964. - Jon Kelly

1 Jul 2026 · 1 h 16 min · 35 chapters

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In short

The episode is a wide-ranging conversation with Jon Kelly, founder/co-founder of Puck, about suburban identity, New York’s gentrification, wealth and power, and how media businesses are consolidating. The hosts also trade travel and food anecdotes (American Airlines flight complaints, airport cheesesteak talk, movie-theater snacking “muncher” culture) and discuss fitness/body-image posts (“dyke Tyson” body reveal; “freshman 15” jokes).

Jon Kelly’s background

he worked at Condé Nast for years under Graydon Carter’s tutelage, then later helped build Puck (launched 2021). He also discusses Puck’s acquisition history, including AirMail and an art-industry franchise (Art Market Monitor → Art Market Monitor/“wall power” led by Mary Manner).

Key claims

doom about AI job loss is overstated; wealth discourse has intensified because money is now more public and politically influential; media that people pay for is more resilient than free media; prediction markets are promising but Puck’s focus is professional journalism and trusted reporting, not betting.

Notable examples

Y2K fears at Time magazine (1999), Bloomberg terminal culture, Giuliani-era New York street changes, and Puck’s plan to acquire/house elite creators (Substack as “gateway drug” to freelancing).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Weather and Travel Rants

0:18 to 1:02

Discussion about the weather in Atlanta and travel experiences, including an uncomfortable flight.

“It's a sweltering Tuesday afternoon here in Atlanta, Georgia.”

Philadelphia Observations

1:02 to 2:15

The hosts share humorous observations about Philadelphia and its distinct character.

A Body Reveal Discussion

2:15 to 3:38

Hosts discuss a friend's impressive body transformation and speculate on motivations.

Restaurant Economics

3:38 to 6:00

Conversation on why restaurants need alcohol to survive financially and the implications for the food industry.

“And then Al's response was, doesn't take much.”

Movie Theater Experiences

6:00 to 7:44

Hosts debate the dynamics of movie theater experiences, food offerings, and audience behavior.

“and I was like, oh, this makes, I knew this, but like seeing it written out like this really makes all the sense in the world.”

Guest Introduction

7:44 to 12:07

Introduction of the guest, Jon Kelly, and a brief background on his career.

“It's just not going to be like Monsanto.”

Guest Introduction

13:27 to 14:46

Introduction of the guest, Jon Kelly, and a brief background on his career.

“It's basically the way to insert all of this unknown information that your human doctor is hiding from you straight into your hand.”

Understanding 'Burbs Bros'

16:54 to 17:43

Explore the concept of 'Burbs Bros' as a social identity.

“All right, so you and Jason, I don't know what you have in common, but you guys were saying that you're Burbs Bros.”

Suburban Life Reflections

17:44 to 18:50

Discuss the exotic nature of suburbs for city dwellers.

“Well, but don't you, if you live in LA, isn't everything basically a suburb?”

The Evolution of New York City

18:51 to 19:49

Examine how New York has transformed over the years.

Show all 35 chapters

Personal Experiences of Change

19:50 to 20:42

Share personal stories about adapting to changes in urban life.

Modern Urban Comparisons

20:43 to 22:20

Compare various cities' modern urban landscapes.

“me so i'm excited to hear what else lauren has told you about my um no lauren said lauren said I'm not giving you any ammo.”

Nostalgia for Old New York

22:21 to 24:24

Reflect on the nostalgia for the gritty past of New York City.

“You know, all the, I used to, my baseball team used to practice on a slab of concrete on the West side highway around 11th street.”

Gentrification and Its Effects

24:25 to 25:18

Discuss the impacts of gentrification on neighborhoods.

“is like people lived there because it was cheap and disgusting.”

The Complexity of Wealth and Fame

25:19 to 28:00

Explore the relationship between wealth, fame, and societal impact.

“I'm part of the problem, and I know that.”

The Complex Motives Behind Wealth

28:00 to 29:26

Exploring the motivations of wealthy individuals and the impact of fame and money.

“I think if you're an anonymous billionaire and you've done it below the line and no one knows who you are, that's very different.”

Wealth Discourse and its Evolution

29:26 to 31:37

Discussing how the conversation around wealth has changed in recent years.

“I think that, and it's always been about power, I think, as obviously one of the major tentpoles.”

AI's Impact on Wealth Disparity

31:37 to 34:18

Analyzing how AI is centralizing wealth and affecting job markets.

“We know that in some cases it was due to profound strategic thinking.”

The Future of Employment and Technology

34:18 to 36:06

Discussing the intersection of technology and employment in the media industry.

“Well, people are, uh, the human mind leads anyone to be binary, right?”

Expanding Puck's Influence

36:28 to 42:00

Conversations about growth strategies and the future of Puck within the media landscape.

“You loved hearing us ask, what is a Bloomberg terminal?”

The Evolution of Media and Talent

42:00 to 45:00

Explore how media companies like Puck are reshaping the landscape for elite talent.

“I've been in this business for 25 years.”

Lessons from the Magazine Era

46:07 to 54:44

Learn about the insights from the magazine industry that apply to modern media.

“I didn't know if this was some weird dot-com bubble we missed.”

The Role of Journalists in Modern Media

54:44 to 56:00

Discuss how journalists like Matt Bellany navigate the evolving landscape of media.

“It's deep relationships earned over decades.”

The Impact of Armchair Experts on Film

56:00 to 57:10

Explores how popular media has made everyone feel knowledgeable about the film industry.

“Um, but he's not ever going to be, um, bowled over.”

Experiential Marketing and Revenue

57:10 to 59:20

Discusses the significance of experiential marketing in Puck's revenue model.

“A lot of the experiential is downstream of the commercial business.”

The Role of Convening in Networking

59:20 to 1:01:40

Highlights the importance of creating valuable networking events in professional settings.

“John's going to get off the call and be like, all right, Lauren, we're going to tighten the belt a little bit on this shit because these guys should not be there.”

Information Consumption for Success

1:01:40 to 1:03:47

Shares insights on how to efficiently consume and analyze information in the media industry.

“What is the, all right, so you've been doing this a long time.”

Balancing High and Low Culture

1:03:47 to 1:06:31

Discusses the intersection of high and low culture and its relevance in media.

“And you're seeing it at a high level where you can see the strategy.”

The Future of the New York Knicks

1:06:31 to 1:09:37

Reflects on the current state and future prospects of the New York Knicks.

“I think that there's a high-low matrix that most people who work in media sort of live by.”

The Evolution of Magazines

1:09:37 to 1:10:00

Examines which magazines are likely to thrive in the changing landscape of media.

“church towards West Broadway was a, it was a sea of, uh, blue and orange.”

The Evolution of Print Media

1:10:00 to 1:11:37

Learn how print media is adapting and surviving in a digital age.

“You know, they're all going to exist a lot longer than you imagine.”

Generational Shifts in Media Consumption

1:11:38 to 1:12:38

Explore how different generations relate to media and nostalgia.

“And I have a 12-year-old and an 8-year-old, and they don't just watch YouTube all the time.”

The Philosophy of Cold Food

1:12:39 to 1:14:49

Discover John's unconventional approach to eating temperature-sensitive foods.

“Let's talk about cold food as we land this plane, John.”

Morning Routines and Productivity

1:14:50 to 1:16:59

Understand the importance of morning habits for productivity.

“You know, our Puck's second office was in Chelsea right next to Momoya.”

Quirks and Personalities

1:17:00 to 1:18:00

Hear about the humorous quirks that define the guests' personalities.

“but I'm up and at them early and I get a lot of work done and then I think my kids school go run and go to work What brand is the polo John?”
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Transcript

Automatic transcript. May contain errors.

