenticity in Filmmaking

56:00 to 56:56

Explore the importance of using real social media interfaces in film.

The Challenge of Modern Comedy

56:56 to 58:28

Discuss the difficulties and evolution of comedy in contemporary films.

Testing and Audience Feedback

58:28 to 1:02:18

Learn about the process of testing films and responding to audience reactions.

“but then when it works, it really works.”

The State of Film Production

1:02:18 to 1:06:12

Analyze the current landscape of film production and its impact on creativity.

Character Development in Film

1:06:12 to 1:10:01

Examine the representation of characters and their backstories in modern cinema.

“I think straight guys can play gay guys now again.”

Rescuing Dogs and Their Cultural Implications

1:10:01 to 1:11:38

Discussion on the cultural phenomenon of dog rescue and its societal implications.

The Challenge of Dogs in Public Spaces

1:11:39 to 1:13:24

Exploration of the challenges posed by bringing dogs into public settings like restaurants.

“Unfortunately, I've been getting a lot of cute dogs on my reels lately.”

Guest Introduction and Closing Remarks

1:13:25 to 1:14:29

Final thoughts from the guest, announcements, and sign-off.

“I want that dog to be able to disarm an intruder.”
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Transcript

Automatic transcript. May contain errors.

0:00All right, this episode of How Long Gone is brought to you by Stateside with Kai and Carter, a new podcast from The Guardian. And they are using this podcast to slow down the news and wrestle with the questions that we all have about what's happening in the world. And they do it three times a week. Jason, does that sound familiar to you?

0:13Jason Stewart:We don't really talk about, you know, a lot of international global news items and climates and cultures and sports and things like that. We do talk about fashion and wellness, but for everything else, Kai and Carter are a great place. All right, so who couldn't use more news? Listen wherever you get your podcasts or watch on YouTube.

0:49how long gone uh finally god is pissing upon new york city it's been a rough couple days jason but i think it's his way of saying you guys got to calm down there's kind of been too much action the Big Apple, them jeans was in town, the World Cup, you know, the Knicks. Too outside, we outside. We're too outside, the nutcrackers are flowing. Thank God that we've been kind of, you know, stuck in our houses for at least 24 hours. I think we need it.

1:14Jason Stewart:I didn't know that. Okay, so washing the streets clean of the Knickerbocker filth is what you're hoping for. Jason, unfortunately, I think those stains could be permanent, but we'll see what he can do with his power, capital H. With his power. Yeah, it's nice over here in LA. Going to be a high of 84. Just went for a little dog walk. Passed all the summer school students off to their summer school class. Dumbass. I would say it's kind of the opposite. I mean, losers in terms of the future of their life and adulthood. But back then, the coolest kids were the ones who would have to go to summer school.

1:54Jason Stewart:The slackers, the sluts. hey hey hey hey hey hey hey hey we're never gonna we're never gonna talk badly about sluts on how long gone you know that jason come on i was just talking positively about sluts i was just saying sluts are so awesome so busy doing great cultural work that they don't yeah they don't have time for whatever they're teaching nowadays i did some adam and steve probably i did some summer not in glendale but other places yeah i did some summer school as well i think only one time and of course for math my weakest subject um that's why i only know how to count in increments of 20 if you know what i'm saying uh wow okay i think i um i feel like i was so more like fives i was so asked that i think i was taking elective classes in summer school i think i took typing in summer school and i which is not a required well to be credit you know to be fair that's something you use on a daily basis so it's it could be worse you know it could have been something truly truly pointless My WPM is probably shitting on yours, not to be a breaker.

2:54Jason Stewart:I don't know about that. I don't know about that. I don't want to set up a competition or anything. Okay. My WPM is better than yours. No, it rivals. It's not shitting yours. It rivals. Rivals? So like one day I'll catch up to you? No, no, no. I'm saying that I think we're neck and neck. I think it's the last couple laps of the NASCAR track, and it could be a photo finish for us. It's anyone's game. Okay. It's anyone's game. How often do you practice blind typing? Bro, I've been blind typing since I was 13 years old, bitch. I've been wearing glasses since I was fifth grade. I mean, blind typing I can do now.

3:28I mean, blind typing at its height for me was on the BlackBerry, unfortunately, which is not going to be something we're going to be able to test, you know, use this in the competition.

3:36Jason Stewart:Yeah. And also, I don't know, BlackBerry counts. It was almost like cheating with typing. It was, that's when mankind reached peak ergonometry. That's true. Actually, that's true. There's a lot going on. I got to pray for Halsey. our queen is upset again our queen the most this is the most ever we've talked to i don't think we've ever talked about anthony fantano before on this podcast until the last two episodes because of his oliver arderigo stuff and now him going toe-to-toe with halsey and she's crashing the f out on on the timeline i think i saw somebody else shitting on on the fantano man as well but it's a it's a pile on i guess these things happen every every year or so but i mean i i see both sides.

4:19Jason Stewart:I mean, I'm sure all of Halsey's points, whether you like him or not, are technically correct. No, no, he's not a 4chan. He's not a 4chan. We can't prove that. I mean, he looks very 4chan. A lot of people look like things, Jason. You know what I mean? What about him is not 4chan? What about him is throwing you off the scent of his 4chan? I just think he's a different kind of weirdo. Like, I just think that's not his flavor of behavior, personally. Do you think you're qualified to speak on 4chan Matters? Oh, you're definitely more qualified, but luckily on this podcast, we both get to say what we want.

4:58That's the beauty of this. But I think that, I think that, I just think that every artist knows that you cannot, it's just, it's a fool's errand to go against a critic. It's just, it's never going to end well for anybody. You're going to look butthurt, whether they're right, wrong, or indifferent, everybody loses. And to be fair, it's probably just getting Tony more eyeballs is the reality.

5:21Jason Stewart:Yeah, but is Halsey, quote-unquote, arguing with fools? Or are we calling Big Tony, the Ant-Man, a fool? He seems to be a pretty like... Oh, I'm not saying he's a fool. I'm saying the audience is fools. The audience are fools. Like I'm saying, this is the kind of thing where people who like him will agree with him and people who like her will agree with her and there's going to be no minds changed. You know what I mean? No sway will be swayed. Yeah, that's my issue with it. It's just like, who does this help besides him, really, at the end of the day? You know what I mean? People that didn't know his name now know his name.

6:00I don't know if they're converting, but regardless, awareness is awareness.

6:03Jason Stewart:Yeah, and early in his career, he should have changed it to Fanetto just because Fantano, I don't like saying it, it's not fun to say out loud, rolls off the tongue poorly. Yeah, my tongue is... And Finetto, great song from One Chief Keef. That's the number one song in our household if it's up to not me. Is it? Does that mean it's time to do all the laundry? That's Chris's motivational song? No, it is not. My motivational songs are a little less aggressive, I would say, but upbeat in their own right, I think is a fair way to put it. The musical songs of Don Caballero will get the juices flowing.

6:40Jason Stewart:Don't bring up Don Caballero. Don't get, damn, I might put that on. Damn, you might have just put, I'm going to Atlanta this weekend too. I might get my little vintage bag. You know what I'm saying? Get a little cab, a little nice, open up a nice little 97 cab. Let it breathe for a minute. My 97 cab, I don't decant it. It's actually on CD. So it's a little harder to kind of get it to open up, you know. More Rodrigo news though. Big Shod interviewed her for Pitchfork, but we're talking about the pictures because I have to say that they're pandering to me in the t-shirt department. um and and i think that a hyper niche here i like this i mean look mark hundley is is one of my favorites he's a great artist he's represented by canada gallery legend but he um he made those famous stencil smith shirts that you've seen for years and and olivia rodrigo is wearing one of his shirts uh a t-rex version uh in the mag in the in the in the magazine in the zine and i've seen all the olivia rodrigo sites being like they can't find it you know what i mean they're trying to find out what that is and give a price to it and they're they're they're failing they've only looked on brandy melville but he's literally still zero results so still still zero results found but that the latigra shirt i mean it's look we're eating good out here if you have good taste but she announced her festival it's good and i guess the the bummer is the idea these these sort of stenciled shirts the one that she's wearing i was dancing when i was 12 which is a famous lyric um the idea is like here is a stencil it looks like it was made with a stencil i went to a store i bought stencils and i made this and everyone back in the day when you know when this was going on 70s 80s whatever they would say great i'm gonna go to the store and buy stencils and make it and now people are like why i'm gonna wait until it's on timu because yeah i don't have the attention span to stencil my own shirt this one was probably made with obviously we have diy why shorties thriving nowadays, but, you know, by and large.