0:18How long gone? It's a sweltering Tuesday afternoon here in Atlanta, Georgia. It's a humidity hug Jason when you walk outside but we're just days away from 250 how could you be in a bad mood

0:31Jason Stewart:you know what I'm saying I tried today I just couldn't I got home from I did my best yeah yesterday I'm glad that it's kind of chilly here actually right now we got we have the the heat wave will be coming for for 250 on the fourth don't you worry I'll get my poata shorts out by then no problem back from the cleaner I was in Providence I flew back yesterday day what a what a it was a tough route american airlines oh to philly with a philly layover i got to see some of uh america's worst no offense to philly noah cahan's philadelphia you were able to make it out just like um i don't know like you you now that i've seen shane gillis's rise to success and fame and popularity he really embodies that kind of philly guy just like a big man like um the refrigerator sturdy the refrigerator perry the guy that was on the yeah i'm familiar with chicago bears he just passed away i know you're familiar with the fridge but he just passed away last week right so i've got fridge on the mind and and everyone in the airport was just built like a fucking fridge yeah man just like they don't they don't look fat they don't look buff but they're it's a combination of the two where yeah you could just hit them with a car and they don't work out it's just genetic it's kind of it's kind of interesting yeah it's a viking it's a it's it's a regional it's a regional look i would say uh for that part of the country i know exactly i know i do know what you mean i'm surprised they have an npr there i mean they have a lot of you know they have a lot of stuff don't forget the urban outfitters corporation i mean look there's lots of great things from philadelphia beyond cheesesteaks you know i don't mean to bad mouth them and i did want to burge i don't want to break i don't want to i mean you know how much time do we have i walked past gino's in the airport and i said oh but i didn't do it yeah just grab it great let me just grab a 12 inch extra cheese before the flight if you got it god the guy the guy sitting next to me watched a movie on his phone the whole time no headphones and he was like he was just old enough to where i couldn't say anything to him because he wouldn't understand it you know like because i was sitting in first class american airlines is so shitty no tvs on a fucking cross country flight of course they haven't got that technology yet but this old guy he didn't have headphones he didn't know what was going on and he was just watching a movie like full volume oh wow the volume on his phone turned up yeah a single person said anything to him the whole time because he was just that age where if you're like hey you got to watch he just like what like you you wouldn't be able to like conversate with him he's not yeah he's not gonna shoot you but he's also not gonna understand you so it's just a net zero like i'm fine let's just keep it's a zero all you can do is grab the phone and turn it down manually and then he'll start crying and he'll relieve himself like a noah cajon concert i don't want to i mean i speaking of bodies um we had a new body reveal yesterday and they're calling it they're calling they're calling it dyke tyson jason you know what i'm talking about you know what i'm talking about a new body a new body reveal they're calling it dyke tyson don't Put those two things together.

3:37Jason Stewart:What was the group chat word yesterday? Elliot, more of a man than us. And then Al's response was, doesn't take much. That really kind of sums up how Elliot is brutally frame-logging 99 % of genetically born males. Elliot looks amazing. I got to say, Elliot has taken up boxing and did a body reveal yesterday. and I'm talking chiseled from stone, touched by God stuff. Amazing. Truly amazing. I would like to compliment Elliot on all the hard work because that's something I could not achieve no matter what drugs I was taking. So do you think that Elliot is doing this for them or do you think Elliot is like, there's a hole in the market for my film career to come back?

4:27Jason Stewart:You know, first trans superhero, you know, like, you know, there's a new video game out of, you know is she gonna be mega man and i think it could be one i think it could be i think it could be more like i need to get this off my mental but the benefits are probably not far behind you know like okay so it's a it's a personal goal that will only have positive side effects exactly in hollywood that's that's my that is my guess but unbelievable that's the exact same reason why i'm currently trying to transform my body it's it's less so that extreme and more so just you You know, trying to drop that freshman 15 in the midsection.

5:04Jason Stewart:That's about, I'll be happy with that. I don't even need a movie role. Freshman 15. Bitch, you're 45 years old. What the fuck? What freshman are you talking about? Well, you could have a freshman right now. Oh, no. And not in the cool way. I bet you I could have a freshman right now. Not in like a sexual way. No, not in a sexual way. I mean like you. More in an age appropriate procreation type of way. Exactly. The age appropriate way. I saw a post on X that made me think of you. It's a writer who used to work at Cafe Select. And she broke down sort of in a pretty succinct way, I have to say, about why restaurants need alcohol so desperately to stay in business.

5:50Jason Stewart:That was the only profit margin that was really working for him, keeping the doors open. It's just a very, it's the very, like, it really broke it down in like eight tweets. and I was like, oh, this makes, I knew this, but like seeing it written out like this really makes all the sense in the world. And like the desperation of the mini martini, you know, like that's how bad it's gotten is that like we'll sell you half the amount of alcohol for basically the same price just to get anything to get you to wet your whistle. Just to get a bucket in the hole, just to get something on the board. We know we'll take anything.

6:25Jason Stewart:I mean, I see it happening a lot and I guess like you would think that the the film industry you know because they famously they make all their money off of concessions only so they got to sell you know a lot of popcorn to keep the doors open i know they're starting to sell alcohol as soon as like movie theaters take alcohol and you know have it available now nobody likes alcohol anymore and now nobody nobody wants to eat processed foods or candy anymore i think if if they really slow down i don't want them to i don't want places to open up like a twee vegan yeah you know orange wine movie theater but if one like every you know la has 50 movie theaters if two of them you know they just said like all right jessica from squirrel is going to come in and redo the food it's going to be popcorn and candy and alcohol and stuff but like done in a in a way that people actually want i feel like i would go to the movies more if i could get some popcorn that wasn't going to give me fucking testicular cancer no that's i I think those two things need to be church and state.

7:26If I want to go to a restaurant, I want to go to a restaurant. If I want to go to a movie theater, I want to go to a –

7:30Jason Stewart:I know, but I'm saying it's 2026. Church and state is not so binary anymore. I'm looking for a church state. You know what I mean? Just a little bit of both. I'm just saying, fret not fatties. We're still going to have popcorn covered in butter. It's just not going to be like Monsanto. I think part of the joy, I think the last remaining bozos who want to go to the movies are either people who went to film school and really love this shit or people who want an excuse to eat the stuff you're talking about i think if you take that stuff away we're chopping off 80 of the people that are going to begin with i i i see look it's a risky move that's why i said two out of 50 locations like if you don't if you're not getting a large popcorn in a bucket that's shaped like a shoe and dumping some sour patch kids it's a PM &Ms in there, then you could just be at home.

8:21You would never do that at home. Ever. You would never do that at home.

8:26Jason Stewart:I know. Unless you're, you know, Benny Blanc or Ludacris and you have a home theater, but it's not everyone has that. And obviously, I think the reason why those movie theaters succeed is because you get the communal energy, not of watching a film together and laughing at, you know, Toy Story 5, all the same parts with your friends. more so community communitive like hive mind eating of junk food it's airport but it's in pitch black that's the difference it's as bright as fuck at 4am just like that sterile hospital lighting the movie theater everyone puts a headband on and we are fucking eating like a fat hog nope I'm looking around while those lights but also look around all you want it's black bitch No, no, no.

9:15I'm saying, Jason, you know there's a time before those lights go down where you can see who's the real snacker. You can, don't act like, don't act like. Okay, so do you sit in the front just so you could turn your head around? I try to sit in a movie theater all unless a gun is to my head.

9:31Jason Stewart:I'm just saying as somebody who likes to look. If I'm in there, I do like to look. I do like to watch. Because if you're sitting in the back, you get a bird's eye, but it's hard to, you can't see exactly what's going on because you're looking at the back of their head. No, you know as well as I do. Chris said, look, as somebody who's seen a lot of back of people's heads, you can piece it together. You kind of can figure out what's going on. I'm saying you just know that people. A real munch knows. Exactly. It takes a munch to know a munch. You know when somebody walks in. Muncher's privilege. Because you see them walk in with the fat bucket of popcorn and the extra large Dr.

10:11Pepper. you see their pockets sagging because they got the junior mints in one pocket they got the jujubes

10:17Jason Stewart:in one pocket you know you're saying it's not the glock it's not the glockenspiel no bro no it's the they got it tucked it's not the nana clip they got shit tucked they got shit everywhere on their person he brought all his friends yeah mike he got ike he got peanut butter he got you wear your cargo pants so you can fit more shit and the thing is if you're i would say that real ones real ones are buying that shit at the movie theater if you're sneaking it in that's cheating i don't think that should i honestly think that is a crime like you should go to not prison if you if you if you sneak food in you might as well you know be boycotting the arc light you might as well you know you're you're it's anti-cinema no you got to get in there you got to get in there unfollow luca guada jean joe on letterbox thank god his movie neon bought it just before we started potting so the the sam that oh really yeah the controversial movie they're gonna make an announcement apparently thank god neon neon bought it yeah i was i was worried i was i was fucking you know i was texting matt bellany all morning you know i was just what's gonna happen what's gonna happen what's gonna happen and thank god 11th hour it's cool that we're getting the scoop before a puck is the rich get richer yeah we do have a guest today um and uh he's uh the founder of puck john kelly uh co-founder of puck um and before that a long time uh conde nast employee Yeah, under the tutelage of Graydon Carter, and I wore my ceremonial wife beater for today's episode just in remembrance of Graydon's episode.

11:43Well, John might ask you about your arm routine just to know what he shouldn't do. So that's a good...

11:52Jason Stewart:So I can know not what to do. All right, let's tap in with the big boss and see what he's got to say. I'm all about low weights, slow movements, you know? Hey, Siri, what's the opposite of explosive? This episode of How Long Gone is brought to you by our old dogs over at Squarespace. Jason, I spend every waking minute of my day surfing the World Wide Web. I'm looking at social media. But you know me, I'm old school. I'm still checking out websites, baby. I type in that URL. I click. I surf. I find information. I delete information. It never ends with the internet. And most of the best websites that I come across were built on Squarespace.

12:35Jason Stewart:Use Squarespace and their beautiful websites to do some crazy stuff. You have a vision and you want to build a website for your new crazy business or whatever. But you could also, you know, let's say your dog is having a gender reveal party and you just want to have a nice destination where there's a rich FAQ section and a place where people can donate and view the registry or maybe even your wedding. You know, we all need a wedding website. It's just a thing that has to happen. It's a thing that goes down. And why not make it look better than all of your friends' invitations and websites this year only on Squarespace?

13:11Shit on the homies using Squarespace. So go to squarespace.com slash howlong for a free trial. And when you're ready to launch, use offer code howlong to save 10 % off your first purchase of a website or domain. This episode of How Long Gone is brought to you by Superpower. you know every time i go to the regular doctor i leave dumber than i came in you know i they tell me i'm fine i get no data points i get no spreadsheets i don't even get a fucking game plan i just get to see you next time a pat on the ass and i'm out the door and i'm sick of that shit and i feel like for whatever reason that you them genes might have a solution for me yeah if you're

13:47Jason Stewart:sick and tired of your doctor saying see you next time then i would strongly advise you to check out superpower. It's basically the way to insert all of this unknown information that your human doctor is hiding from you straight into your hand. I'm sure they have a beautiful app and a destination that shows you here's all of your hundred plus biomarkers. But instead of your doctor saying like, hmm, that looks low. Anyway, do you see the Dodger game? You know, you're going to say, here's this biomarker and click this button. Here's what it means. Here's what you should do about it. This is happening here.

14:26Jason Stewart:So stop eating broccoli and start, you know, white water rafting, whatever it is, superpower will give you the exact data and information to know how you can improve your life and become super. So take control of your health with superpower for a limited time. How long gone listeners get$20 off to unlock their new health intelligence, Head to superpower.com and use the code howlong for$20 off your$1.99 superpower membership. After you sign up, they will ask you how you heard about superpower. Be a dear and tell them How Long Gone sent you, and that will help support the show. This episode of How Long Gone is brought to us by our friends at Dart Collective.

15:06I think we can all agree that wedding music is typically quite lame, cheesy, and it doesn't represent the bride and groom's personal music taste. Luckily, Dart works with actual musicians and artists, many of whom have their own productive careers or tour in bands you've heard of. Everyone from Leon Bridges to Taylor Swift. Dart DJs use vinyl and are cool in a way that your peers would be not a dated Carnival Cruise performer. They even have an in-house stylist to make sure all personnel look perfect on the day. Dart travels all over the world for events from Morocco to Italy, Greece, and the Maldives.

15:42Dart has done huge celebrity events and also intimate ones.

15:45Jason Stewart:Yeah, Chris, I am personally friends with Michael from Dart, and I have worked with them for years. I think the last time I did a big one, we did the Sweet Green wedding. They set up a beautiful booth for the ceremony, just some cocktail music, some vinyl, some cool vibes. And then they set up a whole big tent with a crazy bumping sound system for me to play in later. These guys are great. A lot of people always ask me like, hey, you know, do cool wedding DJs exist? Do cool event people exist? The cool part about Dart is they'll work with people like me to come and DJ your party, as well as provide all the gear and all the consulting and all that stuff.

16:28Jason Stewart:So if you don't know who to hire for your event, Dart Collective is the one. Dart, just like throwing a dart, dash collective.com. and ask for Mike. His email address is michael at dart-collective.com Tell them we sent you. So if you have an event coming up this summer, Dart Collective is where you go. All right, John, let's rock. All right, so you and Jason, I don't know what you have in common, but you guys were saying that you're Burbs Bros. Can you explain that? Is that a sports team I'm not familiar with? You want me to take this one? You want to do it, John? Welcome to the pod. It's a new turn for me, So why don't you start and I'll help you if I feel like you've felt good at mine.

17:12Jason Stewart:Throwing out a little color. Basically what that means, Chris, is we both live in the suburbs of a major city. Okay. You know, New York for him, Los Angeles for me. We still have our finger on the pulse. We're still a member of the cool community, but we're kind of perched off, you know, whatever, a 20-minute train ride just out of the town. Okay. Who has told you that, that you still have a great... Who has kind of like backed that up? I've been self-deputized with that title myself. But I mean, I feel in my heart confident that I know what's up. And John, you know, you get to the city a lot, I'm sure.

17:45Well, but don't you, if you live in LA, isn't everything basically a suburb? I feel like people don't identify, even though they're all suburbs. But this is a badge that you wear proudly. I think that you have a point there. And I think because of the sprawl of urban Los Angeles, it all can. And I mean, unless you live on Hollywood Boulevard, which is a choice that no one's making.

18:08Jason Stewart:Los Angeles as a whole is a collection of neighborhoods and areas. But there are areas that are considered the suburbs of it, which is typically the valley, quote unquote, or over the hill. You know, then you're into a different territory. So I'm not sure we're burbs bros, I guess, is what I'm trying to get at here. I feel like... Because you live on the Upper East Side is what you're saying. No, no, no. I think everyone who lives in or around LA County... Do you pay for a landscaper? um so okay so i i do but here's my real answer so i i i grew up in new york um i grew up in granite village in the 80s and so um the suburbs are actually very exotic to me i i left my wife and i left new york when our um our she was pregnant with our second son and i was sort of sick of what was happening to to that version of new york it was sort of becoming um you know a suburb of of duane reed and kind of you know goldman sachsistan and and this world in the suburbs is it's fascinating to me you know it's exotic like costco tennis courts like um parking lot i've actually john i've never thought about this i've never thought about because i guess a lot of people i knew that grew up in the city they're willing to go to brooklyn and that's kind of where they stop you know what i mean but you're saying that it's basically like a you're you're like a wide-eyed kid moving into manhattan it's the opposite for you it's like you've had your third eye open by the suburbs he said exotic not better well no i think though i think that modern modern new york is is incredibly suburban and i'm not putting it down you're right no you're right it is um you know when i ever whenever i'm on the upper west side again i grew up in the village but a lot of my friends um when i was in high school you know lived on the far west side and I remember when I think about Broadway in the 90s I think about like Harry's Shoes and New Pizza Town 2 and then all of a sudden it was just like one big you know Best Buy followed by Brooks Brothers and that was sort of what happened when the people who were not New Yorkers came here and they said like oh let's let's figure out our sort of tasty delight vision of Manhattan and you know the rest history so I so we sort of opted out you know and obviously my business into new york i'm in new york five days a week in the office and i um uh i think i'd be lost without like that touch point because i really i mean i've been here my whole life i went to college in new york too but so i wasn't you didn't even go to college somewhere else you're a real freak you said i love this shit wow you earned new jersey you guys have done your research on me so i'm excited to hear what else lauren has told you about my um no lauren said lauren said I'm not giving you any ammo.

20:50This guy signs my checks. You dig your own grave.

20:53Jason Stewart:Also, how much research do you think we didn't even, we had to ask you where you live, you know? So I wouldn't say we went super duper deep. You guys have a good process. I can appreciate it. We have a good, we do have a great process. No, I think that is a really interesting take though because I think that you're right and I think that New York has all those modern conveniences that a suburb offers as far as big box goes, but then you get all the bad shit too, which makes you wear it with a point of pride. I'm at my parents' house in Atlanta right now. I can go to the Target, and I don't have to step over any dead bodies or anything to get there.

21:26But in New York, you've got to...

21:28Jason Stewart:But you're paying twice as much money and living in half as much space to be able to walk out your front door, and there's the world, versus getting in your car and driving 17 minutes to crunch fitness and getting a smoothie out. To give you a semi-serious answer, obviously there is a value proposition disparity, right? You know, if you live in New York and if you're going to enter middle-aged New York and you're going to have kids, you're, you know, you're paying for schools. You might want a house on the weekend. Like it's a lot and it's complicated. And so anyway, moving to the suburbs, best thing that ever happened to me.

22:07I love it. But I also, there are more cities that are more like, there are other cities that are more like New York than New York. I mean, again, I'm not trying to play remember when oh interesting what would you say what give us an example of that um some parts of some parts of toronto i'd probably get shot for saying that um uh you know uh east la um uh you know this is and of course you know there are still some there's still some parts of brooklyn that i think remind me of um the neighborhoods that i grew up in and that's okay right change is great but i I remember, you know, as a kid when Giuliani was elected and it all changed.

22:46You know, all the, I used to, my baseball team used to practice on a slab of concrete on the West side highway around 11th street. You sound like you're 150 years old. I love this. I know. I know. I know. That was, that's the way it was. And there were, you know, there were like a night workers, you know, um, around Gantt Street before that kind of got turned around. My t-ball coach sold crack on the weekends, of course. my um my literally coach when i was seven was frank stella and he was it was a different world yeah and so when when giuliani was elected it's hard for people to understand um you know giuliani was a a reasonable normal person who was an enforcer and all of a sudden like our the patchwork dirt you know or whatever you know concrete slab we played on it became chelsea peers you know and um and everything changed and then i always felt like um new york's big pivotal moment was in the late 90s when some combination of or at least lower manhattan's turn point was in the late 90s when gulden sacks moved downtown to 200 west to probably get the date wrong a little bit past east opened and turned an otherwise sort of uninhabitable neighborhood into um you know of yuppie nirvana and um and then and perry street eventually opened which um you know like i can't tell you like how you know few people wanted to live in greenwich village in the nine unless you wanted to skateboard in westbeth it was not a very appealing place to live in perry street changed it has been it has been romanticized over the years of course for for many reasons but i i i can imagine i mean that's what they you know you read mostly that story about soho you know i mean is like people lived there because it was cheap and disgusting.