8:37Most of them are making jewelry that's not selling, but yes, in theory we do have DIY shorties pouring their own candles somewhere in East Williamsburg as we speak. But she announced her festival, which I have to say is, you know, relaunching Lilith Fair, basically. Great programming. It's great. It's A +, and I've seen a lot of arguments.

8:58Jason Stewart:Second only to Golden Voices Just Like Heaven. Of course. August 22nd. August 22nd, Pasadena. I would say that I've seen a lot of interesting conversations now though saying like she has the best taste but I don't like her music you know from adults which I think is like a very measured and cool response to the whole thing. I think that's a fair way to assess the situation if you're not interested in the music. It's fair. It's nicer. But it's a thing that people never used to say before. And I think the problem is more people are exposed to her taste in music than her music. Before, you would have to dig deep to find out what Stevie Nicks' musical taste was or Bikini Kill's musical taste was.

9:47Jason Stewart:you didn't just wake up, sit on the toilet, open your phone, and suddenly she's telling you that Quiet Light and Not For Radio are going to be appearing in Irvine or whatever. You'd have to really work for it. So now you have to work more to listen to the album than to listen to the person talk about the album. No, that's a good point. I mean, my eyes are glued to Can Lion with Spotify announcing all of their new partnerships. So I'm having a hard time paying attention to anything right now, Jason. If I, I mean, you know, if Coach launched a partnership with Spotify and I wasn't invited, this is fucking bullshit, dude.

10:26I can't. Troy Savant's there and I'm not. What the fuck is going on? Is there any justice?

10:31Jason Stewart:Yeah, Troy Savant, your face is too symmetrical and you have ascended too far and you photographed too well to be attending Can Lion. It's a money grab. I think it's always been known that Cannes was for hot people and Cannes Lion is for ugly people. Never the two streams shall cross, but now we're learning that there's more money at Cannes Lion and less money in the film industry, so everyone starts sniffing around. Maybe I'm gonna go see what's over at the Adobe Illustrator tent. See what's popping over there. I'm at the Figma house tonight. They got Zara Larson at Figma house. Emily Sundberg was able to give me the list, so we're fucking turning up tonight, bro.

11:12Jason Stewart:Yeah, but, you know, Zara Larson at the Figma house, at Kappa Gamma Figma house. I saw photos of, you know, bless all of our friends who are out there, but, you know, they brought a lot of tech out to Cannes for Cannes Lion. They shouldn't have brought cameras. We don't need to see what these people look like with a flash after two glasses of N.A. Orange wine. I'd be happy to go. My invite must have gotten lost in the mail, but that's okay. I would also be happy to go. I don't think Can Lion is ready for it. We're not brand safe for Can Lion just quite yet. I don't know, man. There's some guys keeping it real out there about brand marketing in 2026 and how it affects all of us.

11:50Don't get it fucking twisted. They're spitting fire? They're spitting fire. Our guest is here. Matt Spicer is joining us. He's a director. You might know him from Ingrid Goes West, which was a very popular ahead of its time film. And there's a new movie called Little Brother directed by Matt, starring John Cena and enemy of the show Eric Andre. So I'm...

12:11Jason Stewart:I didn't know he was on the show. If he keeps acting... We're going to dig into that. No, Matt's about to get some lashings for letting Andre do his little suit stunt at the fucking premiere, but we'll get into that. Let's give Matt a call. This episode of How Long Gone is brought to you by a new podcast from The Guardian, stateside with Kai and Carter. This is covering a lot of our bases, Jason. It's trying to slow down the news and wrestle with the questions we all have about what's happening in the world. And I know you particularly have quite a lot of questions. A lot of questions, but how often?

12:43Jason Stewart:Because we do this podcast three times a week and that's a sweet spot. How many times do they do? Three times a week. And I have a feeling just based on the platform and these talking points that they're maybe going to be covering different stuff than we do. That's just a guess. The Guardian is not some billionaire-owned platform. They're not afraid to say what they want to say, brother. Yeah, Rupert ain't sniffing around in what journalists Kai Wright and Carter Sherman are up to over there at Stateside. But yeah, listen wherever you get your podcast. You can watch it on YouTube. It's three times a week.

13:14And who couldn't use more news? You know, especially when it's not, you know, from here, let's say. Give it a listen. Give it a listen. Oh, this is huge for me personally. This episode of How I'm Gone is brought to you by TaskRabbit. Oh, baby, let me tell you something. This is not a joke. I use TaskRabbit a lot because I can't do anything. You need some art hung? TaskRabbit. You need something put together, a cabinet. Got to reach that cheese grater on the top shelf. TaskRabbit. Anything you need, TaskRabbit can take care of it for you. And I mean, how it works, TaskRabbit connects you with skilled taskers in your area.

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14:18Jason Stewart:Yeah, throw a little money at the problem. It's not so expensive, and that job that you really don't want to do is something that another person out in the world is very good at doing and would gladly do it in exchange for a little bit of money. So when life happens, your to-do list grows. Get ahead of it now and get$15 off your first task at TaskRabbit.com or grab the TaskRabbit app using promo code HOWLONG. Taskers book up faster, especially for same-day tasks. So book trusted home help today. That is$15 off your first task using promo code HOWLONG with the TaskRabbit app or at TaskRabbit.com.

15:02Jason Stewart:Matt, welcome to the pod. Let's get you crawling out of this hole that we've buried for you okay i want to say you might be the first are you sitting in front of your blu-ray collection right now i am i am a full-on blu-ray criterion collector nerd dude i have to say this is an impressive this is an impressive collection bro that's just the west wall you haven't even seen the rest of the space that's a good that's a good is this do you have a dedicated room for your for your collection this is my i mean this is like my sanctuary this is my office i've got all my posters i got my vinyl like in you know this is this is my spot so you have every taylor swift album in every color and you have all your blu-rays this is fucking this is sick walk me through your your scent story candles incenses things like that burning oils what does it smell like in there or have we not thought about the scent space here no i mean i've got some palo santo in the next room okay a classic yeah classic okay bathroom diptyques uh okay we're keeping it 100 okay and i noticed that you're it appears that your computer screen is the first thing you see when somebody opens that office door.

16:09Jason Stewart:So how... I didn't think too much about... How sanctuary... How sanctuous... I don't think about other people coming in here. Jason, he's beating the gooning allegations by having the screen face the door. So Matt, you're saying you live alone? Do you live alone? Is that how it works? No, this is like an ADU. So this is in the backyard. Okay, follow-up question. You're in the backyard ADU. Does your view sitting at the desk have a window where you can see an intruder coming from the main house into the backyard? You can hear people coming. You hear their feet hit the deck before they get. So you've got enough time to slam the laptop shut before the door flies open.

16:50Jason Stewart:Once you hear your fourth footstep, you know, I can't save you now. No promises. You got time. I don't know how good you are at minimizing windows. That could be, Jason, those buttons are getting smaller and smaller. I think a slam shut's the only way to do it. I think that's what Matt's saying. No, no, no. Slam shut. That's guilty. That's guilty energy right there. I'm more likely to, you're more likely to catch me watching a special feature on one of my criteria on Blu-rays than you probably are pornography back here. But that's just... I honestly, you know what, Matt? Special feature? I don't believe everyone, but I believe you.

17:23And I don't, I don't, I don't, I don't, that's a good and bad thing, I think.

17:27Jason Stewart:I need to use special feature more. I mean, I only watch special feature in the shower at this point. You know, I keep it clean. All right. So with these Blu-rays, because this is fascinating to me because I am not a physical. I buy books. Any other physical media, I think, is like a fool's errand. But are you, obviously, picture quality is in play, but are you, you like the special, you like the extras? Is that what you're telling us? Do you like all the additional? I mean, it's kind of everything. It's like the picture's better, the sound's better. I've got on the other side of this wall, there's a 120-inch screen and a projector.