24:28Sure. You know, and it's like, like anything else, now it's the most expensive or one of the most expensive places to live.

24:33Jason Stewart:I lived in a football stadium for$70 a week. Yeah, yeah, yeah. You know what's funny? I actually watched, around the holidays, we watched Hannah and her sisters for the first time in years. Yeah, I used to love that movie. And if you remember some of the subplot, you know, these sisters are, one's having an affair with the other one's husband. And it's shot, Michael Caine plays an art dealer, and a lot of it's shot in Soho, around where the old Dean and DeLuca used to be. And, oh, my God, it looks like a war zone. It's unrecognizable. And you would not have wanted to live there. Well, luckily, now I can go down, get my Ritzia puffer coat just right on the corner and then head out for my day.

25:14So everything's changed. You're the vision of gentrification. I am. I'm part of the problem, and I know that. I'm part of the problem, and I know that. No, but that is really – it is interesting to know when it's time to go. because i feel like a lot of people especially if you grew up there it's such a part of your identity that leaving feels crazy you know it feels crazy to people it's funny when i um a few years ago uh around thanksgiving we were we were putting our house in the market we we moved and so we had to like get staged everything so we spent the weekend in manhattan and my younger son who's eight now uh we went to like tiny's for dinner something like that um and i was taking him going back to the hotel and he was just like carry me like this is filthy like this is disgusting who who would ever live here child abuse bro get me out of here like there's trash on the street what kind of vulgarians would ever imagine calling this place home you know i was like we're in tribeca too like it's not it's not baghdad yeah yeah this is no yeah this isn't yeah this is it like sweetheart let me show you we can take you some places in

26:21Jason Stewart:spencer pratt's los angeles yeah did you think that uh that's so funny did you suspect that if spencer would have won not to as an aside do you think he would have been the level-headed person to kind of giuliani clean the streets up do you think he would have made some progress actually or do you think it was all a bunch of hooey i think that was a bullet dodge for you guys i think you should be pretty happy that that well well i don't want to i don't you know i don't want to bring up a sore subject here but dave portnoy uh is now saying he might he might he said he's going to go up against mom donnie he thinks he could he thinks he and i saw somebody on twitter say he's too ugly to be mayor and i was like that you know what that's perfect that's all i don't need to hear any of his stances that's the perfect retort to that i think it's fine there's definitely a like cultural threshold that you have to hit um as a kind of uh famous person of a certain type to like you've descended to the point where you have to decide that you want to run for mayor to be relevant again i feel like for you know for spencer pratt it took a long time i'm always amazed they portnoy made a fortune from the sale of barstool and then and then basically was like re-equitized to fortune when he acquired it back for yeah for you know a dollar um just be rich yeah just enjoy it just be rich just i mean like you can make i say that all the time but chris chris pushes back he says every no no one can ever stop everyone there's always no but that's not true that's not true there are plenty there are plenty of rich people who have realized that rich and anonymous is a is a but john this is this is what i was gonna say rich and anonymous yes if you started if you're rich came with front-facing i think you're more addicted to being a public figure than you are to the money like does that make sense yeah i think that you're right.

28:05I think if you're an anonymous billionaire and you've done it below the line and no one knows who you are, that's very different. But I think if fame was attached to it in any way, even if infamy was attached to it in any way, you want both and you can't stop. But do you think there is enough money? Do you think... It's like this polymarket campaign with Rick Rubin and blah, blah, blah. It's like people are like, he doesn't need the money. I'm like, no one needs the money. It's about wanting the money. And I don't think that people are understanding of that. Well, I think you're making two points here the first of which um uh i think a lot of people listen to the show probably agree with not everyone who is rich should be rich right it doesn't it doesn't always it doesn't always go to the rich store and say i want that rich person like it doesn't it just the system is not set up that way um i don't know i i really do think that like we chose capitalism and uh there are almost all of it is upside but there are some downsides and um and the fact that uh what motivates people fascinates me um sometimes it is money sometimes it's a different form of capital we're just talking about fame that's a very real one sometimes it's it's not to get like too deep but like you know it's more psychological um um but you know what has definitely changed over the last 20 years or so is just the like the wealth discourse you know um yeah in the old days you were rich you joined multiple clubs maybe your name was one day affixed to the side of the museum now if you're if you're ultra high net worth if you're worth you know hundreds of millions or billions of dollars you subscribe to a different philosophy than many members of the human race and that um that really has happened and we see parts of that in like the manosphere um you know we see other elements of that in in the inequality conversation uh you know a lot of this is actually wrapped up not to get too heavy on you guys but like part of this is drop it on us brother well Well, it's in the AI discourse, too.

29:59No, for sure. I think you're absolutely right. I think that, and it's always been about power, I think, as obviously one of the major tentpoles. But I think now, because everything is so public, it's like the thirst to use your money to influence politics and sort of the way the world works is different. Like, we know about it. Whereas before, it was done, like you said, in a country club somewhere that we would never have access to now.

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30:25Jason Stewart:We didn't know the Sam Altman flick was getting the kibosh back in the day. And now it's like literally everything. It's Elon talking about putting his fucking dogs on the desk at the White House and saying, I want you to kill this person. It's different now. You guys are billionaires. What do you think? It's true. And I use my money for good. I always give anonymously. It's fine. Don't worry about me. But I think that - Those who know, know. Okay. I think the power thing, and I think Elon is a bad example, obviously as a bad person, but I think he's a good example for people who want to be bad.

31:03It's like, oh, you can like, this guy's doing it out loud and there's no consequences really. So it's going to encourage other people to try that on whatever level they're at. Well, I don't want to sound controversial, but you do have to remember he's obviously an out there personality, but the amount of wealth he's created for his partners is extraordinary. If you look at the number of billionaires they're minting in Austin right now, it's transformative. One of the funny things, if you step back and really do try and think deeply about this stuff, is technology in the last 20 years has accumulated more wealth and fewer hands ever before.

31:37We know that in some cases it was due to profound strategic thinking. In other cases, it was due to luck. Most people don't admit that they got incredibly wealthy by being totally lucky. so they apply their worldview to other sort of professional genres where they may have less experience. But if you think that's going to stop, you're crazy, right? Because, you know, whatever the sort of software and mobile revolution did to centralizing that wealth and fewer people, AI is going to turbocharge that. And it is, it's heavy stuff, man, you know, but that, But every time I think people get frustrated with it, they consider the alternative.

32:19And unfortunately, this outcome is actually much better. I mean, I was reading, I think it was the New York Times, there's a story about where they interview AI employees, like low to mid-level that are making upwards of six figures, saying that we're going to get priced out. We're making what is considered by, I would say, 99 % of Americans to be a very healthy salary, especially for my age. And I can't afford to live in the city I work in.

32:42Jason Stewart:It's major city, middle class now. The middle gets chiseled in a lot of ways in this culture. But by the way, too, not to do any reverse Robin in here, but I think we started by talking about New York. There's a lot of people, Galloway talks about this in Pivot all the time, and it's true. There's a lot of people who make millions of dollars and feel priced out of New York now, too, and of L.A. But yes, there's no question. and those people that you're talking about, Jason, who are in those roles, they're, in many cases, not only are they being priced out, but they're also training agents that are going to take over their jobs in a couple of years.

33:21They're like, I'm not going to make enough money to pay my gas bill.

33:24Jason Stewart:I was talking to a founder friend of mine this morning and we were talking about how you have to hire enough people to build the team that will fire them in 12 months so your company can then get the next valuation or whatever well i can tell you we don't do that at puck but i but there is a um there is a world in in all circumstances i'm sure your friends being sincere where um there are financing sources that would um uh that would applaud that advice um but yeah yeah but i'm not as dystopian about uh ai coming for all these kinds of jobs as some others but we don't have to talk about that and make it a little grim no i'm not either i'm not either i mean i think it's sort of like i just think people people just think about things too much if that's that i know that sounds crazy but it's sort of like there's always something looming that is going to change our society for the worst that's historically just whatever that is black says don't think about ai too much guys just no i'm just saying i think people become i think people become obsessed with this stuff and how it's going to affect them and it's like of course you have to think about it a little bit as a function member society but i think people really let the doom and gloom sort of take over their psyche and there's no upside.