17:57so it's like the you know the quality is important to me like let's just put it that way and it's it changes honestly it changes the way that you watch stuff yeah seriously and this was really a covid invention this whole this whole backhouse kind of situation was like we couldn't leave the house and i was like i'm making a movie theater and i'm creating i'm i'm you know building out my my physical media collection and we're gonna do it do it right because we can't use the amca list

18:26Jason Stewart:Did Ingrid Go West do that well? Yeah, I didn't. Build a goddamn mini IMAX? I mean, I know it was crowd fave, but I don't know if it's necessarily. You know, I do a lot of stuff. Jason, don't pocket check. He does a lot of stuff. He built a fucking baby IMAX in his backyard as a little COVID project. That's not cheap. I do a lot of commercials. Jason, you ever heard of a sports book? I do a lot of, you know, I do some TV. I write. You know, I do it all. For me, everybody wants to be a director. It doesn't seem like the best job. I don't know. I mean, honestly, it's not. I'm going to assume on this, let's use this new movie as an example, you're making considerably less money than John Cena for doing this, but you're in charge.

19:06Considerably less. Yeah. But he's, the man is a very storied career. He's been doing it for, you know, almost three decades. Oh, no, this is, this is no, this is no, no, no, no. This is not a shot at John.

19:18Jason Stewart:No, John, no deal. If Matt can't do it, you know, we'll find somebody else to knock it out. I've got time. I've got time. Although we're closer in age than I would like to admit. I guess it's just a fact. I think that sometimes being a director to me means being the boss. And sometimes maybe you don't want to be the boss is what I'm getting at. No, I love being the boss. It's the best feeling in the world. No, I mean, I was a screenwriter for like 10 years before I directed Ingrid. And, you know, writers get treated like shit. You get replaced constantly. You get rewritten. The good ones get paid very, very well, and you can make a good living writing movies that never get made.

20:02But there's nothing better. I mean, I made zero dollars directing Ingrid, and it was one of the best experiences of my life. So it wasn't about the money. It was just sort of like, you've got this giant sandbox and all these people that you get to, that are just there, like, awaiting your orders to make your vision come to life. and it's like you get like a little bit of a power trip over it. When it ends, you're kind of like, shit, I got to go back to normal life. You know, this sucks. This sucks. People don't, I can't yell at people and they do what I say anymore. This is trash.

20:30Jason Stewart:I start having a standing weekly dinner with Marty. You know, he's different now. But I mean, the word director and the word editor used to mean a thing back in the day when we were kids coming up. And now it's sort of is a blanket term for everything. and you know i guess on the on the creative director side of things you used to be a creative person and now that you have achieved the highest level creative director now you are a manager of creative people does it feel like you're just a manager of a movie at the end of the day i think that's probably the biggest misconception of like directing because i think people just think that yeah, you're like, you know, you're Stanley Kubrick and you're like, you know, your vision is just being beamed out onto the screen.

21:18And it's really like, it's very mundane, kind of, a lot of meetings, a lot of managing people. And you feel like you're almost like the CEO of the movie in some ways, because you're like, all right, we got a budget, we got to, you know, we got to make sure that we stay on track, we got to stay on schedule, we got to do all these things. And you have to make something artistic and good, ideally, which is that's the hardest part of the job is kind of not sacrificing the quality for let's not forget about all these big personalities you know what I mean yes that's the that to me is the that's the part I think I I that wouldn't bother me very much I think that's like kind of par for the course but that is something you get to avoid in the writer's room when you're on your fucking six bag of gummy worms you know what I mean yeah well honestly even in the writer's room I feel like that's even harder in some ways because writers are like i think they're you know like they could be like texting each other behind your back or kind of snickering or you know what i mean like i think writers kind of can be the harder yeah yeah true ones to manage in a way although i've always wanted to be in a writer's room i've never had the pleasure of doing a doing like a being in a writer's room on like a tv show you know that seems like oh you're so you're usually you're usually siloed out in the adu doing your thing solo dolo well i usually write actually with a writing partner i hate writing alone it's it's like the i tried it one time wow and i was like never again this is terrible you didn't like what you saw in the mirror when those facing the blank page me and my demons in the pad imagine podcasting alone you know it's just much better to do it with a partner you know don't tie it all together with a bow like that man it's too good two of the two of the podcasting two or three of the podcasting greats are solo artists jason i talk about this all the time bill burr uh yeah tim dylan and i mean technically mark maron i mean they all have producers and shit but they're like on the mic alone you know look i respect the mark maron's and the tarantino's and who can just sit in a room and just create these worlds by themselves like i just i've tried it and it's not fun and i don't i don't i don't think i'm good at that i think i'm much better bouncing off of other people's energy which is why part of the reason why i like being on set is like that's all it is is you're yeah yeah people coming up to you with problems or you're reacting to what other people are giving you good or bad and you gotta i don't i don't want to see you on day 29 of a 30-day shoot and sweet greens out of kale i'll tell you that no there's a lot of sad eating situations on sets it's just like huddled in a corner just like literally just shoveling food now do you do you gain do you now when you're all right let's say you're making this movie you putting on weight you losing weight from stress what's the what's the outcome sadly i'm putting on weight i was like i have to say i was in like the best shape of my life going into making this movie and and i had i i moved to new york we shot in in new jersey new york and i moved to tribeca and i was like i got the gym membership i was like i'm gonna do it i'm gonna stick to the schedule and within i i'm not kidding within one week i was like this isn't gonna happen and i just like i just let it rip i was like you know what just who cares i'll just do whatever I need to do to get through it.

24:29And I sadly have not bounced back. And now we're about to have a kid in a month. And I'm like, I don't know if I'm ever going to get back on the horse. Look, Matt, I don't want to get dark here, but you got to lock in, bro. This is your month right now. We got to start new habits. We have to start new habits right now.

24:47Jason Stewart:Yeah, the old Matt, your workout plan was who cares? So now that we're 30 days away, we're going to have to care. You guys help me. I need motivation. What should I do? The problem was you thought you were going to do Chris Black's New York. I'm going to move to Tribeca and join Seven Gyms. And then you're like, oh, yeah. Literally. I forgot I have to make a John Cena film in New Jersey every day. Maybe. And then, you know, maybe I'll Frenchette for dinner again and the fourth glass of white burgundy. And now the 545 trainer, we're getting a cancellation. Yeah, we're getting a cancellation. And the studio is not paying for it.

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25:24They're paying for Cena. They ain't paying for you. 100%. There's no meal plan.

25:27Jason Stewart:You're blown through diaper money. It's funny, Jason, because I'm nearing the end of this Jay McInerney book, See You on the Other Side. And he's such a wine guy, and he really inserts his knowledge into the book in a way that feels like you're learning something. You could tell when an author or writer is very interested in something in their personal lives. It doesn't feel like sometimes you're doing your research, but this feels very... obviously knowing that about him is one thing, but you feel it when you're reading it. Matt, are you able to, what are your interests that you can shoehorn into something?

26:04You know what I mean? Do you have anything that you've been able to work in?

26:06Jason Stewart:Well, first, really quick, I want to know, I think Chris was, sorry to interrupt, Matt, I think Chris was sort of dropping a little bait that maybe he wants us to test his wine knowledge. I think he's picked up. No, no. I said white burgundy, and he's like, actually. No, because I was literally, I read right before I was reading. Because when I read Kitchen Confidential, I was like, damn, this Bordinga knows about food. He keeps going long on oysters. Okay, sorry. Go ahead. Yeah, what could you shoehorn? You can't shoehorn Blu-ray into a movie. That's already a movie. So what are we doing? No, I see myself as kind of a failed musician.

26:40Honestly, he became a filmmaker. I love music growing up.

26:45Jason Stewart:I see both of you guys as failed musicians as well. Cycle completed. I had you know I had the guitar I did the lessons I used to play piano and all that stuff and I just was like I just wasn't naturally gifted at it so I you know I gave up you know because it's you sort of hit this point where you're like I think in life where you're like if I'm not you go to the path of least resistance a little bit right you're like I love movies I actually feel like I have like a little bit of a knack for doing this and I'm gonna go down this path instead of like fighting the uphill battle of trying to be a musician where it just feels like it's not clicking and I could pour, you know, my 10 ,000 hours into this and it's just never going to happen, you know?