34:35Well, people are, uh, the human mind leads anyone to be binary, right? You want to think it's good or it's bad. And, and, you know, none ever send the time it's somewhere in between. It's a little more complex. I think a lot, whenever I hear the kind of, you know, uh, doom loopers, I'm reminded of an old boss of mine who, um, it's probably about, uh, five or six or seven years older than me. And he had one of his early professional experiences. He worked in the magazine industry, which is where I started my career. Uh, he worked at time magazine and on the night of december 31st 1999 you know uh time uh inc which was part of a public company at that time this is a well time order was was about to happen yeah they sent all what they called them the young people to the office basically because they were worried at like when the clock struck midnight y2k that it would be like you know robocop or transformers or something and like the machines would would you know these these small sprout legs and start shooting exactly and take over humanity and guess what happened like the clocks updated and they were like nope happy new year it's midnight life is going to go on anyway it's important to remember that sometimes our worst fears aren't always true there's a great mad men scene about that as well

35:44Jason Stewart:where they get the computer installed in the office and the one yeah the one guy loses his mind he gets 51 50 because he thinks the computer is gonna you know it's the same exact thing that's happening with Anna well earlier you were mentioning uh capitalism we're talking about ways we can make money uh you know we got to make more money year over year and the media business it's a little tricky have you ever thought about you know puck odds puck betting not not necessarily your own calci or polymarket platform but you know the way people can get some tips on bloomberg or whatever, like, you know, Puck has it, has this movie at, you know, whatever odds.

36:23I got to tell you guys, I listened to your episode with Wiesenthal. I worked at Bloomberg for about a year and a half and I laughed so much. I loved hearing you guys. You loved hearing us ask, what is a Bloomberg terminal? Exactly. The only reason I know what a Bloomberg terminal is, is because I've lived in New York for so long. That's like something you learn when you, if you are not in finance and you're far away from like I am, you learn that when you live in New York City. Otherwise, I would have never known that.

36:50Jason Stewart:We're talking about the price of the terminal, like the Erewhon smoothie. Like, this costs$32 ,000? What? And if you go into certain trading floors, it's almost like a sort of ancient civilization where the chieftain has eight terminal screens to sort of show that they're the most important person on the trading floor. Anyway, but it was great, guys. I feel like Bloomberg LP should hire you as salespeople because you were absolutely natural. One of my favorite memories of working there, however, was every conference room was named after a market where the terminal was in. So like Shanghai, you know, L.A., Atlanta.

37:28And then every quarter there was a maintenance worker who came around with like an X-Acto knife because underneath the name of the market was a number of terminals they had that were rented in the market at that time. and every month they would exacto out the number and replace it with the new one. And you're right, it's like$30 ,000 a screen. So when they went from like 742 to 761, like that was major coin at the time. What did you guys ask me? I can't remember what this question was. That's really funny, actually, that they care that much, that they need their employees to see. It's only the employees are seeing those numbers go up, but I guess it's good for morale.

38:04Jason Stewart:The original question where I was asking if you were considering like having puck odds like for sports or film premieres or you know what you know is chanel going to be acquired by lvmh what are the odds type of thing you know the um the short answer is no but i think this is not a podcast where we do short answers uh from from uh what lauren's told me so the the longer version is like the prediction market space um uh which there is being defined right now similar to like it's actually actually interesting it's It's like ride sharing or gaming beforehand, where the companies are really well capitalized and run by great leaders, and they are faster than the regulators.

38:43So at some point, the rubber will hit the road, and we'll see what does happen there. But that's not what we do. You know, Puck is in eight different professional markets, and we also own AirMail, which is sort of a leading cultural voice. and we want to be able to offer uh you know insight information in you know news you can't get anywhere else from incredibly trusted journalists that you absolutely love and can't live without uh this would be a diversion to get into that um sort of prediction but i guess i mean i guess because i mean obviously i've been a puck subscriber since like day one and i i mean i think i i guess the the when you think about pushing into these new territories because obviously you've grown quite a lot, you know, as far as like what you're actually covering.

39:30Is that, are those decisions kind of based on the journalists that you're hiring? Do you know what I mean? Like, is it like this guy is now free or we want this guy, we're going to go make an offer. Is it based on the talent or is it based on the interest area or what comes first? The three things that you look for in coordination are a trailblazing, part of the sort of generational talent you need to have uh you can't just say somebody's great they have to be like obviously well you're asking people to pay for it you're asking people pay for it and it's not a newspaper so it's like you it has to be great yeah i mean for what it's worth i think that the um uh people pay now i actually think that that media that you don't pay for is um is much more imperiled than the media that you do pay for um i think that that's a okay watch your mouth how long gone free wherever you get podcasts three to three days a week go ahead i don't know if we're gonna call us media the um you need you need a remarkable talent you need a market that i think has a professional audience that feels underserved um that that's crucial um uh and that's it can be that can mean different things in different spaces and then you also want a market that has an endemic advertising opportunity and if possible has one a market that has an experiential need to where there's a a need for professionals to to want to uh convene to to meet and eventually probably to do deals and and uh have professional value so you want um you our most successful markets that we're in have uh have all of those factors yeah sure i mean that makes sense that makes sense but i mean the airmail stuff is it obviously you you worked for graden for a long time it made sense it made sense it made sense for you to do that deal and like i i love airmail i think it does occupy a space that like is necessary i think julie's doing a really good job i think she's great but it's pretty good it's no puck but it's something but i mean And that's the first time you acquired something.

41:24So, I mean, I think that that opens the door for questions like, you know, because I think a lot of these, I don't want to use a dirty word, but sub stacks are, you know, some of these things are going to get too big for their britches. And if they don't have the capacity to hire their own teams, someone like you can swoop in and put them under the umbrella. Is that something you're looking to do more of? Has AirMail been successful in your eyes so far?

41:47Jason Stewart:Come on down, Ben Shapiro. Yeah, exactly. Exactly. Yeah, exactly. So the short answer, which don't worry, we won't rely on is yes, absolutely. Right. And by the thanks for putting Julia Vitale has been an extraordinary talent. She's the editor in chief of AirBail. She's awesome. She's awesome. She's she's she is a true talent. I've been in this business for 25 years. She's you know when you see it. She's a true talent. We've actually acquired a number of a couple of small businesses before we acquired AirBail. our wall power which is our art franchise helmed by mary manneker uh was born out of a business called art market monitor that we acquired but that's more of like an industry you know what i mean that's more of like an industry paper i guess airmail is like a that was a glamorous totally thing totally they're not apples to apples but just to point out to get to your your second part of your question is that yes we believe that there are a lot of targets and sub stack that we would love to envision inside Puck, inside Airmail.

42:44Maybe they're a brand that we would want to just preserve, the brand that the creator has created. I think you've got your finger on this. There are a lot of reasons for elite talent to go to places like Substack or Beehive when they began to do it. Hey, no one with talent went to Beehive. Come on. Come on. Well, when Puck, when we launched in 2021, we wanted to offer the best of both worlds. We realized that elite talent had a lot of optionality, and we wanted to give them the opportunity to build a business with enterprise value where they were partners. They were going to be there to help guide the journey.

43:22They would be able to put money in their pockets through their own success, and we'd build a business around them. There were other people who wanted to go on their own. I always viewed Substack, and this is probably just because of my background as someone whose parents were writers, someone who had grown up in magazines. I viewed Substack as a gateway drug. You know, I think that it was an opportunity for a lot of creators to go and to be on their own. But another word for that is being a freelance writer, which there's nothing wrong with that. It's so funny that you say that, though, because no one ever says that.

43:55And that is exactly what it is. That is what it is. I'm the child, the adult child of freelance writers. And that's a wonderful that's a wonderful calling.

44:02Jason Stewart:But the challenge that adult child, adult children are freelance writers. The few, the proud. We meet in the Presbyterian Church on Wednesdays at noon. Coffee is black. Just show up. It's hard to build enterprise value. To your point, I think that as you get bigger, you have to hire. You don't have economies of scale. It eats into margin. We want to be able to be a solution and develop partners in that route. That's an option. I also do think that we're living in a moment when, I think in sort of metaphors and frameworks sometimes, but I really do think that the last five to 10 years of media has been like, do you guys remember Pangea from like middle school, like the Big Bang, all that stuff?

44:49Is this a Pangea, the landmass? Yeah, the landmass. Yeah. Yeah. You're both looking at me like you're on Iowa. Okay. Heat up your 4th of July at The Home Depot with our wide variety of grills under$300 and make every gathering one to remember. Give your outdoor space a glow up. Whatever your budget is, the savings on seasonal plants starting at$5. With the grill fired up and your backyard set to perfection, you'll be able to invite friends and family over to kick off the party. Start celebrating with low prices guaranteed at The Home Depot. Prices may vary by store. Exclusions apply. See homedepot.com.

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46:11I didn't know if this was some weird dot-com bubble we missed. You're talking about the classic Pangea. We're dumb.

46:17Jason Stewart:We're not stupid, John. Not everyone remembers Pangea, But there were these large landmasses of media companies in this metaphor. The Big Bang happens. It leads to landmasses of various sizes that over the course of many bazillions of years lead to landmasses that make sense. That rebundling is really happening now in media. And yes, I think that ambitiously Puck wants to play a significant role in that. The rundle. The rundle. I mean, we talk about this all the time. At a certain point, it's like, I think, and I think this isn't a good thing, is like, it's re-engineering the magazine. So there's multiple voices that are experts under one roof.