27:30And so I think what's great about film is that like, you know, you can combine a lot of different interests in one thing. So, you know, the soundtrack, music, that's a lot. I write to music a lot. I do a playlist for sort of every project, a sort of running Spotify playlist. and um you know really just it's that sort of my inspiration i would say more more than anything

27:53Jason Stewart:do you get to do the thing where you have a little soundtrack budget and then you get to kind of hit up whoever you're built to spill is and say hey we got 7 500 for you for this this flick and then you can be you know i fucking changed your life bro we did the last yeah well sometimes the the musicians say no that you have to show them the movie and then they're like some sometimes or oftentimes all right who told you who told you no straight up though let's get uh sometimes i would say most people are happy to have the the money any income coming in whatsoever there's i'm blanking on their name they're these two brothers who's they they put on an album it was like came out years later on light in the attic chris maybe you know about it it's like the cover is like blue and it's got these two guys are in like white jumpsuits and they're back to back playing guitar and they're brothers do you know this album that i'm talking about no look this up they had a song called baby that i think went really yeah donnie and joe emerson actually donnie and joe emerson that's it i love that they didn't i love they didn't pretend to come up with a band name they're just like you know what we're not we're not even gonna go emerson brothers we're gonna go donnie and joe rolls off the tongue no i think casey affleck played one of them in a movie they made a movie about this out making this album what yeah is this like an is this like an old thing that light the attic like reissued or is this it was like an old kind of a lost forgotten album that they put out, and it kind of caught fire.

29:16Jason Stewart:From the 70s, their late 70s work, largely unknown until it was rediscovered by a new generation of fans in the 21st century. So we wanted to use one of their songs in Ingrid Goes West, and we got denied because there was drinking in the scene. People were using alcohol, and they did not want... We all know how Donnie feels about that. They did not want their music. Let me tell you something. As somebody who's been sober for 10 years, If you send me a scene of somebody doing coke, that's what I want. That's the best thing that can happen to me. A tear of joy. Yeah, that's the ultimate. Finally, someone gets it.

29:53I'm sorry, guys. I don't know if they're still in the shot, but that's loser behavior, I have to say. You can't. I mean. Look, we were disappointed. It was a great song. I don't remember which. I have to look up which song it was. But yeah, they denied us. But yeah, I think that's the. Fuck you, Donnie. Usually, a lot of times, you get denied because they ask for too much money. and sometimes you just can't you're like we can't swing it but with like ingrid goes west they know there's only i mean you know if you have a brain you realize there's only so much money for something like this totally you know what i mean yeah we're literally going to be like can you give us this for free and then they say no you know we we want 5k and then you're like all right you know um we can't we can make it work but ingrid actually was interesting because we did i mean i was like so crazy about the soundtrack for that movie and it was a super indie movie and we went to sundance And we did what you're not supposed to do, which is we did festival rights for the song.

30:44So when you do festival rights, it's basically saying you pay a little bit. You could use it for this one time. Yes, in this context. But you can't release the movie with this. You have to pay us more money if you want to actually release the movie.

30:56Jason Stewart:Once we get picked up by A24. Yeah, exactly. We're just banking on somebody. And I think the music budget ended up being like a quarter of a million dollars or something. So it was like, I remember the face of... distributor, when we told them the amount that they would have to pay for the music, and it was a moment of them being like, how bad do we want this movie? Have you checked out AI? You have some great solutions over there. Ingrid Goes West, though, I will say, I feel like the subject matter was very ahead of its time. I feel like it was really that sort of thing has become... Who even goes west nowadays, right?

31:36Exactly. It's mostly east. It's mostly East. But I think I really do think like influencer culture and that obsession, like I think it was peaking in some ways. But now that is like that concept is such a I don't know. My mom would get it now. You know, whereas 2017, maybe not. Well, that's, I mean, we were, even when we were writing it, we were like, there was kind of this urgency of like making the movie because we're like, is this going to be a flash in the pan kind of thing that in two years nobody's going to care about or, you know, or not? And so we didn't really know. So there was this urgency of like, we got to make this movie.

32:10We got to make this movie now. And it's really gratifying that like 10 years later, people are still like, you know, still discovering it. So it's had a life beyond the initial splash zone. Totally. I mean, if anything gets grown, you know, we were like, you know, we came out the same time as like Good Time, like the same weekend, you know, and it was like. That's tough. Yeah. We actually did about the same amount of money, but it was sort of like, it felt like that movie made the bigger splash at the time. and then but over time i think it was sort of like a snowball rolling down the hill that like it was like up to a year two years later people were still finding it as aubrey kind of got more famous and lizzie and everybody in that movie kind of popped off o'shea jackson o'shea yeah he's grown so much the best he was he was bubbling he was but he was bubbling 2017 o'shea only the real heads knew that was yeah that was real heads only los angeles residents only knew new o'shea

33:05Jason Stewart:from the clubs okay well that's cool i mean what it's so it's almost like we got a rush to put this film out that's about influencer culture it's happening right now and then 10 years later maybe almost a little too early a little too ahead of the curve because this is there's no end in sight for the influencer culture i mean all we have is influencer culture now it feels i mean we change it to creative creator culture right dude i swear to god even even more the The word creator has taken on a new... Thanks to our friends at CanLion, Jason. It's really... Well, what's worse? Creator or founder?

33:41Jason Stewart:What's worse? What gets your goat a little bit more? Well, founder is more definitive, I would say. Like, creator is too wide open. Like, literally, creator gets applied to anything and anyone. Whereas founder, there's sort of some guardrails on that, I feel like. Founder means that you created something and built a website for it. You got the domain. Exactly. whereas a little more creator means i take pictures of myself or i take pictures of other people or i make movies or i make it's just it doesn't it doesn't really it doesn't harness much i would say i agree the word has sort of lost all meaning at this point it's it's like what is that what is a creative even these days well i think you could be called a creator and you'd be like no bitch i'm a director like put some respect on my fucking name but but let's narrow it but for an influencer they'd rather be called a creator do you see what i'm saying like that's the problem For some people, it's positive.

34:32For some people, it's negative. And I think that's the issue with the word. I think you're right about that. Don't call me a fucking creator. I'll call Jason a creator now to get under his skin, but I don't think it bothers him that much. Doesn't bother me at all. Creator creates.

34:44Jason Stewart:If that's a crime, lock me up. Okay, let's talk. Thank you for blessing my Netflix inbox with an early viewing feature so I could watch your film with my email address stamped across it. I want to give a quick shout out to Netflix, and this is completely earnest. They're the only people that make it easy to watch something before it is out. And I want to give them, I don't care who they're, I don't care which evil AI guys they're partnering with. That shit doesn't bother me. The fact that I can turn on my TV like a regular fucking person and click watch on this thing versus having to log into a third party website and not be able to maximize the window is, that puts you far and ahead of everyone else.

35:28Isn't it cool? Well, yeah, I was kind of impressed. I was like, when, but it kind of scares me because I'm like, now they must see everything. They can see everything you've watched on there. They know everything about you from your viewing habits. They already knew that shit anyway. Take my habits. I don't give a shit. Yeah, we're way past that. Yeah, I've watched every episode of Selling Sunset three times. Fuck you want. I don't give a shit.

35:48Jason Stewart:Hulu has all my fucking data too, but they don't make it easy to watch a screener. That's true. It's honestly fascinating because we talk about this in the music business all the time because it's the same thing. It's like a splintered system. and we always joke like why doesn't apple or spotify just make this their thing right and do it exactly like netflix does a creator corner exactly give us a creator corner and let us rock man yeah we have spotify for podcasters instead of having to go to like a dropbox or something yeah i wish it was dropbox it's fucking fuck no bro it's like it's like 1999 geo cities looking shit like well the real the real issue is download a new app and log in system yeah what i was going to say is the real issue is that you can't really easily listen to things on your phone which i think is where most people especially if it's a new record you really like that's where you want you know you want to like take it with you yeah put it out on vinyl or or put it on when you're watching youtube when you're watching youtube and you click into another window or just like i i can't like i have to get youtube premium to like listen to something and with my phone in my pocket i'm like i don't want the video to be playing like while my phone's in my pocket makes no sense yeah And more people listen to music on YouTube than every streaming platform combined times.

36:58Jason Stewart:What do you think, Matt? What do you think your monthly... It's still the worst. If we stuck you in rocket money, how bad do you think your subs are looking right now with all this content? What's worse, your fucking Amazon.com cart prices with all these Blu-rays or all the streaming? What's worse? What's taking money out of your child's mouth? Are there like Criterion channels that we don't even know about? There's boutique Blu-ray labels that would blow your mind that you've never heard of. That's how steep this sickness has gotten where I'm like on UK. Give one of these a shout out. Give one of these a shout out for the real heads.

37:35What's your favorite Blu-ray distributor?

37:37Jason Stewart:What's the stone's throw of Blu-ray? Radiance. There's this company called Radiance out of the UK that's like boutique Criterion. Criterion's become like the behemoth of, I would say. Oh, you're saying Criterion's for bitches. is anybody can get that the radiance is the real shit no i'm not look i was just in the criterion closet while i was in new york i'm not going to talk that's the first closet you've been in too i'm sure um come on is that okay okay sorry too easy so that's why we asked because we i figured the criterion is just the tip of the iceberg and then it goes down into radiance films yeah they're just the one that i think most people have heard of and then but there's a lot of other ones there's arrow video there's uh there's vinegar syndrome that's like one of the that's like the sort of like punk rock horror vinegar vinegar syndrome feels like something that would come out of light in the attic so that does track with your okay cult film preservation okay let me ask you a question are these so these companies are are they finding obscure films licensing the rights and then distributing them on blu-ray exclusively is that the business yeah pretty much i mean sometimes they're and they're digging up like especially like places like vinegar Syndrome and Radiance are finding shit that's been in a, you know, warehouse for 40 years that's never gotten a home video release, right?

38:56That's maybe only someone, you know, screened it, you know, in the late 60s and then never watched it again. So, it's like they're kind of unearthing these, like, old classics, I would say, or in, like, Vinegar Syndrome's case, like, kind of schlocky horror movies from, like, the 80s that, like, you know, were shot on VHS or something. you know there's stuff that like real heads are going to be into and then giving them this like lavish uh beautiful restoration and like oh i see i see okay so it'll be like the worst film

39:26Jason Stewart:like a like a taiwanese zombie film but then the the it has like a t-shirt that was made by braindead and there's a keychain and an arcteryx collab for it and all that totally i mean there's a tweet that i want to that i want to i'm gonna butcher it but it's basically like you know people being like like a director's like this is my worst movie i wouldn't show it to my you know my my greatest enemy of all time and it's like now coming from vinegar syndrome in like a 69.99 box set you know it's like they just take like you know it's some of it does not necessarily deserve uh the treatment that the criterion treatment you know but i think right that's the like i own sliver for instance on 4k blu-ray you know a sharon stone don't speak ill of sliver let me ask you a question let me ask you a question as a person who's never as a person who's never owned who's never owned a blu-ray in his life um and jason you probably haven't owned a blu-ray in your life either i have i have owned blu-rays yes i have okay i i didn't mean to speak out of turn when i'm paying that criterion upcharge what am i getting the packaging is the same you're it's the it's on the the blu-ray is the gift there's no extra stuff in the actual packaging right sometimes there's it depends kind of on the release some of them are more bare bones some of them have like essays and they always do like a really nice like they'll interview people like the director or people connected with the film some of them even have like uh like the director's like early work like shorts and stuff or like obscure documentaries and things so there's like it really is kind of You put all your old Old Spice commercials on there in a little subcategory.

41:07Jason Stewart:There's a poster to put up in your goon cave. Exactly. Dude, that'd be really cool. That'd be really cool if people included their commercials that nobody knew about. That's actually smart and funny. Well, do you remember those? There was like those, they called it like the director series. There were these DVDs back in the day. Of course, of course. Those were like the coolest things ever. Chris Cunningham. It was like Michelle Gondry. Spike Jonze. It was Michelle Gondry, Chris Cunningham, Spike Jonze. And there's probably like two, because you would get a box. it was like four or was it maybe it was more than four maybe it was six or eight i think they did six yeah jonathan glazer they've had sort of a cut those have had sort of a comeback those i think that the younger generation has discovered that that series a little bit i bet they're more expensive on ebay than they used to be i guess is what i'm saying for sure for sure but those were like i would i think they should do that more i think there's way more directors out there that you could do that for for sure yeah definitely like fincher you know like dig up all fincher's old commercials and stuff would be cool fucking fincha yeah i'm sure well i think i think there's a lot of collectability going on like where people will buy 11 different versions of a taylor swift record not because they need it but because you have to catch them all is do you experience a little bit of that with the blu-rays like just the pure collectability of it and the competition with other i definitely feel like yeah there's definitely it can it can become a little bit of I think having a kid on the way has helped with that a little bit.

42:32I'm like, how badly do I need this$600 Kubrick, you know, 4K box set that's coming out? Like, you start to weigh those things a little bit. But yeah, I mean, I just think it's, I do think it's cool. It seems like the younger generation is like more into physical media. It like skipped a generation or two. And now it's coming back. You know, like people want to own this stuff and they're kind of over streaming and, you They want to hold it in their hand in a way that's cool.

43:02Jason Stewart:Maybe just stick to the films in the languages that you can speak. It's a good place. We don't need Wings of Desire, Japanese edition, just at the moment. Well, Matt, look, we all have the things that we spend too much money on. Do you have a self-imposed price limit? Because this is something that I have with t-shirts. And then, unfortunately, that scale does slide depending on the item. Sure. Yeah.

43:29I don't want to get you to trouble with your wife or anything

43:32Jason Stewart:but let's see she might listen to this my number is written in cement but the cement is not dry I used to Matt it used to be 200 then it was 250 then it was 300 now it's like inflation now we're touching 500 and it's a little psychotic you know alright this episode of How Long Gone is brought to you by Revolve I don't know if you've been paying attention Jason but guys really be caring about how they dress and how they look luckily revolve man is on the internet super easy and it's stocked with some of our favorite brands like like ralph lauren and something maybe you like fear of god essentials as well as our friends palms of course and it's not fast fashion it's not stuffy it's a sweet spot between looking intentional and not looking like you tried too hard good luck uh new arrivals drop twice a week with free two-day shipping and next day options plus returns are actually easy.

44:26Jason Stewart:Yeah, it's true. And that two day shipping really is nice. It really does happen. I've used it a few times and it is surprising how nice things show up and you get excited to try them on. It feels like, you know, a luxury shopping experience versus somebody just throwing your shirt in a bag and kicking it down the hill. So whenever it's a big night out, a wedding, a trip, or you just need something last minute that actually works, revolve man always has it go to revolve.com slash how long to shop and use code how long for 15 % off your order free two-day shipping easy returns it just makes things easier that is revolve.com slash how long promo code how long 15 % off your entire order this offer ends soon so do not sleep on it jason this episode is brought to you by better help.com you know for some of us summer is our favorite season.

45:19The sun is shining. You're taking road trips. You're in the ocean. You're in the pool. You're having maybe a cocktail. We're traveling. The kids are out of school. They're skipping rocks at the creek. But for others, juggling all that summer fun can be tough. Counting down the minutes until the kids are back in school ain't healthy for anybody. You can't waste the days of sunshine, but more importantly, you can't waste time worrying about if you're using the days of sunshine the best that you could, Jason.

45:46Jason Stewart:Yeah, overthinking summer. It happens to a lot of us workaholics out there, or let's say you're about to go spend a lot of time on the beach at the pool, and you don't want to be one of those guys that always has to pull their shirt down every time you lift your hands up or do a cannonball. With a little therapy with our friends at BetterHelp, we'll be able to fall, do a tumble, do a cartwheel without quickly pulling that shirt back down to cover your stomach. with over 30 ,000 therapists. BetterHelp is the world's largest online therapy platform serving over 6 million people globally. And it works with an average rating of 4.9 out of 5 based on 1.7 million client reviews.