46:57And that's what Substack to me has always lacked. You know, it's funny. We always talk about the magazine arts here at Puck. I actually, you know, I feel like they're really coming back in a way that's pretty powerful. I think just given the, like, lines on our foreheads, I think we're all kind of around the same age. Maybe I'm a little bit older than you guys. I hope so because you got a lot more money than us. So if you're not, it's going to fucking knock me down.

47:21Jason Stewart:John, you look great for the amount of stress you must spend. You do look great. If you're listening to Pivot, I know you're older. Not joking. Not joking. You have a youthful glow. You look like you live in fucking SoCal. Yeah, you look like you could be in Palm Beach every Friday to Sunday. That's for sure. It's all the tennis courts in the suburbs, guys. We've got to get you out there. You're selling us. You're selling us. Yeah, yeah. We'll get you. We'll exchange peptide stacks after we hit record. Okay, John? There are a couple great lessons of the magazine era that I learned from Greg and that I think are more true than ever.

47:52Not every brand has to be great. That doesn't mean every brand has to be super duper scale, right? When we look back at the Web 2.0 era, a lot of the companies that we liked and that did really well for time, they started out the right size. And then based on fundraising demands and expectations, they had to get to a scale in which they kind of caved in upon themselves. I agree. Gawker should have stopped with Jezebel. We didn't need the car site. We didn't need the sports side. I agree completely. So we think about that a lot, Puckman. We want to grow sustainably, obviously. We want double-digit revenue growth every single year across our franchises.

48:26But we also want to make sure that we're making something that is scarce and something that you love. Actually, I remember at my first, one of my first pitches when I was pitching the business, probably this is way before COVID, I worked at TPG, a private equity company, and I was with a couple of deal partners. and uh we were looking at the initial business model and i said you know the end of the day what you really have to do is make something that people love um and they were like okay hard pass you know like bro you got a spreadsheet you can show me or something i don't really believe in all that love shit vague is that what you mean no well they will and they they you know co-led the series a and and were part of the beast so they're they've been incredible partners and and they believed in but what i um i didn't have a language was evolving that hadn't quite crystallized yet that it would turn into something that we all understand now that i think is a business term uh a term of art but a real term which is fandom you know and um what pup tried to do was to create professional fandoms for um for the markets that were in you know uh you don't just read lauren because you work in fashion or the beauty industry and you need to know it you love it you're obsessed with lauren you you know um you you want to know what she did last night you want to um you want her impressions of the show is like that part that that's really really important and um you have to scale that with a with a sometimes i think if puck is almost like a fashion business in the sense that you have to um you have to scale that you have to scale that but you have to scale it with a lot of grace and these are lessons that were learned for me in the in the magazine era um and uh it's it's very cool i i'm amazed by um you know there are a lot of touches that i think puck has like the headlines that are you know to me were born out of watching you know gradents like headlines uh 20 years ago that a younger generation it's just new to them like punny yeah pithy headlines um uh you know a headline that makes you laugh or feel something like that was the that was the table stakes when i was starting my career that's all you had it was it was i mean when i worked at um at vanity fair in like 2004 there was a guy named bruce handy was a very talented editor who would write like six selections for eight selection eight right eight headline drafts for every single story like in the well you know which younger listeners may not know was like the back half of the magazine where the you know with the double truck photos maybe your listeners probably do know that but a few people do and then there was a woman named I didn't know that there you go see right the fan service here um and there was a woman named Elise O'Shaughnessy who lived in Newport who would uh basically top edit Bruce's headlines and write her own headlines and like in a way that was not condescending but like a little patronizing she would star the ones that she thought were pretty good for Graydon and then eventually would go to his desk and he would just put a check next to the one he liked like that was for the headline guys like that's just like yeah we're putting we're putting that that much effort into the headline because that's the only way we're going to get somebody to read this story it is the reality if you don't connect there then it's a lot harder well what i also notice about about puck and well this is a bigger conversation i think in the business in general is sort of like the way that writers are now forced to be sort of camera facing let's say you know what i mean like before you could just be good at your job and write your stories and people would read them now it's a little bit like what's this like obviously now people do podcasts that's different i just mean there's not i i don't think there's a pressure for matt bellany to make tiktoks i i'm gonna say i'm gonna guess that's probably not coming from you i don't know no i don't think matt's on tiktok um i i certainly um wouldn't uh you know i i would never tell him to do that uh i mean you know but he has clips on reels and youtube and twitter no but that's from the podcast Yeah, I guess what I'm saying is there was a point where it was like...

52:23What's the diff? Well, it used to be different. It was like you have to figure out a way to make your face known, whereas now a podcast does that without having to be as gross, I guess is what I'm trying to say. Yeah, yeah, yeah. Well, let me tell you how I think about it, which is one of the ways that we try and think about it and monetize it at Puck. For truly elite talent, they have many skills, And you have to recognize what their sort of skill stack is, as it were. They're remarkable journalists. They can gather information. They're great writers. They're great podcasters. They're great marketers.

53:00They're great conveners. And I think that, and the last part is actually quite crucial, but underappreciated. They're distributors. Matt Bellany's What I'm Hearing email franchise, it's coming from Matt. Like, if you respond to, if you hit reply, it goes right to Matt. You know, he's and his credibility and obviously like extraordinary talent, but his credibility is it gets it to you. And that's like that's so different than when, you know, the result when I started my career. um and so you know part of our business model and proposition really is um that we want to be we want to be the platform for this elite talent so that they can all you know uh embody and amplify the kind of brand halo power of puck but also um lean into what makes them uniquely talented well you let people have an attitude like you know what i'm saying like lauren's gonna say some shit that'll piss somebody off matt matt said the thing about can lion that went viral i've seen that everywhere i agree with you i mean it's fucking funny it's like actually funny that's the thing it's like it's actually funny and sometimes these industries need to get a little kick in the ass because it they take themselves too seriously and i think that is like that's necessary for almost any business well a lauren and matt um who are two of our biggest stars and truly like once in a generation talent they really are um slow down now uh they are besides youtube um but no they are we're up for sale just let us know i mean you know they're uh they have the they make a lot of things that are really hard look really easy um yeah i i don't think that um you know matt's unique matt matt's just like his extraordinary credibility allows him to make that joke and everyone is like oh yeah i agree with him right or until he's right well you can tell that matt in a classic way is not trying to make friends let's say you know i think that's the big complaint about he's less worried about being canceled i mean yeah definitely that but i guess i mean that like the way that all of these you know the jake shanes of the world are getting killed you know because they want to be friends with their subjects you can tell that matt has no interest in being friends with his subjects his job is to report some of them but mostly no unless they're baseball players you can't do what matt does without having incredibly deep relationships.

55:26Yeah, for sure. You can't. It's deep relationships earned over decades. But I think relationships and like friendships are different, if that makes sense. Like, I think there's like a palling around that podcasts encourage that like maybe a classic journalist approach, it would never get that far is how I feel about the way he operates. You know, I think everyone everyone has a different style. I think that um, people, everyone knows Matt is the most scrupulous, fair guy that, that you're going to find. He's also very funny. Um, but he's not ever going to be, um, bowled over. Um, yeah. Yeah. And that's, I blame him for a lot because he's made everybody a fucking armchair expert in the movie business.

56:13And that's that for that is good for your bottom line, but it's bad for my ears and eyes, you know, guys telling, talking to me about fucking opening weekend. I'm like, dude, you work you work at a store like what the fuck do you know you don't need to know about you don't need to know about this like what are you talking about but it's it that's a testament to the reach well that's uh look it matt makes so many unbelievably hard things look incredibly easy and the fact that he's uh you know you guys aren't hollywood executives who need to study the box office but yet he's made it so interesting to you while you know uh creating work that is incredibly uh not just relevant but like mission critical to the people who run the studios and the agencies is a is a sign of the breadth of his talent well that's what i was going to say it's like if you got bozos reading it and you got the guys making the decisions reading it then that's it you got the full spread you won at that point well you you mentioned uh we were talking

57:08Jason Stewart:about magazines earlier a lot of magazines have had to really shift more into you know throwing parties and magazine editors are now you know hosts of events and things like that um and you mentioned experiential being a part of puck's uh overall revenue how how big of a part of your overall revenue is experiential you know we don't normally break out our um our revenue mix uh publicly even on a even on an investor-minded show like this one um but uh it's rev mix it's it's a It's a material part of the business. A lot of the experiential is downstream of the commercial business. So some of the advertising we sell is matrixed in with events.

57:54Some are sold separately. It can depend on a number of inputs. But it's an important and growing part of the business. I think, look, I'm not Nostradamus. A lot of people in this industry say the same thing that we do, which is that convening is really, really important if you do it in a high-end way. You have to make things that people want to do. I like you. You used the word convening, and that's a really sexy way to put it. I like that. Oh, thanks. I like that. Is that an original, or did somebody teach you that? God, I can't remember when the first time I learned the definition of the word convening.