46:28Jason Stewart:You don't have to say yes to everything this summer. Find support in therapy. Sign up and get 10 % off at betterhelp.com slash howlong. That is better, H-E-L-P.com slash howlong. She did actually, there was, I think it was, I don't think it was last year, it was maybe two years ago. She said, you know, I want you to just add up what you've spent on this, this year. Hell no. And I was, I was, I was sweating a little bit as I was doing it. Cause I just seeing that number climb. I think it was, I think it was seven grand or eight grand or something. It was, it was like. Oh, that's not that. That's not.

47:04Do you have any other hobbies? I read, you know, I listen to music. I'm talking about hobbies that cost money. Like things you could spend money, like, like fellows, golf trips. Like how bad could it get for you? A hockey player? Yeah. Like what else we got? Iguanas. Reptile guy. I buy clothes too, by the way, Chris. So you're buying clothes. Yeah. I buy clothes. I read Blackbird spy plane. You know, I do the whole, I know, I know what Laura Lee is. All right. So you're wearing some, you're wearing some mantle and Evan, we can't see the Evan Canory brown slacks below the window here.

47:39Jason Stewart:What color are your socks, Matt? What color are socks? I'm just wearing the white Nikes right now. I'm not, the socks aren't fancy right now. I see what you mean. So you, you, it feels like you spread it relatively evenly, but there's a slight, the bucket for this stuff's a little bit, a little bit larger. This is the, I mean, I'm fully the like, find something you love and let it kill you kind of vibe of like, I just love movies. I love film. I'm, and so like, that is kind of my hobby. My hobby became my job, you know? So now I'm like, I probably should have another hobby, but it's just this.

48:12I love doing it. I love watching movies. No, I think this is refreshing, actually. I think people have two. I don't have any hobbies either. I mean, Jason, you don't really have any hobbies.

48:21Jason Stewart:As long as you're not fat, it seems to work out all right. We don't have to scrub under your arms when you're sitting on the couch watching Toy Story 5. Yeah, I mean, I don't really have any hobbies either. My hobbies is just my life. I just do what I want. Being me is a hobby. This motherfucker. My whole life is a fucking hobby, bro. Catch up. I mean, I think that, Jason, you're pretty handy, though. I know that's not a hobby, but that's like a virtue that I think of. Yeah, you love cooking. When I think of you. I'm cooking. I'm fixing. I'm doing. I'm cleaning. I'm reorganizing a garage. You know, shit like that.

48:58Jason Stewart:Matt, are you a wife guy? Power spraying? Are you a wife guy or are you able to operate on your own? Jason's not. I'm a wife guy. We're pretty independent, though. I mean, she's like all last year, she was in Chicago shooting the bear and doing and her other show that she does there. And I was in New York living at the Bowery Hotel, like fucking working on this movie. Hell yeah. Matt said nuts out, baby. Shit, you were living. Okay, hold the fuck on. Hold the fuck on. She's in a two bedroom in Chicago dead of winter and your ass is ordering another Pomodoro from the Bowery room service. Look, it wasn't.

49:34She's the one. Let's do this again. Hold on, bro. She's the on-camera. You're behind it. This is fucked up.

49:39Jason Stewart:Mad City did commercials, all right? That's all we need to do. When she told me that the pregnancy test was positive, she was like, you better get your ass over here. She's like, you're... Basically, every weekend, I was flying to Chicago for that whole time. That'll take the wind out of a brother's sails right there. It's like, every, babe, Friday through Sunday, every week? You know that New York is awesome, right? Not every weekend, but almost every weekend. No, no. Of course, that's right. What is now, this being her place of business, what is your relationship to Chicago? Because I found myself coming around on it over the years.

50:18I would hope the same for you. Look, I loved it. I mean, the winters are tough. Like, as advertised, they are brutal and cold. and walking your dog in negative 20 degree wind chill weather, there's no coat and hat that can protect you from that. It just seeps into your bones. Yeah, you're right, it's serious. But the city's cool. There's a lot of great restaurants. We met great people. And anytime we would party with the Bear guys, they just own that city in a way that is crazy. They can walk into anywhere and get a table. And it's like, so I'm like, she, my wife is kind of like a Chicago Liberty and that like, she can, she knows all the restaurateurs now and like could get a table anywhere just beat by.

51:05Chicago Liberty? Is that a word that existed before five seconds ago? I wish I could have coined that, but that's. That feels like Maddie Matheson. No, that flows off the tongue. That honestly flows.

51:18Jason Stewart:It was like Rapa Twister came up with something like that. That flows really nicely, actually. That does flow really nicely. Chicago, I like the food too. is just all fat boy. I mean, I know you can go outside of those bounds, of course, but in, I would say, most options, you know what I mean? That's kind of what it's leaning towards there. It's a waning stereotype, but it's still there. You need the extra meat on the bone to survive the winter, though, is the thing. There's a very practical reason for that, I think. That's true, shit. That's just seeped into the culture. They're like if Vikings got fat in Chicago.

51:55no but that i mean that is a good point i mean like it's the same thing with montreal like the food is heavy as fuck and it's the same the weather is the same it's the similar situation

52:02Jason Stewart:as far as weather guys yeah we have to drink mugs of goose fat just to stay alive have you ever been there in the summer though yeah it's we went three times in one month last summer actually for different stuff and it was beautiful the weather was great the weather's great and people are like tasty waves people are really fit there actually like people jog around the river or at around the lake and they're like laying on the hot concrete like on their lunch but you'll see guys like take off their suits and just like lay on the on the burning hot concrete like by the concrete beaches of chicago are they've had a moment they've had a moment lately on twitter where people like are y 'all for real and they're like yeah bitch we're for real this is what we got like what the fuck do you want i mean every summer there's the great chicago beach meme and And it's just, you know, Chicago MF be like, quote unquote, beach day.

52:49Jason Stewart:And it's like two people playing in like a storm drain. Totally. That's the thing. You see it on Instagram and then you go see it in real life. And you're like, oh, this is real. This isn't just like a stupid meme. I mean, it's cool. I love to walk along that path. You know, have a little edible, put a little iced coffee in the hand. And you're just cruising down and you're like, I guess this is a beach day in the same way that I guess you're being productive in jail or something like that. You know what I mean? You get your burpees in and reading the Quran. How did you get so fit? Oh, I was in jail.

53:21I was actually in jail. That's why I'm a religious studies expert because I was in jail. I've read them all.

53:28Jason Stewart:Going back to collectible merch and t-shirts, I noticed in Netflix's Little Brother 2026, there was a scene where John Cena, he is a giant man, and he's wearing a vintage Dave Matthews band tee that looked like something that would cost around$170 to$300. It fit him in a way that I've never seen a vintage tee fit somebody. You know, it's usually on somebody like Chris and I, you know, where it's a regular guy or somebody spindly or maybe a little sweaty and fat, a little Dijon stain on the shirt. But you got fucking jacked ass him. The neck is holding on for dear life. And it was a juxtaposition I've never seen before.

54:09Jason Stewart:Are you a Dave Matthews head? i i certainly was back in the day but i think i'm so glad that you picked up on that because there were so many conversations about like we had to get that shirt cleared much similarly to a you know song we had to get the approval of the band and the logo whoever you know bravado owns it it's not a clear it's not like a nine inch nails logo like a huge n-i-n across the white t it's no you have to really is that a dave man because they don't they probably don't own the rights it's it was bravado or someone owns like the merch right it's i'm sure that was a lot of emails about that t-shirt but yeah and we had backups just in case but they none of them were as good and um but yeah no i think we were like wanted to the heart i think the thing is because john's so huge like you have to humanize his character a little bit and make him you know like a regular guy in a way so we were coming up with ways to try to humanize him yeah we were like look he's a guy he loves dave matthew's band like that's just that's his vibe that's rudd's vibe he's Just a 300-pound, 0 % body fat, 100-millionaire in Manhattan who loves Dave Matthews, man.

55:16Hey, look, to be honest, I would say that that is historically, if we go back to high school, those were the kind of guys that liked Dave Matthews. True. You know what I mean? Maybe they didn't have the TRT that Cena's got access to, but I'm saying that that kind of bro jock guy was actually the fan of Dave Matthews.

55:35Jason Stewart:A solid guy at his core. Yeah. Yeah, yeah. It's like... You know, you can trust him, take your drunk friend home. No funny business. Exactly. I'm glad you were able to get that. Because I feel like with all this clearance stuff and getting things over the line in general, like you were saying earlier, it feels like sometimes you just have to put your sword down and say, this battle I'm not going to win. I feel like you have to do that several times for every movie. No, there's plenty of them. But I do think that those little details, like even just using the actual Instagram UI for Ingrid was like so important to me that it wasn't this like yeah yeah you know like i hate when i'm watching a show and they're like pulling up their like fake instagram on their phone you're watching emily in paris and it's like bloop yeah don't do that sound anymore or when the graphics go on the screen i hate that too it's like i'm like so that was a real moment that was a real moment when people were doing that a lot that one native american long-haired guy who always plays the weird stoner best friend he's always texting like oh well what with an emoji that doesn't exist in real life and that's bullshit yeah like that emoji was made for the scene it's all fucked up i got you well was it hard to clear the instagram ui for that or was it still early days enough uh we just didn't we just didn't do it um and we we had we actually hired the lawyer who currently in a legal battle with them right now well honestly like i was like let them sue us like this would be the best press for this movie we get sued by you know ingrid goes to court zuckerberg we got another we got the spinoff right now let's see if everybody's available because because we got the spinoff coming ingrid goes to court well so a couple notes from watching the film last night i felt that you know everyone is talking about how you know the the problem with society in the world and films is we don't have like those blockbuster comedy films anymore it's all you know it's all superhero stuff or like weird indie dramas and there's no just like straight ahead like Tommy Boy or Anchorman or any shit like that and I feel like you know obviously all that's been moved to streaming which is a great home for it for now until it goes back up again but you really walk the line between that kind of Farley movie kind of sticky slapstick kind of stuff but then you know reined in with like a modern modern touch where you're still taking it seriously I think it's like a good sort of because we can't just duplicate whatever that was back in the day yeah a lot of the jokes are just like holy shit that was bad but then you know there's magic but i feel like you did a good job of you know making a contemporary version of that kind of slapsticky stuff because it's people are they have their their senses up when it gets like kind of cringy like that and some people don't want to see eric andre rolling down the stairs for the eighth time for like a pratfall gag, but then when it works, it really works.

58:32That's the thing. I mean, it's hard. Comedy is really hard. I think I heard Seth Rogen say on a podcast that comedy is kind of embarrassing. I know. I know Chris loves hearing how much he loves weed. I'm just surprised he talked about something besides weed on a podcast. So I'm happy to hear this, actually. This is illuminating for me. Well, let him finish the story. We don't know. he works a bubbler into it it could come back um no he said like you because you're announcing that i'm gonna try and make you laugh and there's something that's embarrassing and kind of earnest about that you know what i mean when you're doing comedy and i think that's what's kind of scary about it the tightrope walk of like you said like you're like is this gonna work and um honestly i was like until the premiere because we hadn't screened it for like a that big of an audience the finished finished movie we had tested it and whatnot but like uh until last thursday and so we were literally sitting in the room and you're like is this gonna work you know you just really don't know and then you're sitting there you're just hoping and so it's kind of that like excitement of like when you hear get that first big laugh and you're like you know you can kind of breathe a sigh of relief and then like you're kind of watching them react to all those things in the movie and the way that you intended and i mean i don't think there's a better feeling in the world so it's it's kind of like you're doing the like babe ruth thing like pointing to the you know like i'm gonna hit a home run but then sometimes you don't and hit a home run and

1:00:04Jason Stewart:it's embarrassing it's like going up to a group of women and be like i'm about to try to fuck one of you right now anyways what's up i'm jason and they're like oh no no no bueno no bueno well i So you were saying you were testing this sort of like up until a week ago? No, no. Like through the editing process, you do like testing various versions of it. So you throw it like Netflix will throw it up on their like they have a platform. Hey, Jason. Hey, Jason. Netflix is a data company first. You know what I mean? They're not going to just... We're testing thumbnails. I don't know how many thumbs you got.

1:00:37Jason Stewart:They're not going to let Matt just throw whatever out there. I guess I'm asking because I had the pleasure of seeing the Anthony Bourdain biopic yesterday at an early screening. Oh, how was it? Thanks to our friends at A24. I don't know. I don't think I could say anything about it. But I will say... No, you can't speak on it. It is a positive. It is a win. But somebody was saying like, oh, I saw an earlier version of it. And it was like kind of a different storyline. And the version that we saw yesterday was different than that. and you know how many times or like how many different movies did you make for this movie or do you have to make for these where you're like this is the one where it's like a little bit more guy boy gets girl this is like the you know friendship between a mentor and the son and this one's more about you know ice dancing or whatever it is totally i mean it's it's so funny because you read online when like these people are like oh i heard this movie did reshoots must be a troubled production you know and you're like i don't know a director in the world that wouldn't kill for to get a second you know crack at the movie if they could you know and like there's some shit that you do that you're like it just doesn't work when you put it on its feet you're just like oh this you know this didn't work can't believe we spent three days well we tried yeah we gave it our best shot but um and then the audience always tells you you always you know know right away if it's working because people you know they'll just tune out they'll just like especially on the netflix thing you see the drop-offs that's like what they measure is like when people just turn it off for the retinal scans or for when they turn it off oh we're not supposed to talk about those yet don't worry i just turned off i turned off a netflix movie just the other night not yours uh i turned off the one with zoe deutsch that was unbelievable the isabel voicemail shit oh i never heard of it and i gotta i made it through the j-lo and i'm just saying there's a right now if right now it feels like netflix is really smartly kind of going like fun down the middle it's it's it feels like there's three or four things on the home page right now that are not dissimilar from what you made well they're they're filling this hole that the that the uh studios have stopped doing right like the studios kind of are like we'll do uh obsession which is like an a sub 10 million dollar horror movie or we'll do these big ip driven things that cost 150 million dollars you know but there were you know when we i was growing up in the you know the 90s like there were every weekend there was stuff like office romance or little brother out in theaters and you know for you to choose from there'd be four or five movies out that you're like oh do we want to see a rom-com we want to see a comedy we want to see a you know a thriller what do we want you know and i think it's just there's honestly fewer movies being made and a lot of like those mid-budget as they're called movies went to streaming i think netflix just sort of saw the hole in the market was like we're gonna we're gonna make that they saw the hole we got 17 million for you we got to give j-lo 60 million to have a rom-com with a gay guy this thing's gonna go fucking this thing's gonna go fucking crazy but do you think that because because there's fewer and fewer of these types of films being made we have do you think like not shooting itself in the foot but like where you have to cram in a little bit of too much of everything into each one like like if caddyshack had to also have like a black friend and a gay friend and uh this and you know there's a guy in a wheelchair and now we're dealing with this you know like do you do you think it's better or worse that we sort of have to every film has to check all those boxes i know it's a little bit of a treacherous cue No, no.

1:04:18I mean, I'll just say from my experience, like they didn't, we didn't get, like I heard all the stories and I was a little nervous about doing a movie with them where I was like, okay, I've heard that. Are they going to make me say the, the name of the movie three times within the first minute or, you know, I don't have any explosions in my film.

1:04:36Jason Stewart:I don't know how we're going to make what happened in the first 80 seconds. But I think, you know, honestly, in my experience, they have so many things that they're working on. I think that they just want stuff that works and that is good, you know? And I think that they're, you know, honestly, a lot of the stuff, yeah, they were concerned about, like, how long do we see, hold on, like, the shot of Eric's dick with the catheter in it. You know, like, stuff like that where they're like, because we still have to get that. Fair concern, I would say. Not to be the T's and C's. I would have liked another beat to a second on it.