58:27I took Latin, so convening. I don't mean that. I just mean I didn't know if somebody was throwing it around. You're like, you know what? I see a way to apply that. I like it. Puck provides a lot of, you know, I think at our core, we provide business intelligence to a professional audience in a way that offers them the sort of textures and narrative voice and wit and mirth that they can't get anywhere else. And so a lot of our experiential business is built around putting people in professional settings where they can exchange ideas and relationships. Oh, yeah. Part of paying is that you get to be in the room with like-minded people that are in the same industry that you might not have come across otherwise.

59:12I mean, it's a simple—

59:13Jason Stewart:I've been in some great puck dinners where I sat next to people. I middled out of some tables that— You've been at puck dinners? I didn't deserve to be at them. Yeah, definitely not. Which dinners were you at? I've been to a few Sherman. The last one, what was it? I was sitting next to the CEO of Skims. It was at Mr. Joe in LA. John's going to get off the call and be like, all right, Lauren, we're going to tighten the belt a little bit on this shit because these guys should not be there. I was wearing a suit, John. I was wearing a suit. We said industry leaders. I don't know what you meant by that.

59:42You're very adamant. Did your suit have sleeves? Just curious. You can go either way. This was a sleeved piece, this particular one. It was one of his classic sleeved pieces. It was hot. it was hot though um it's like a wild thing um in in major league you know it's like it's not the california penal league but no but whatever ever you know everyone's got a different look i'm glad i'm glad you're there and had a good time so you get a flavor of what i'm discussing that that these are places we want to create environments that you want to attend um because your time is limited but also there's professional value as well yeah yeah rich people want to meet

1:00:12Jason Stewart:interesting people interesting people want to eat meat rich people it's all there um so you you You were talking about hiring all the people, the Shermans, the Belonies to all these positions and kind of let them do their thing because you trust them. Do you feel like because you do that, you haven't felt the need to hire a CTO at Puck? We have a CTO. As in chief taste officer? Oh.

1:00:37Jason's looking for work. So I think this is low-key him soft-selling.

1:00:41Jason Stewart:The remainder of the questions will be employment-related. as a... Are there any podcasts you're eyeballing for acquisition at the moment, John? We can segue the conversation right now. I'd love to learn more, Jason. Do you have a resume that you can send me? That would be really helpful. I negotiate on his behalf so you can just talk to me. He's not answering any questions unless it goes through me. I'm not forward-facing currently for the brand. Yeah, we'd love to. Chief taste officer. No, but on his... The CTO, chief taste officer was a serious question. Is that something... Obviously, it's a funny thing that people are talking about now, but companies are hiring people to give their brand taste.

1:01:20Jason Stewart:Obviously, it's more so a tech startup or an AI company and less so a media brand. But what are you thinking about? Yeah, we're probably going to skip that one. You're like, headcount's kind of tight right now. That's not top of the pyramid for us. That seems like something AI can do for us. Damn. Real talk. What is the, all right, so you've been doing this a long time. That's a good flip right there, John. You've been doing this a long time. What is sort of your, you know, what is your daily intake looking like? Like, are you reading four newspapers before you leave for the office? Like, how crazy is it for you to try to keep up?

1:01:56You know, I read a lot. I read what you think I read. I like that. The new Playboy is great. I couldn't agree more. They're doing great things over there.

1:02:07Jason Stewart:Turn that thing around, man. They're doing great things over there at Playboy. God, I wish every My Monday Morning Diet fucking email is like, I read what you think I read. I listen to the podcast you think I'd listen to. You know exactly what I fucking do. I'm not going to blow your mind. All right, so there's no secret. You're doing the regular stuff to stay informed and blah, blah, blah. But I mean, I think you do have somewhat of a purview across a lot of things. So I didn't know if there was any nooks and crannies. My partners help, obviously. I mean, there's no education like a puck education, truly.

1:02:38You learn from the experts in this field, and you want to make sure that you have a supportive base of information. Remember, I'm also obviously laser-focused on the business of us. So we have a large infrastructure at this point that's able to support Lauren, Matt, Dylan, Mary, and their partners to ensure that they're doing the best work of their careers. But I don't, as long as you're consuming information across a number of categories, political news, which, you know, maybe read out of sort of just a guilt, natural, personal, patriotic interest. But I think that what's important to me is to read journalism, but also not to only exclusively read journalism, right?

1:03:25Like, I'm very interested in analyst reports about media and financial companies. I want to make sure that I understand a lot of the industries where we have, you know, leading products the way that the pros who work in those industries would, you know. Sure. And there actually is often like this is this is one of, I think, things I'm most proud of that puck is that we have established this position that that's almost in many cases above journalism, sort of between journalism and equity research so that you're along with, you know, narrative and and recognizing these are. You're getting like the hard data.

1:04:02And you're seeing it at a high level where you can see the strategy. You know, a lot of I'm not trying to put down any peers here, you know, in other companies, but. Please do.

1:04:11Jason Stewart:I wasn't thinking that at all, but now that's all I'm thinking. It's not binary. Things don't always happen because somebody made a bad decision. It's usually there is a complex spider web of decisions that had to be made in a compressed period of time. And so I try and when you're a business owner, by the way, you recognize that people do the best they can. And sometimes there are elegant outcomes. But I read a lot. I wonder sometimes how many thousands of words I read a day, many, tens and tens of thousands, and look at bazillions of spreadsheets. to it you learn over time um to consume information really really quickly and you also know uh when you're when you've consumed enough at uh an acceleration where you can make a quick decision and you have to know when you can't make that decision too which is actually not to overshare but that's a that's a critical no i mean no i mean that's that's why you're the boss all right what about any trashy shit though because i mean you know i know all but you know like what's the Are you looking at Doom Wah on Instagram?

1:05:22Which podcast are you listening to at 2X? Again, I wish I was... This is the part Lauren warned me that I was... You're a call her daddy day one subscriber. It's okay. You know what's funny? I got to know Alex a little bit, and I really like her and Matt. I feel like her media intelligence is totally underestimated. She's someone who is going to be successful for decades in this industry. I don't have... She'll be running Paramount Plus one day. God willing. If she needs a chief tastemaker, I'll put your list on top of the pile.

1:05:56Jason Stewart:Taste officer. Sorry, that's what I meant. Executive taste officer. Executive taste officer. Yeah, there you go. He's wearing his badge. You just can't see it. I'm not the most high-minded person in the world. I think if you talk to my friends, they would say that I'm actually like, I play against type in a lot of ways. You might think that somebody who had my job and was more a feat than I am. I'm not. I read a lot of trashy things. I'm very interested in a lot of trashy things. It's interesting for me to see how they course to the culture. I think that there's a high-low matrix that most people who work in media sort of live by.

1:06:37Mine's not a ton different on a personal side. But on the other hand, like, I recognize that Puck is making products that have to be incredibly relevant to the most influential people in society. We have first-party data on who our subscribers are in markets from politics to fashion to Hollywood. It's the top of the top of the top. So you got to, yeah, sure. So you just got to. All right. So where's LeBron going? Oh, man. Wouldn't you love to know? China. it seems like i mean a lot of the signs are pointing back to um to la which does not seem like the right decision to me like the clippers no he said today oh you miss it he said today he's not going to la but he's going somewhere that happened like an hour ago oh are you guys ahead of me sorry um uh well then your guess is as good as mine i don't know when this show's coming out i don't want to look stupid i think if the knicks had lost there was a real chance he'd come to new york oh he's not gonna do it now uh now did you go to did you go to any of the finals games no it's funny i try like hell um i i didn't get in uh the closest i got was i took my kid my older kid to the parade um which uh passed by our office i've been uh it's funny lauren put this on the approved topic list because i grew up in new york so i'm a lifelong nick fan and i was like you know at the age in 94 when we got so close um so this is big for you huge huge um you know uh it's hard to for for me and people in my generation to believe that there is a greater nick than ewing you know and like there is now like this it's uh he's totally totally been just i've heard a lot of debate about about jalen brunson and where he stands i think you can't i think you can't debate it i think that um you know ewing didn't get the chip and and uh he and all these like all these miss finger the rick smith's finger roll like you know we we love ewing but we But we apologized for the guy a bit, you know, playing alongside Jordan.

1:08:32I mean, do you guys remember, I think game five of the 94 series was during the OJ chase. And so that was like the one game when we blew out the Rockets. And I remember as a kid, like, couldn't watch that. I think I got it on the radio. That was the absolute highest point of Nick fandom imaginable. Like you're on the brink. You think you're going to, you're thinking of a chance to clinch. And then Brunson, Brunson eclipsed it, you know, and when we were done, when we were down 13 points, uh, we knew we were going to do it. It didn't look good. That felt like the OJ trial. You're down 15, 13 points when you come out on top.