1:05:07Jason Stewart:You could have gone a beat longer. It happened so fast. Jason said, check my letterbox. I went deep on this, actually. The elasticity, I don't know if I was buying it, but it did work. Well, I guess that question sort of reminds me of when I was watching the film last night. There's the two kind of TV execs, friend of the show, Caleb Heron and Ego Nwodum from SNL. they're sort of like the the gay gen z millennial like i don't know what comic relief where they they're the people that say yes queen and and all that stuff do you think you know as our diversity and um equality continues to grow over the years we're going to get a straight person to play one of these roles one of these yes queeners is that is that outside of the realm of possibility this This is Jason's way of asking nicely if Chris could be in your next film because he's the straight guy you've been looking for that could play believably gay.

1:06:07Jason Stewart:Like if Lloyd from Entourage was a straight person, you know what I mean? I think the pendulum swung back. I think straight guys can play gay guys now again. I think we were... Do you have any examples of that Blu-ray? I'm waiting. Tom Holland could definitely do it. I don't know if they're asking him. He said straight guys. Oh, my bad, my bad, my bad, my bad. Look, we don't know the orientation of the heated rivalry guys. We don't ask, don't tell. There's a lot of industry speculation. I know that all I can say is they dress like shit. I don't know what's in their mouth. Now we got straight guys playing hockey players.

1:06:45Jason Stewart:There it goes. Now I've heard everything. I think the season two of that show is going to be one of the most spectacular fall-offs and ratings that maybe we've ever seen in the history of film and television. I really do. I just think that some things are just sort of lightning in a bottle and any way of replicating or trying to continue is just a fool's errand. Now that they're actual rivals in real life, maybe things will be heated. Who knows? You think it's like a tiger king. I really do. We talked about this a lot on the show, but it is like I think sometimes when something does well, everybody's going back to the teat to get more milk and it's like dude that might have just been a one and done thing we should count our blessings and make something else i just don't know what you can do i mean i didn't watch that i don't know if there's like a lot of story to expand upon but it just doesn't seem like that level of like i haven't seen someone get that famous that quickly in years maybe ever we're gonna need another pandemic we're working on it with the fire downtown but you know boil it's gonna take a pandemic to have another tiger king like like thing happen i just all right so now that this movie is out in the it's out now right or is it out this week it's out a couple days friday yeah let me ask you let me ask you a question that always fascinates me all right from the inception of this when you got the call about this till till friday what is the timeline like how long did it take really fast honestly for movie i got the script in december of 2024 oh yeah i got the job you know in march of 2025 and i was prepping the movie in may of 2025 we shot last summer and now it's out like that's crazy that's a crazy quick turnaround yeah that's really fast that's really really fast and i think a lot of that is because of netflix they could just they can just put something out you know like that once you deliver them the movie they're just like they got to upload it to the server it's like you know and the marketing that netflix has to do is put the film on their front page and you know that's that's the greatest thing they could do they did spend a lot of time talking about that strategy um but we did get some billboards i think there's more so than billboards yeah we i mean they their strategy is with the billboards was i was i suspected this but they kind of confirmed it you know they love to do the billboard by the house of the person who like made the film so like there's there's a billboard right near my house and i'm like i think i'm on to you guys i don't know if like this normandy and hollywood billboard is is this the best uh you're like bro you could have just little armenia is gonna love i could have given you could give me an extra 100 grand we could have called this even guys i don't i don't really care i don't need to see this every day you know what i mean i thought it i mean i thought it was kind of cool but i was like i was like yeah i see the i see the strategy here but they're like in lieu of money we've we spent six grand for this billboard by our house you're gonna you're welcome um well i i guess uh i had another another question yeah you know in in the in the film we're we're taking in eric andre who's a troubled little brother into the house and the the wife has a little bit of a backstory of rescuing animals you know the handicapped wiener dog with the stroller i don't know if we can talk about this or not if it's embargoed spoiler alert but um and so like she had that nature of like we need to you know bring this troubled creature into the home and take care of it do you feel like we all have that one friend who's like at the kill shelter a little much i feel like when i was watching that scene i was like everyone who's watching this has that friend in the back of their head who's like be at the kill shelter a little too much no it's my yeah i have i have one of our closest friends is uh rachel she's always got the she's always at the shelter this dog is about to be put down within three hours like somebody please help this did you tell rachel ahead of time it has one eye and like you know did you tell rachel like hey just let you know like when you write about somebody in your in your memoir do you give them a little heads up like hey there's gonna be a little bit of the show where you might come to mind you know as a warning or she'd be flattered you know i think i think we need people like those like the bleeding heart people who actually care because so much of us are just like you know i'm like oh it's a cute dog and then swiping left you know i'm like it's it's i can't left means kill no

1:11:22you can't on my shelter dating app i swipe left i don't know i don't know about you guys but i kind of keep it moving win it that's that is such a california that whole i mean it exists in new york obviously but that culture is such a so california to me like that like new yorkers don't have the time to rescue i think new yorkers have a problem with dogs right now do you not agree chris like after being there for a year i was like i feel like everybody's got a dog in new york and there's dog shit everywhere in a way that la was like matt i've been matt i've been on the front line of this fight for a decade.

1:11:58I don't understand it. Unfortunately, I've been getting a lot of cute dogs on my reels lately. And now I'm noticing like, I see all these cute dogs. Why don't I see them when I only see little mutts? Like, what the fuck? There's a difference between the marketing and the reality.

1:12:15Jason Stewart:Twos and fours. Where's the Italian greyhounds? Where's my big old? Yeah, I want the fucking, I want the golden doodle that just got groomed. I don't want these fucking mutts you got from fucking the you know the shelter it's not it's not i mean i love dogs but i do not i don't think they need to be in maru coffee you know what i mean like i don't think yeah yeah in the restaurant or in the supermarket with us there was there was we jason remember we were eating we were eating an unnamed restaurant that we love and there was a dog i swear to god the size of jason's right leg sitting under a table staring at us the whole time and I was just like, and the owner, the owners literally, and they kept having to calm him down the whole, I'm like, you, if you're going to bring a dog of that size into a restaurant, it better be docile or on dog's and like, there's gotta be, you can't.

1:13:01Jason Stewart:Or it better be military trained. Like it has to bring something to like you, like the server. I remember the servers walking by me and like, oh, can you tell your 80 pound dog to move so I can give you the food that you ordered? And they, you know, they don't know what's going on. but that dog needs to be able to do back flips, shaking hands. You know what I mean? You can get into the kitchen and start rolling out pizzas. I want that dog to be able to disarm an intruder. You know what I mean? You better be able to jump up. He knows which wire to cut on the bomb. Exactly. Yeah, yeah. I want that motherfucker jumping up, taking the nine out of the holster.

1:13:39You know what I mean? I don't want this shit.

1:13:42Jason Stewart:If your dog is, quote unquote, a certified, it went to the school, it has the vest. It's not a stolen valor, you know, wearing the fatigues. Ordered off Amazon. Yeah. Service dog medallion. Yeah. Yeah. The fake service dog medallion can't service nothing. Get out of here. You got to be able to prove it. Jesus Christ. All right. Thank you, Matt, for joining us on How Long Gone. It's a pleasure. Little Brother, you can stream on Netflix on Friday. Ingrid Goes West, I'm sure, is available everywhere. See it if you haven't. Available on Delta. Yeah. And congratulations, bro. I know this is a big hump to get over, so happy for you.

1:14:16Thank you, guys.

1:14:17Jason Stewart:And also, congratulations on your child being born next month. Thank you, sir. July 23rd. Don't sound too excited. July 23rd, in stores everywhere. July 23rd, it's all over after that. In Dassenettes. Everywhere, yeah. All right. We appreciate it, man. Thanks again. We'll see you soon.

1:14:47On the ground, am I right side up or upside down? Is this real or am I dreaming?

1:15:17Jason Stewart:energy for life.

From the publisher

A cinema-heavy episode today with Matt Spicer, director of the now-cult indie Ingrid Goes West, and his newest film, Little Brother, on Netflix this weekend, with Jon Cena and Eric André. We chat with Matt about Cannes Lions, his Criterion ADU, being 30 days out from having his first kid, when acquiring “festival rights” goes wrong, the dark corners of Blu-rays, his wife, actor Sarah Ramos, things that take us out of films, Jason saw the Bourdain biopic, Netflix’s habit of putting up one billboard near the director’s house, and how we all have a friend who spends too much time at the kill shelter.

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