1:09:10Maybe that's, it's a, it was never in doubt. Side by side. It was never in doubt. I think we knew all along. There was never, there's never a doubt. No, it was, uh, I live pretty close to the parade route. So I was, uh, enraged at the difficulty it caused me. But when I talk to guys like you who grew up a, you know, disgruntled fan, I do, I can see the joy is real. It was surreal. We were up on our, um, our office on the 23rd floor of a beautiful office tower on Greenwich street and looking up church towards West Broadway was a, it was a sea of, uh, blue and orange. It was crazy. So many fucking people.

1:09:45All right. So as we wind down here, what, let's just, what magazines do you think are going to survive? We can go Hearst. We can go Condé. We can go Independent. What do you... Number one, New Yorker is my vote. Of course. But what else you got? The New Yorker will survive. You know, they're all going to exist a lot longer than you imagine. They'll continue to be hybrid. I think people tend to think that these transformations are overnight. They're not. They're much more gradual. And you guys see this because I listen to the show. There's a lot of sort of use cases for print that there weren't before.

1:10:17They're just going to be smaller businesses, right? That's obviously happened. The new houses love The New Yorker. It's a part of the family's public-facing identity. That's not going anywhere. The Atlantic is the same way. I think that Hearst is a lot less precious about its print business. The other brands, they'll become more and more digital and less and less print. I think they've maintained their print identity because there's still some economics tied into it. There are a number of advertisers that really do want their creative to show up that way. There are more, you know, I say this as someone who used to work in this industry, there are more magazines than there are people who want to read them.

1:10:57Eventually, that will rectify and it'll be healthy for the two-sided marketplace, guys. Like that'll be healthy for both sides. People who have the talent will be in places where it's the most valued and the consumers get the best deal. You're right. You're right. I just think it's a funny, I don't know, I just think it's a funny time because it's sort of, we're at that, I mean, it feels like an inflection point that's lasted for a long time, but where it's like our general generation that still holds on to it and thinks it's important is we're just getting older and older and the young people are sort of discovering it in a different way.

1:11:28Maybe you're appreciating it a different way, but I don't know if those things are going to ever meet in the middle. You can't be nostalgic about media. Good media is profitable media. You'd be surprised how many people are late breaking to that realization. And I have a 12-year-old and an 8-year-old, and they don't just watch YouTube all the time. They sit down on the couch and throw YouTube from the older one's phone onto the screen. It's a totally different way of consuming them than we ever did. and they're not watching shows. If you said to, you know, they're barely aware of what Nickelodeon is.

1:12:01They're not, you know. Shit. A lot of the traditional franchises that we grew up with are not relevant to their world. Like you have to be. They're like, get this Ren and Stimpy out of here, old ass. Like I ain't watching that. Yeah, I'm sure. There's a Nickelodeon experience near us that actually is pretty sweet and that's the only way they know Ren and Stimpy. But yeah, that's irrelevant to them. And even like, you know, A lot of franchises are the Netflix shows. I'm just saying if you want to build successful media, you cannot be sentimental or sanctimonious. It's just not helpful. Yeah. No, I mean, that's good advice.

1:12:39I needed to hear that too, John. The little slap in the face for Jason.

1:12:42Jason Stewart:Let's talk about cold food as we land this plane, John. Oh, you need to do your homework. I'm a big food lover myself, avid home cook, and I hear that you exclusively consume warm foods cold? This is funny. Hold on, hold on, hold on, Jason. You're saying that foods that would be traditionally eaten warm, John prefers cold. Maybe the spaghetti meatballs comes out and we let it come down to room temp before we start twirling? Fake news, guys. No, what you're referring to is I have a very religious no hot lunches rule. Because of the smell? No, no. Only crazy people eat warm lunch. Damn. Maybe I'm talking to you too right now.

1:13:26Jason Stewart:Even in the winter months, John. Even in the winter months. No way. No, it creates mental fatigue for me. So if I'm in a serious environment, like if I'm having lunch with an investor or a client or someone who... You got to be on. If we got a check writer across the table from us, we ain't getting the soup. Keep the bisque away. No, definitely not having soup. But if I'm in a situation where it's not a safe space for room temperature lunch, which is the real sort of threshold, then I will order something and I will wait till it cools down. And, you know, I'll let you eat and enjoy yourself. I'm not here to make you uncomfortable.

1:14:01It's your lunch too. You can enjoy yourself.

1:14:03Jason Stewart:This is okay. So I have a similar philosophy with the way lunch foods that are heavy weigh me down and certain things I avoid. Otherwise... See, that's the first step towards freedom. so i always considered it to be like heavy foods versus light foods and you're opening my eyes to temperature and i was not yeah temperature is the main culprit is what you're saying yes it's it's temperature turn the oven off babe i'm gonna have lunch after this uh uh everyone wants uh a nice satisfying lunch i just think that if you're like getting something piping hot out of the oven uh i just have a hard time like you know getting back to work and and focusing at the level that i need to um and and what you're right about um uh because you are betraying your sources here a little bit is that not everyone responds to this um with the normalcy that i think i deserve you know i i told you i'm on the same side i'm fascinated and i want to learn more yeah this is reasonable well this is really reasonable what i think is going on here too is that i'm a pretty normal basic person and this is like my one big quirk and i think that it catches people off guard and i'm um and i hold tight to it corks are all i care about john if it works for you it works for you there's no reason to deny that yeah thanks and hey by the way breakfast and dinner no restrictions right we can do whatever we want okay i'm letting my fucking hair down at breakfast i'm having some oatmeal have like sort of prescribed lunches that you stick to like your big three or do you do you swim in a vast sea of cold plates or do you is it pretty regimented?

1:15:39It doesn't have to be cold. Again, room temperature. I meant non-hots. Jason, come on, bro. Respect. Jason, respect our guests. Jesus Christ. You know, our Puck's second office was in Chelsea right next to Momoya. You guys big Momoya? Yeah, I've been to that office. I've been to a party there. Momoya is Momoya. So sushi a lot. I don't know. I'm not a help nut, but I do what I can. I'm not getting any younger guys. What's your caffeine intake? You're not tucking a zen in there after a cup of coffee, are you? Oh, no. That's gross. Is that your thing? No, no. You're so productive. I just want to pick up some tricks.

1:16:15Jason Stewart:But you don't smoke cigarettes then. No, no, no. No, definitely not. I drink a lot of coffee. I wake up very early, and I drink a lot of coffee. And actually, I have a self-imposed rule. I try not to drink it after three. How early are we talking? Are we Mark Wahlberging? Oh, no. There's no ice bath at four in the morning. That's crazy. No, but I'm productive at six. I feel like I have to be responsive to people who need it. You're firing at six. Yeah, I'm working. Is your shirt tucked in at six? I wear the same thing every day. It's another quirk. So it takes a lot of the choice in the morning out of the equipment.

1:16:53Well, we got blue polo. That's a similar. Jason and I also subscribe to the blue polo. What else? What's on the bottom? I'll let you figure out the rest, guys. You know? but I'm up and at them early and I get a lot of work done and then I think my kids school go run and go to work What brand is the polo John? This is a Sid Mashburn polo Oh repping ATL baby shot to Sid Friends of the pod I've got like 10 or 12 if you want one Jason I bet we're not the same Jason he knows you're looking for work so you can spare a polo for a young man

1:17:29Jason Stewart:You don't even have to wash them just thank you we just really appreciate it John all mine have sleeves though so no he can do that himself don't worry look I just I just finished a hike and came down here it was too hot to put clothes on and also when we did our episode with Graydon Carter I it was in the dead of summer as hot as hell and I was wearing a similar wife beater and he he could not stop insulting it it was really funny no that's on the no fly zone for him one of the best moments of how long gone was Graydon Carter being disgusted with our tattoos to the point of next time I saw him he brought it up yeah people don't know this about grading but he's very canadian in a lot of ways and like that's um and the and the and the body art thing is a person shouldn't have tattoos and i learned that he mentioned it a lot in his memoir about yeah i was like this guy fucking hates tattoos more than i mean maybe anything in the world which is it's cool a good course you guys have other charms though so i think it's a little late to turn that one around but you guys make a for it in other ways.

1:18:26Definitely late. For sure, that would happen. All right, John, thank you for joining us on How Long Gone. It was a pleasure. If you want to check out Puck, you go to, is it, what is it? Puck.news is the website? Yes, exactly. Sign up. Thank you. Sign up. Pay for the, what's the expensive membership? The Inner Circle membership is$250, which will get you access to airmail as well, and I couldn't recommend it more. There you go. All right. Thanks, John. We appreciate the time, and we'll see you soon. All right. My pleasure, guys. Thank you.

1:18:56Thank you.

From the publisher

Jon Kelly is the co-founder and editor-in-chief of the media company Puck. We chat with him from his office in New York about restaurants desperately needing more alcohol sales, Jason proposing a revamp of movie theater concessions, the suburbs being exotic to a native New Yorker, the need for Chief Taste Officers, whether Puck plans to enter the prediction market space, acquiring Air Mail, their former competition, the need to be camera-ready as a journalist, him reading what you think he reads, his history with the Knicks, when you train your agents to replace you, and we close on his personal philosophy of lunchtime food temperatures.

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